Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-nmvwc Total loading time: 0 Render date: 2024-07-02T19:35:43.222Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

10 - Gendering the Margins of Gray: Blake, Classical Visual Culture and the Alternative Bodies of Ann Flaxman's Book

Luisa Calè
Affiliation:
Birkbeck, University of London
Get access

Summary

Writing to a friend in early 1796, Ann Flaxman praised William Blake's latest endeavour, a set of illustrations for Richard Edwards's edition of Edward Young's Night Thoughts: ‘Edwards has inserted the letter press close cut of Youngs Night Thinto large Margins making a folio size this a friend of ours is ornamenting with most beautiful designs in water colours.’ In a later letter Ann commented that Blake ‘has treated his Poet most Poetically – Flaxman has employ'd him to Illuminate the works of Grey for my Library’. Working on a copy of John Murray's 1790 edition of Gray, Blake adopted the same technique of extra-illustration he had employed on the working copy of Young's Night Thoughts. On the expanded margins of the folio, a naked youth soars out of the book riding a swan upwards ‘through the azure deep of air’ (see Figure 10.1). Tipped onto the illustration slightly off-centre, the book's title page covers part of the swan's wing and the left part of the youth's bottom. This interruption of form conveys dynamism to a flight that seems to originate from within the book and extend beyond the limits of the page. The wider folio margins revoke the title-page's function as the book's boundary. The impression of a continuous deep sky painted in the book's expanded margins blurs the distinction between the world of the poems and the world of the reader.

Type
Chapter
Information
Publisher: Pickering & Chatto
First published in: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×