10438 results in Cambridge Handbooks
4 - Theoretical foundations for an empirical aesthetics
- from PART I - Concepts, theories and methods
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 60-85
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13 - Frommusic perception to an integrative framework for the psychology of aesthetics
- from PART III - Objects and media
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 300-336
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Index
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 603-620
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8 - Evolutionary approaches to art and aesthetics
- from PART II - Perspectives and approaches to art and aesthetics
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 167-194
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2 - Empirical aesthetics: hindsightand foresight
- from PART I - Concepts, theories and methods
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 6-34
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Contributors
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp xvii-xxvi
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Boxes
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp xvi-xvi
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Figures
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp x-xiv
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19 - Neuroaesthetics: descriptive and experimental approaches
- from PART IV - Contemporary issues and debates
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 481-499
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5 - Aestheticsassessment
- from PART I - Concepts, theories and methods
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 86-112
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PART I - Concepts, theories and methods
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 1-112
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3 - Philosophy of art and empirical aesthetics:resistance and rapprochement
- from PART I - Concepts, theories and methods
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 35-59
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6 - Beyond perception –information processing approaches to art appreciation
- from PART II - Perspectives and approaches to art and aesthetics
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 115-138
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23 - Hokusai and Fuji: cognition, convention and pictorial invention inJapanese pictorial arts
- from PART IV - Contemporary issues and debates
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- The Cambridge Handbook of the Psychology of Aesthetics and the Arts
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- 30 October 2014, pp 562-588
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10 - Inner form as a notion migrating from West to East
- from Part IV - Language and culture
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- The Cambridge Handbook of Cultural-Historical Psychology
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- 05 October 2014
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- 30 September 2014, pp 247-271
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13 - There can be no culturalhistorical psychology without neuropsychology. And vice versa
- from Part V - Brain
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- The Cambridge Handbook of Cultural-Historical Psychology
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- 05 October 2014
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- 30 September 2014, pp 315-349
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20 - Cultural-historical theory and semiotics
- from Part VI - Beyond psychology
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- The Cambridge Handbook of Cultural-Historical Psychology
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- 05 October 2014
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- 30 September 2014, pp 488-516
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Part I - Theory
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- The Cambridge Handbook of Cultural-Historical Psychology
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- 30 September 2014, pp 7-98
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1 - Introducing Vygotsky’s cultural-historical psychology
- from Part I - Theory
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- The Cambridge Handbook of Cultural-Historical Psychology
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- 30 September 2014, pp 9-46
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Contents
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- The Cambridge Handbook of Cultural-Historical Psychology
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- 30 September 2014, pp v-vii
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