Stravinsky, Igor, Stravinsky: An Autobiography (New York: Simon and Schuster, 1936).Google Scholar

Stravinsky, Igor, Poetics of Music in the Form of Six Lessons. Trans. Arthur Knodel and Ingolf Dahl (Cambridge, Mass.: Harvard University Press, 1947).Google Scholar

Stravinsky, Igor, Chroniques de ma vie (Paris: Éditions Denoël, 1962).Google Scholar

Stravinsky, Igor, Themes and Conclusions (London: Faber and Faber, 1972).Google Scholar

Stravinski, Igor, Confidences sur la musique: Propos recueillis (1912–1939). Texts and interviews selected, edited and annotated by Valérie Dufour (Arles: Actes Sud, 2013).Google Scholar

Stravinsky, Igor, and Craft, Robert, Conversations with Igor Stravinsky (London: Faber and Faber, 1959).Google Scholar

Stravinsky, Igor, and Craft, Robert, Memories and Commentaries (London: Faber and Faber, 1960).Google Scholar

Stravinsky, Igor, and Craft, Robert, Expositions and Developments (London: Faber and Faber, 1962).CrossRefGoogle Scholar

Stravinsky, Igor, and Craft, Robert, Themes and Episodes (New York: Knopf, 1967).Google Scholar

Stravinsky, Igor, and Craft, Robert, Dialogues and a Diary (London: Faber and Faber, 1968).Google Scholar

Stravinsky, Igor, and Craft, Robert, Retrospectives and Conclusions (New York: Knopf, 1969).Google Scholar

Stravinsky, Igor, and Craft, Robert, Memories and Commentaries: New One-volume Edition (London: Faber and Faber, 2002).Google Scholar

Craft, Robert (ed.), Stravinsky: Selected Correspondence, 3 vols. (London: Faber and Faber, 1982, 1984, 1985).Google Scholar

Tappolet, Claude (ed.), Correspondance Ansermet–Strawinsky (1914–1967), vol. III (Geneva: Georg, 1992).Google Scholar

Varunts, Viktor (ed.), I. F. Stravinsky: Perepiska s russkimi korrespondentami. Materiali k biografi, 3 vols. (Moscow: Kompozitor, 1997, 2000, 2003).Google Scholar

Varunts, Viktor (ed.). I. Stravinsky: Publitsist i sobesednik (Moscow: Sovetskiy Kompozitor, 1988).Google Scholar

Walzer, Pierre-Olivier (ed.), Charles-Albert Cingria: Correspondance avec Igor Strawinski (Lausanne: Éditions L’Age d’Homme, 2001).Google Scholar

Craft, Robert, A Stravinsky Scrapbook 1940–1971 (London: Thames and Hudson, 1983).Google Scholar

Craft, Robert, Stravinsky: Chronicle of a Friendship, revised and expanded edn (Nashville and London: Vanderbilt University Press, 1994).Google Scholar

Craft, Robert, Stravinsky: The Chronicle of a Friendship 1948–1971 (London: Gollancz, 1972).Google Scholar

Craft, Robert (ed.), Dearest Bubushkin: The Correspondence of Vera and Igor Stravinsky, 1921–1954, with Excerpts from Vera Stravinsky’s Diaries, 1922–1971, trans. Lucia Davidova (London: Thames and Hudson, 1985).Google Scholar

Stravinskaya, K. Yu., O. I. F. Stravinskom i evo blizkikh (Leningrad: Muzïka, 1978).Google Scholar

Stravinsky, Vera, and Craft, Robert, Stravinsky in Pictures and Documents (New York: Simon and Schuster, 1978).Google Scholar

Stravinsky, Vera, McCaffrey, Rita and Craft, Robert, Igor and Vera Stravinsky: A Photograph Album, 1921 to 1971 (London: Thames and Hudson, 1982).Google Scholar

Strawinsky, Theodore, and Strawinsky, Denise, Stravinsky: A Family Chronicle 1906–1940, trans. Stephen Walsh (London : Schirmer, 2004); edited translation of T. and D. Strawinsky, Au cœur du foyer (Bourg-la-Reine: Zurfluh, 1998), which incorporated a revised text from Theodore Strawinsky, Catherine & Igor Stravinsky: A Family Album (London: Boosey & Hawkes, 1973).Google Scholar

Andriessen, Louis, and Elmer, Schönberger, The Apollonian Clockwork: On Stravinsky, trans. Jeff Hamburg (Amsterdam University Press; Amsterdam Academic Archive, 2006).Google Scholar

Boucourechliev, André, Stravinsky, trans. Martin Cooper (London: Victor Gollancz, 1987).Google Scholar

Carr, Maureen A., After the Rite: Stravinsky’s Path to Neoclassicism (1914–1925) (New York: Oxford University Press, 2014).CrossRefGoogle Scholar

Carr, Maureen A., Multiple Masks: Neoclassicism in Stravinsky’s Works on Greek Subjects (Lincoln and London: University of Nebraska Press, 2002).Google Scholar

Carr, Maureen A. (ed.), Stravinsky’s Histoire du soldat: A Facsimile of the Sketches (Middleton, Wis.: A.-R. Editions, 2005).Google Scholar

Carr, Maureen A. (ed.), Stravinsky’s Pulcinella: A Facsimile of the Sketches and Sources (Middleton, Wis.: A.-R. Editions, 2010).Google Scholar

Cross, Jonathan. Igor Stravinsky. (London: Reaktion Books, 2015).Google Scholar

Cross, Jonathan, The Stravinsky Legacy (Cambridge University Press, 1998).Google Scholar

Cross, Jonathan (ed.), The Cambridge Companion to Stravinsky (Cambridge University Press, 2003).Google Scholar

Druskin, Mikhail, Igor Stravinsky: His Life, Works and Views, trans. Martin Cooper (Cambridge University Press, 1983).Google Scholar

Dufour, Valérie, Stravinski et ses exégètes (1910–1940) (Brussels: Edition de l’Université de Bruxelles, 2006).Google Scholar

Francis, Kimberley A., Nadia Boulanger and the Stravinskys: A Selected Correspondence (University of Rochester Press, 2018).Google Scholar

Francis, Kimberley A., Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon (New York: Oxford University Press, 2015).Google Scholar

Griffiths, Graham, Stravinsky’s Piano: Genesis of a Musical Language (Cambridge University Press, 2013).CrossRefGoogle Scholar

Hill, Peter, Stravinsky: The Rite of Spring (Cambridge University Press, 2000).Google Scholar

Horgan, Paul, Encounters with Stravinsky: A Personal Record (New York: Farrar, Straus and Giroux, 1972).Google Scholar

Horlacher, Gretchen G., Building Blocks: Repetition and Continuity in the Music of Stravinsky (New York: Oxford University Press, 2011).Google Scholar

Jaffé, Daniel, Historical Dictionary of Russian Music (Lanham: Scarecrow Press, 2012).Google Scholar

Jordan, Stephanie, Stravinsky Dances: Re-visions Across a Century (Alton, Hampshire: Dance Books, 2007).Google Scholar

Joseph, Charles M., Stravinsky Inside Out (New Haven and London: Yale University Press, 2001).Google Scholar

Joseph, Charles M., Stravinsky and Balanchine: A Journey of Invention (New Haven and London: Yale University Press, 2002).Google Scholar

Joseph, Charles M., Stravinsky’s Ballets (New Haven and London: Yale University Press, 2011).Google Scholar

Lesure, François (ed.), Stravinsky: Études et témoignages (Paris: Lattès, 1982).Google Scholar

Levitz, Tamara, Modernist Mysteries: Perséphone (New York: Oxford University Press, 2012).CrossRefGoogle Scholar

Levitz, Tamara (ed.), Stravinsky and His World (Princeton University Press, 2013).Google Scholar

Libman, Lillian, And Music at the Close: Stravinsky’s Last Years (London: Macmillan, 1972).Google Scholar

Maconie, Robin, Experiencing Stravinsky: A Listener’s Companion (Lanham, MD: Scarecrow Press, 2013).Google Scholar

Neff, Severine, Carr, Maureen and Horlacher, Gretchen (eds.), with Reef, John, The Rite of Spring at 100 (Bloomington: Indiana University Press, 2017).Google Scholar

Pasler, Jann (ed.), Confronting Stravinsky: Man, Musician, and Modernist (Berkeley and Los Angeles: University of California Press, 1986).Google Scholar

Slim, H. Colin, Stravinsky in the Americas: Transatlantic Tours and Domestic Excursions from Wartime Los Angeles (1925–1945) (Oakland: University of California Press, 2019).Google Scholar

Straus, Joseph N., Stravinsky’s Late Music (Cambridge University Press, 2001).Google Scholar

Taruskin, Richard, Defining Russia Musically (Princeton University Press, 1997).Google Scholar

Taruskin, Richard, Russian Music at Home and Abroad (Oakland: University of California Press, 2016).Google Scholar

Taruskin, Richard, Stravinsky and the Russian Traditions: A Biography of the Works through Mavra, 2 vols. (Berkeley and Los Angeles: University of California Press, 1996).Google Scholar

van den Toorn, Pieter C., The Music of Igor Stravinsky (New Haven: Yale University Press, 1983).Google Scholar

van den Toorn, Pieter C., and John, McGinness, Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom (Cambridge University Press, 2012).Google Scholar

Walsh, Stephen, The Music of Stravinsky (London: Routledge, 1988).Google Scholar

Walsh, Stephen, Stravinsky, A Creative Spring: Russia and France 1882–1934 (New York: Knopf, 1999; London: Jonathan Cape, 2000).Google Scholar

Walsh, Stephen, Stravinsky, The Second Exile: France and America 1934–1971 (New York: Knopf, 2006; London: Jonathan Cape, 2006).Google Scholar

White, Eric Walter, Stravinsky: The Composer and His Works, 2nd edn (London and Boston: Faber and Faber, 1979).Google Scholar