Turning to folk music, in Chapter 11, Michael Brocken focuses upon the British folk revival to consider both the traditional marginalisation of women’s voices and the contemporary emergence of a more open folk scene in which women’s voices ‘figure’. Blending an auto-ethnographic and an ethnographic approach, Brocken considers not only his own growing awareness of gender issues within the folk scene as a male researcher, but also draws upon interview material with folk musician Emily Portman and folk and acoustic music promoter Rose Price.