21598 results in Cambridge Companions
13 - Case Studies of Women in Electronic Music: The Early Pioneers
- from Part III - Women and Music Technology
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 199-212
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Appendix: Survey Questions for Chapter 14, The Star-Eaters: A 2019 Survey of Female and Gender-Non-Conforming Individuals Using Electronics for Music
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 291-295
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In Her Own Words: Practitioner Contribution 1
- from Part I - The Classical Tradition
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 95-100
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In Her Own Words: Practitioner Contribution 2
- from Part II - Women in Popular Music
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 192-196
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3 - Behind the Iron Curtain: Female Composers in the Soviet Bloc
- from Part I - The Classical Tradition
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 33-47
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Figures
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp xiv-xiv
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15 - Women and Music Education in Schools: Pedagogues, Curricula, and Role Models
- from Part IV - Women’s Wider Work in Music
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 237-253
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5 - On the Podium: Women Conductors
- from Part I - The Classical Tradition
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 64-79
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2 - Women in Composition during the Cold War in Music
- from Part I - The Classical Tradition
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 18-32
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Preface
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp xxi-xxix
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Abbreviations
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp xxx-xxx
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In Her Own Words: Practitioner Contribution 4
- from Part IV - Women’s Wider Work in Music
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 270-275
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1 - Women in Composition before the Second World War
- from Part I - The Classical Tradition
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 3-17
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11 - The British Folk Revival: Mythology and the ‘Non-Figuring’ and ‘Figuring’ Woman
- from Part II - Women in Popular Music
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- The Cambridge Companion to Women in Music since 1900
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- 17 April 2021
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- 06 May 2021, pp 163-175
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9 - Music Games
- from Part III - Analytical Approaches to Video Game Music
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- The Cambridge Companion to Video Game Music
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- 15 April 2021
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- 29 April 2021, pp 140-158
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16 - Audio and the Experience of Gaming: A Cognitive-Emotional Approach to Video Game Sound
- from Part IV - Realities, Perception and Psychology
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- The Cambridge Companion to Video Game Music
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- 15 April 2021
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- 29 April 2021, pp 284-301
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Part IV - Receptions
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- The Cambridge Companion to Sappho
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- 09 April 2021
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- 29 April 2021, pp 261-486
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Chapter 14 - Myth in Sappho
- from Part II - Poetics
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- The Cambridge Companion to Sappho
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- 09 April 2021
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- 29 April 2021, pp 190-202
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Chapter 9 - Sappho’s Metres and Music
- from Part II - Poetics
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- The Cambridge Companion to Sappho
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- 09 April 2021
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- 29 April 2021, pp 121-134
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Chapter 23 - Sappho at Byzantium
- from Part IV - Receptions
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- The Cambridge Companion to Sappho
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- 09 April 2021
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- 29 April 2021, pp 320-331
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