Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-07-28T14:26:30.997Z Has data issue: false hasContentIssue false

3 - “In France we have neglected performance much too much in favor of improvisation”

from Part One - Background

Published online by Cambridge University Press:  25 March 2020

Get access

Summary

César Franck, venerated as an “Archange musicien” by his admirers, was renowned as a brilliant improviser and gifted composer. Titular organist at the Paris Church of Sainte-Clotilde since 1859, he was appointed organ professor at the Paris Conservatory in 1872. Known as “père Franck” by his pupils, he affectionately mentored those who enrolled in his organ class, which focused on improvisation. As to correct organ playing, however, Franck left no apparent legacy. Louis Vierne, a student in Franck's last organ class, recorded in his memoires: “Of the six hours of class each week, the maître devoted at least five to improvisation…. Performance interested him little…. To compensate, the maître's teaching produced some excellent improvisers.”

Upon Franck's death in 1890, Widor was appointed the new organ professor. He had been organist of Saint-Sulpice commanding the most imposing instrument in France for twenty years, composing eight symphonies for solo organ, and earning renown as an organist par excellence. He immediately and radically departed from the focus of his predecessor, declaring to his new class, “In France we have neglected performance much too much in favor of improvisation.” Although a fine improviser himself, Widor undertook to infuse into the veins of young French organists the appropriate style of playing the organ, which included a concomitant understanding of the inherent nature and capacities of the instrument. What did Widor teach about playing the organ correctly and authentically? One need only look to his detailed writings and the pertinent narratives of his students to learn how he advanced what may now be considered the “pure tradition” of the French Romantic organ school.

“Of all instruments,” wrote Widor, “the one that requires the greatest style is the organ; it is the organ whose mechanical and cold sound demands that one give it a soul. Style is the way in which each one expresses his thought.” To achieve this end, Widor promulgated the teachings of his maître Lemmens, in whom he always found the inspired example:

Lemmens was an unrivaled virtuoso; the return to true principles and sound doctrine dates back to him. Before him, there was neither theory, nor rule, nor discipline. Organists—failed pianists—trampled about after a fashion on their pedals, knees spread out like some frogs in a glass jar.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×