Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. The Cambridge Guide to the Worlds of Shakespeare
- 3. Shakespeare in Performance
- 4. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
- References
3. Shakespeare in Performance
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 30 November 2017
Edited by
Book contents
- Shakespeare Survey
- Shakespeare Survey
- Shakespeare Survey
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- ‘Think when we talk of horses … ’
- In Dialogue with Ayanna Thompson
- Shakespeare and the Novel: A Conversation
- ‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
- Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
- Four Centuries of Centenaries: Stratford-upon-Avon
- Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
- The Merchant in Venice: Re-creating Shakespeare in the Ghetto
- Shakespeare’s The Merchant of Venice in and beyond the Ghetto
- What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
- What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
- Exit Manuscripts: The Archive of Theatre and the Archive of Print
- ‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
- Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
- Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
- Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
- ‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
- Why Prospero Drowned His Books, and Other Catholic Folklore
- Why Did the English Stage Take Boys for Actresses?
- Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
- ‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
- Shakespeare’s Depriving Particles
- Shakespeare’s Comedy of Upright Status: Standing Bears and Fallen Humans
- ‘Worth the name of a Christian’?: The Parabolic Economy of The Two Gentlemen of Verona
- ‘Titus, unkind’: Shakespeare’s Revision of Virgil’s Aeneas in Titus Andronicus
- ‘Cut him out in little stars’: Juliet’s Cute Classicism
- The Will of Caesar: Choice-making, the Death of the Roman Republic and the Development of Shakespearean Character
- ‘As for that light hobby-horse, my sister’: Shakespearean Influences and Popular Discourses in Blurt Master Constable
- Messianic Ugliness in A Midsummer Night’s Dream and The Winter’s Tale
- Shakespeare Performances in England, 2016
- Professional Shakespeare Productions in the British Isles, January–December 2015
- The Year’s Contribution to Shakespeare Studies
- 1. Critical Studies
- 2. The Cambridge Guide to the Worlds of Shakespeare
- 3. Shakespeare in Performance
- 4. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 70
- Shakespeare Survey 70 Index
- References
Summary
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- Shakespeare Survey 70Creating Shakespeare, pp. 361 - 370Publisher: Cambridge University PressPrint publication year: 2017
References
Works Reviewed
Brown, John Russell and Di Benedetto, Stephen, eds., Designers’ Shakespeare (Abingdon and New York, 2016)Google Scholar
Conkie, Rob, Writing Performative Shakespeares. New Forms for Performance Criticism (Cambridge, 2016)CrossRefGoogle Scholar
Franssen, Paul, Shakespeare’s Literary Lives. The Author as Character in Fiction and Film (Cambridge, 2016)Google Scholar
Grant, Ferguson, Ailsa, Shakespeare, Cinema, Counter-Culture. Appropriation and Inversion (New York and Abingdon, 2016)Google Scholar
Loomis, Catherine and Ray, Sid, eds., Shaping Shakespeare for Performance. The Bear Stage (Madison and Teaneck, NJ, 2016)Google Scholar
Ney, Charles, ed., Directing Shakespeare in America. Current Practices (London and New York, 2016)CrossRefGoogle Scholar
Patricia, Anthony Guy, Queering the Shakespeare Film. Gender Trouble, Gay Spectatorship and Male Homoeroticism (London and New York, 2017)CrossRefGoogle Scholar
Smith, Bruce R., Shakespeare | Cut, Rethinking Cutwork in an Age of Distraction (Oxford, 2016)CrossRefGoogle Scholar