Book contents
- Frontmatter
- Contents
- Introduction
- Acknowledgements
- Planning
- Delivery
- Activities
- 51 Action learning
- 52 Amplifying your teaching
- 53 Audio feedback
- 54 Bibliographies
- 55 Blogs
- 56 Brainstorming
- 57 Building blocks
- 58 Buzz groups
- 59 Card sorting
- 60 Case studies
- 61 Cephalonian method
- 62 Checklists
- 63 Design briefs
- 64 Discussions
- 65 Dividing the dots
- 66 Drawing the line
- 67 Fear cards
- 68 Future scenarios
- 69 Games
- 70 Goldfish bowl
- 71 Guided tours
- 72 Hands-on workshops
- 73 Ice-breakers
- 74 Interviewing
- 75 Jigsaws
- 76 Lectures
- 77 Mind maps
- 78 Multiple-choice questions
- 79 Peer assessment
- 80 Podcasts
- 81 Portfolios
- 82 Poster tours
- 83 Presentations by learners
- 84 Problem-based learning (PBL)
- 85 Pub quizzes
- 86 Questionnaires
- 87 Quizzes
- 88 Self-assessment
- 89 Self-guided tours
- 90 Social bookmarking
- 91 Stop, Start, Continue feedback
- 92 Storytelling
- 93 Technology-enhanced learning (TEL)
- 94 Treasure hunt
- 95 Video
- 96 Virtual learning environments (VLEs) (or learning management systems, LMSs)
- 97 Visiting lecturers/guest speakers
- 98 Voting systems
- 99 WebQuests
- 100 Wikis
- 101 Worksheets
- Index
81 - Portfolios
from Activities
Published online by Cambridge University Press: 08 June 2018
- Frontmatter
- Contents
- Introduction
- Acknowledgements
- Planning
- Delivery
- Activities
- 51 Action learning
- 52 Amplifying your teaching
- 53 Audio feedback
- 54 Bibliographies
- 55 Blogs
- 56 Brainstorming
- 57 Building blocks
- 58 Buzz groups
- 59 Card sorting
- 60 Case studies
- 61 Cephalonian method
- 62 Checklists
- 63 Design briefs
- 64 Discussions
- 65 Dividing the dots
- 66 Drawing the line
- 67 Fear cards
- 68 Future scenarios
- 69 Games
- 70 Goldfish bowl
- 71 Guided tours
- 72 Hands-on workshops
- 73 Ice-breakers
- 74 Interviewing
- 75 Jigsaws
- 76 Lectures
- 77 Mind maps
- 78 Multiple-choice questions
- 79 Peer assessment
- 80 Podcasts
- 81 Portfolios
- 82 Poster tours
- 83 Presentations by learners
- 84 Problem-based learning (PBL)
- 85 Pub quizzes
- 86 Questionnaires
- 87 Quizzes
- 88 Self-assessment
- 89 Self-guided tours
- 90 Social bookmarking
- 91 Stop, Start, Continue feedback
- 92 Storytelling
- 93 Technology-enhanced learning (TEL)
- 94 Treasure hunt
- 95 Video
- 96 Virtual learning environments (VLEs) (or learning management systems, LMSs)
- 97 Visiting lecturers/guest speakers
- 98 Voting systems
- 99 WebQuests
- 100 Wikis
- 101 Worksheets
- Index
Summary
A portfolio is a compilation of material, sometimes an assembly of artworks or other creative material, or a collection of documents and other work products. The materials in the latter type of portfolio are usually linked together by pieces of reflective writing and will often illustrate the development of knowledge, skills and abilities over a period of time. There may be an introductory synthesis paper that pulls together all of the evidence into a coherent whole.
Portfolios are a popular form of assessment, especially in professional, postexperience and art-based courses. The UK's Chartered Institute of Library and Information Professionals’ (CILIP) Framework of Qualifications is portfoliobased and many teaching in higher or further education courses use a portfolio as the principal means of assessment. You may therefore have had to create one yourself but not thought to use this as an approach when designing your own teaching and learning activities.
Portfolios will only be appropriate for a long-term relationship with learners, as a portfolio cannot be created easily over only a couple of weeks. However, if you do run a longer module or course on information literacy, portfolios could be an excellent way of showing the development of learning and reflection.
You may want to encourage evidence of searches or an understanding of information as a component in a portfolio covering wider issues – for example, the now common Personal Development Plan (PDP) in UK higher education.
When designing assessments that use portfolios, think about:
• Requiring evidence that shows a progression or that allows for reflection. Something like an ongoing search for information on a subject can allow the learner to show changes in search strategy, the following of trails and the translation of a reference or abstract into the thing itself, and its subsequent use to create a new piece of work.
• Providing examples of evidence and reflective writing. Although this is becoming more common, it can still be difficult for those unused to reflective writing to produce a portfolio. This can be especially true when working with young adults as reflective approaches are not widely used in schools, and it can be difficult to find models of good portfolios.
• Making sure that evidence exists to illustrate the portfolio – handouts, diagrams, etc.
• Ensure that sufficient guidance is provided on how to structure the portfolio.
• Drawing up clear assessment criteria.
- Type
- Chapter
- Information
- A Guide to Teaching Information Literacy101 Practical Tips, pp. 211 - 212Publisher: FacetPrint publication year: 2011