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Feasibility of Live Video Feed Transmission from Unmanned Aerial Vehicles for Medical Surveillance During the 2022 Montreal Marathon
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- Prehospital and Disaster Medicine / Volume 38 / Issue 5 / October 2023
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- 03 October 2023, pp. 617-621
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- October 2023
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The messy practice of decolonising a concept: Everyday humanitarianism in Tanzania
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- Review of International Studies / Volume 49 / Issue 3 / July 2023
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- 05 July 2023, pp. 390-403
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- July 2023
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COMPLEX SYSTEMS DESIGN: SUSTAINABILITY CHALLENGES FOR SHIPBUILDING
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- Proceedings of the Design Society / Volume 3 / July 2023
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- 19 June 2023, pp. 1027-1036
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Transcriptional subtyping explains phenotypic variability in genetic subtypes of autism spectrum disorder
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- Development and Psychopathology / Volume 32 / Issue 4 / October 2020
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- 11 September 2020, pp. 1353-1361
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Index
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- Concepts of Creativity in Seventeenth-Century England
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- 21 November 2013, pp 343-354
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Imitation and Arrangement
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7 - Telling what is Told: Originality and Repetition in Rubens's English Works
- from Authorial Identity
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Creative Identity and the Role of Print Media
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- 21 November 2013, pp 61-62
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Preface
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6 - The ‘Artificial Sceane’: The Re-creation of Italian Architecture in John Evelyn's Diary
- from Mapping Knowledge: The Visual Representation of Ideas
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- 21 November 2013, pp 131-148
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Frontmatter
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5 - Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries
- from Mapping Knowledge: The Visual Representation of Ideas
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Contents
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Bibliography
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- 21 November 2013, pp 309-342
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Creating to Order: Patronage and the Creative Act
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List of Illustrations
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The Performer as Creator
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- 21 November 2013, pp 253-254
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List of Contributors
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781782042310/resource/name/9781782042310i.jpg)
Concepts of Creativity in Seventeenth-Century England
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12 - Music and Manly Wit in Seventeenth-Century England: The Case of the Catch
- from The Performer as Creator
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- 21 November 2013, pp 281-308
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