Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-x5cpj Total loading time: 0 Render date: 2024-07-30T20:17:31.869Z Has data issue: false hasContentIssue false

Eleven - Conclusion

Published online by Cambridge University Press:  22 September 2020

David Torrance
Affiliation:
House of Commons Library
Get access

Summary

palimpsest

‘palim(p)sɛst/

noun

  • 1. a manuscript or piece of writing material on which later writing has been superimposed on effaced earlier writing.

  • 2. something reused or altered but still bearing visible traces of its earlier form.

The modern era, to quote the nationalist theorist Anthony D. Smith, is ‘not a blank slate’, but rather resembles ‘a palimpsest on which are recorded experiences and identities of different epochs and a variety of ethnic formations’. Earlier epochs influence – and are in turn modified by – later eras, ‘to produce the composite type of collective cultural unit which we call “the nation”’ (Smith 1995: 59–60).

From the moment the 1707 political union between Scotland and England was agreed, a palimpsest union was born, incorporating the earlier Anglo-Welsh union and which was later overlaid with the 1801 union of ‘Great Britain’ and Ireland. The resulting nation, or nation-state, was viewed differently from Edinburgh, Cardiff and Dublin (later Belfast). For Scotland, the foundational document was the Treaty of Union; for Dublin/Belfast, it was an Act of Union agreed in 1800 and enacted the following year.

During the seventeenth and eighteenth centuries this palimpsest union was imagined as ‘Britain’ or ‘Great Britain’ and its ‘official’ nationalism became known as ‘unionism’. But within that nationalism there existed other, competing stories, memories of former epochs in which Ireland, Scotland and Wales had possessed their own degree of sovereignty. The unions of 1707 or 1801, for example, had not erased two of those alternative narratives; as Dicey and Rait wrote of the former, ‘the sacrifice of Scottish independence’ did not mean the ‘loss of Scottish Nationalism’.

Thereafter this ‘official’ nationalism in Scotland, Wales and later Northern Ireland (or ‘Ulster’) took a number of forms, operating in concert – rather than in conflict – with a broader British nationalism and imperial ‘patriotism’. In Scotland it was both defensive (epitomised by Sir Walter Scott and his defence of banknotes) and proactive (demanding administrative reform); in Wales it was initially more cultural and religious than political; and in Northern Ireland it took the form of a localised defence of Britishness. The aim of these ‘nationalist unionists’ was both the preservation of autonomous traces from earlier epochs and the creation of new civic institutions.

Type
Chapter
Information
Standing Up for Scotland
Nationalist Unionism and Scottish Party Politics, 1884–2014
, pp. 202 - 219
Publisher: Edinburgh University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×