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Appendix 2 - Technique de l'orchestre moderne, “L'orgue”
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- Widor on Organ Performance Practice and Technique
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Part One - Background
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Appendix 3 - Initiation musicale, “L'orgue”
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4 - Excerpts from Widor's Preface to Jean-Sébastien Bach—ɶuvres complètes pour orgue, Vols. 1–4, and Correlative Commentary
- from Part Two - Maxims
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2 - “The art of organ playing has not changed at all since Johann Sebastian Bach”
- from Part One - Background
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3 - “In France we have neglected performance much too much in favor of improvisation”
- from Part One - Background
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Index
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Bibliography
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Frontmatter
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Appendix 5 - Key to Widor's System of Abbreviated Registration, Symphonie gothique, First Movement
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13 - Josephine Lang and the Salon in Southern Germany
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- Musical Salon Culture in the Long Nineteenth Century
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- 17 January 2023
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- 22 April 2019, pp 199-210
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Volume XXVIII 2019
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- Studies in Medievalism XXVIII
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- 17 January 2023
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- 22 April 2019, pp xi-xii
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Studies in Medievalism XXVIII
- Medievalism and Discrimination
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- 22 April 2019
3 - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness: C. J. Arnold’s Quartettabend bei Bettina von Arnim Reconsidered
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5 - Film Feminisms in West German Cinema: A Public Sphere for Feminist Politics
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Freedom to Discriminate
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Paul Dukas
- Composer and Critic
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Index
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II - Other Responses to Medievalism (and Authenticity)
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12 - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin
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- 22 April 2019, pp 185-198
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