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Published online by Cambridge University Press:  30 September 2021

Edward Campbell
Affiliation:
University of Aberdeen
Peter O'Hagan
Affiliation:
Roehampton University, London
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Publisher: Cambridge University Press
Print publication year: 2021

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References

Laloy, Louis, La Musique retrouvée, 1902–1928 (Paris: Plon, 1928).Google Scholar
Priest, Deborah, Louis Laloy (1874–1944) on Debussy, Ravel and Stravinsky (Aldershot: Ashgate, 1999).Google Scholar
Adès, Thomas, Full of Noises: Conversations with Tom Service (London: Faber and Faber, 2012).Google Scholar
Adorno, Theodor W., Philosophy of New Music, trans. and ed. Hullot-Kentor, Robert (University of Minnesota Press, 2006). Originally published in German, 1949.Google Scholar
Cross, Jonathan, The Stravinsky Legacy (Cambridge University Press, 1998).Google Scholar
van den Toorn, Pieter C. and McGinness, John, Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom (Cambridge University Press, 2012).CrossRefGoogle Scholar
Malko, Nikolai, ‘Liadov’, in A Certain Art (New York: Morrow & Co., 1966), 3342.Google Scholar
Tatiana Baranova Monighetti, ‘Stravinsky’s Russian Library’, in SHW, 61–77.Google Scholar
Goddard Lieberson Papers, Gilmore Music Library, Yale University, Stravinsky: The Complete Columbia Album Collection (Sony Classical 88875026162, 57 discs, 2015)Google Scholar
Stuart, Philip, Igor Stravinsky – The Composer in the Recording Studio: A Comprehensive Discography (Westport, CT: Greenwood Press, 1991).Google Scholar
Lifar, Serge, Ballet: Traditional to Modern, trans. Cyril W. Beaumont (London: Putnam, 1938).Google Scholar
Dufour, Valérie, Stravinski et ses exégètes (1910–1940) (Brussels: Édition de l’Université de Bruxelles, 2006).Google Scholar
Charles-Ferdinand Ramuz, Souvenirs sur Igor Stravinsky (Rezé: Séquences, 1997).Google Scholar
Michael S. Roberts, ‘Auden and post-war opera’, in W. H. Auden in Context (Cambridge University Press, 2013), 246–54.Google Scholar
Cross, Jonathan, The Cambridge Companion to Stravinsky (Cambridge University Press, 2003).Google Scholar
Lourié, Arthur, ‘Neogothic and neoclassic’, Modern Music, 3 (March–April 1928).Google Scholar
Lourié, Arthur, ‘An inquiry into melody’, Modern Music, 7.1 (December 1929), 311.Google Scholar
Murray Schafer, R, British Composers in Interview (London: Faber and Faber, 1963).Google Scholar

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  • L
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
  • Chapter DOI: https://doi.org/10.1017/9781316493205.013
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  • L
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
  • Chapter DOI: https://doi.org/10.1017/9781316493205.013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • L
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
  • Chapter DOI: https://doi.org/10.1017/9781316493205.013
Available formats
×