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Grimmelshausen's Non-Simplician Novels

from I - Basics

Published online by Cambridge University Press:  27 April 2017

Andreas Solbach
Affiliation:
Professor of German and Film and Theater Studies at the Johannes Gutenberg-Universität Mainz
Shannon Keenan Greene
Affiliation:
Lecturer in German at the University of Pennsylvania
Peter Hess
Affiliation:
University of Texas at Austin
D. Menhennet
Affiliation:
Professor emeritus University of Newcastle
Christoph E. Schweitzer
Affiliation:
Professor emeritus of German at University of North Carolina at Chapel Hill.
Andreas Solbach
Affiliation:
University of Mainz
Rosmarie Zeller
Affiliation:
University of Basel
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Summary

Grimmelshausen researchers have always made a distinction between the ten-book cycle of the Simplicissimus Teutsch and related material on the one hand, and the “non-Simplician” works on the other. There are in fact good reasons for such categorization. The novels in question, Histori vom Keuschen Joseph (1666), Musai Lebens-Lauff (1670), Dietwalt und Amelinde (1670) and Proximus und Lympida (1672), are quite different when compared to Simplicissimus Teutsch (1668–69). Still, they show some common features that indicate it may be sensible to group the first four mentioned novels together.

However, as much as it has been accepted that they are not Simplician, a common definition and denomination has been lacking. They have been labeled “galant,” “höfisch,” “höfisch-historisch,” and, faute de mieux, “non-Simplician.” Grimmelshausen's latest editor, Dieter Breuer, labels them “Legendenromane” und “Historische Romane” on the back of volume 2 of his edition, but does not categorize them within the text, and in his recent Grimmelshausen-Handbuch (1999) he simply calls them “Historische Romane.” Whereas such a definition seems too wide, the other favorite description “Legendenromane” clearly is too narrow and misses the mark.

The whole question, however, seems academic in view of the persistent neglect that these works have experienced. Interpreters have shunned them, and when they were made the main focus of a monograph or an article, philological ground-work was most often the topic: influences, sources, reception, but hardly much by way of analysis or interpretation. The moralistic tone together with long passages of circumstantial narrative and a pronounced religious and didactic intention did not enhance the attraction toward this group of novels which was rigidly set apart from the Simplicissimus cycle as if two different authors had been at work. This procedure aggravated the problem considerably since it obscured and eventually destroyed important linkages between all parts of Grimmelshausen's oeuvre.

The “non-Simplician” writings, and I will include two supplementary tracts, Satyrischer Pilgram (1666–1667) and Ratio Status (1670), do not form a separate group within the works of Grimmelshausen. The Keuscher Joseph and Satyrischer Pilgram precede Simplicissimus, and the other non-Simplician novels are parallel to the Simplicissimus-cycle.

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Publisher: Boydell & Brewer
Print publication year: 2002

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