Shakespeare Survey 70: Creating Shakespeare

doi:10.1017/9781108277648

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Shakespeare Survey 70

Shakespeare Survey 70

Creating Shakespeare

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Volume 70
Edited by Peter Holland, University of Notre Dame, Indiana

Publisher: Cambridge University Press
Online publication date: November 2017
Print publication year: 2017
Online ISBN: 9781108277648
DOI: https://doi.org/10.1017/9781108277648

Subjects: Literature, Renaissance and Early Modern Literature
Series: Shakespeare Survey (70)

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Shakespeare Survey 70
Volume 70

Edited by Peter Holland
Online ISBN: 9781108277648

Book DOI: https://doi.org/10.1017/9781108277648
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The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Creating Shakespeare'.

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Shakespeare Survey 70

Creating Shakespeare

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Shakespeare Survey
pp i-i

Shakespeare Survey - Series page
pp ii-ii

Shakespeare Survey - Title page
pp iii-iii

Copyright page
pp iv-iv

Editor’s Note
pp v-v

Contributors
pp vi-viii

Contents
pp ix-x

Illustrations
pp xi-xii

‘Think when we talk of horses … ’
pp 1-9

In Dialogue with Ayanna Thompson
pp 10-18

Shakespeare and the Novel: A Conversation
pp 19-29

‘Music Still’: Understanding and Reconstructing Shakespeare’s Use of Musical Underscore
pp 30-39

Remembering and Forgetting in 1916: Israel Gollancz, the Shakespeare Tercentenary and the National Theatre
pp 40-49

Four Centuries of Centenaries: Stratford-upon-Avon
pp 50-57

Writing and Re-writing Shakespeare’s Life: A Roundtable Discussion with Margreta de Grazia, Katherine Scheil, James Shapiro and Stanley Wells
pp 58-66

The Merchant in Venice: Re-creating Shakespeare in the Ghetto
pp 67-78

Shakespeare’s The Merchant of Venice in and beyond the Ghetto
pp 79-88

What the Quills Can Tell: The Case of John Fletcher and Philip Massinger’s Love’s Cure
pp 89-98

What if Greg and Werstine Had Examined Early Modern Spanish Dramatic Manuscripts?
pp 99-112

Exit Manuscripts: The Archive of Theatre and the Archive of Print
pp 113-122

‘’Sblood!’: Hamlet’s Oaths and the Editing of Shakespeare’s Plays
pp 123-134

Antihonorificabilitudinitatibus: Love’s Labour’s Lost and Unteachable Words
pp 135-145

Shakespeare and Who? Aeschylus, Edward III and Thomas Kyd
pp 146-153

Authorial Attribution and Shakespearean Variety: Genre, Form and Chronology
pp 154-164

‘My mother’s maids, when they did sew and spin’: Staging Sewing, Telling Tales
pp 165-173

Why Prospero Drowned His Books, and Other Catholic Folklore
pp 174-181

Why Did the English Stage Take Boys for Actresses?
pp 182-187

Acting Amiss: Towards a History of Actorly Craft and Playhouse Judgement
pp 188-199

‘What imports this song?’: Spontaneous Singers and Spaces of Meaning in Shakespeare
pp 200-206

Shakespeare’s Depriving Particles
pp 207-212

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Shakespeare Survey 70

Creating Shakespeare

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