Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-24T02:31:15.696Z Has data issue: false hasContentIssue false

8 - The Lives of Musicians

from Part II - Culture, Place, and Practice

Published online by Cambridge University Press:  08 January 2019

Iain Fenlon
Affiliation:
King's College, Cambridge
Richard Wistreich
Affiliation:
Royal College of Music, London
Get access

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anthon, Carl, ‘Some Aspects of the Social Status of Italian Musicians in the Sixteenth Century’, Journal of Renaissance and Baroque Music 1 (1946), 111–23, 222–34Google Scholar
Arbeau, Thoinot, Orchésographie, Langres, 1589; rep. Orchesography, trans. Mary Stewart Evans, ed. Sutton, Julia, New York, 1967Google Scholar
Atlas, Allan, ‘Music for the Mass’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 101–29Google Scholar
Austern, Linda, Music in English Children’s Drama of the Late Renaissance, Philadelphia, 1992Google Scholar
Bizzarini, Marco, Luca Marenzio: The Career of a Musician between the Renaissance and the Counter-Reformation, trans. James Chater, Aldershot, 2003Google Scholar
Bölling, Jörg, ‘Zur Institutions- und Bildungsgeschichte von pueri cantores’, in Rekrutierung musikalischer Eliten: Knabengesang im 15. und 16. Jahrhundert. TroJa: Jahrbuch für Renaissancemusik 10, ed. Schwindt, Nicole, Kassel, 2011, 93109Google Scholar
Brayshay, Mark, ‘Waits, Musicians, Bearwards and Players: The Inter-Urban Road Travel and Performances of Itinerant Entertainers in Sixteenth and Seventeenth Century England’, Journal of Historical Geography 31 (2005), 430–58Google Scholar
Brobeck, John T., ‘Musical Patronage in the Royal Chapel of France under Francis I (r. 1515–1547)’, JAMS 48 (1995), 187239Google Scholar
Brooks, Jeanice, Courtly Song in Late-Sixteenth-Century France, Chicago, 2000Google Scholar
Busse, Berger, Anna Maria, and Rodin, Jesse, eds., The Cambridge History of Fifteenth-Century Music, Cambridge, 2015Google Scholar
Canguilhem, Philippe, ‘Improvisation as Concept and Musical Practice in the Fifteenth Century’, in The Cambridge History of Fifteenth-Century Music, ed. Busse, Anna Maria Berger, Jesse Rodin, , Cambridge, 2015, 149–63Google Scholar
Canguilhem, Philippe, ‘Singing upon the Book According to Vicente Lusitano’, EMH 30 (2011), 55103Google Scholar
Cazaux, Christelle, La musique à la cour de Francois Ier, Paris, 2002Google Scholar
Cellini, Benvenuto, Vita di Benvenuto Cellini scritta da lui medesimo, Florence, 1559; ed. Bonino, Guido Davico, Turin, 1973Google Scholar
Coehlo, Victor, and Polk, Keith, Instrumentalists and Renaissance Culture, 1420–1600: Players of Function and Fantasy, Cambridge, 2016Google Scholar
Coerdevey, Annie, Roland de Lassus, Paris, 2003Google Scholar
Comberiarti, Carmelo, Late Renaissance Music at the Habsburg Court, New York, 1987Google Scholar
Delmonte, Rossana, Camillo Cortellini madrigalista Bolognese, Florence, 1980Google Scholar
Doni, Antonfrancesco, Dialogo della musica, Venice, 1544Google Scholar
Doorslaer, G. van, La vie et les oeuvres de Philippe de Monte, Brussels, 1921Google Scholar
Downey, Peter, ‘A Renaissance Correspondence Concerning Trumpet Music’, EM 19 (1981), 325–9Google Scholar
Downey, PeterFrom the Wheel to the Hub: Fortuna’s Wheel and Instrumental Music at the German-Speaking Renaissance Courts’, in Perspectives in Brass Scholarship: Proceedings of the Historic Brass Symposium, Amhurst 1995, ed. Carter, Stewart, Stuyvesant, NY, 1995, 118Google Scholar
Dumont, Sandrine, ‘Choirboys and Vicaires in the Maîtrise of Cambrai: A Socio-anthropological Study (1550–1670)’, in Young Choristers (650–1700), ed. Boynton, Susan and Rice, Eric, Woodbridge, 2008, 146–62Google Scholar
Fenlon, Iain, Giaches de Wert: Letters and Documents, Paris, 1999Google Scholar
Fenlon, Iain Music and Patronage in Sixteenth-Century Mantua, Cambridge, 1980Google Scholar
Fenlon, Iain The Ceremonial City: History, Memory and Myth in Renaissance Venice, New Haven and London, 2007Google Scholar
Fenlon, IainVenice: Theatre of the World’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 102–32Google Scholar
Florio, John, A World of Words, or Most Copious and Exact Dictionarie of Italian and English, London, 1598Google Scholar
Flynn, Jane, ‘The Education of Choristers in England During the Sixteenth Century’, in English Choral Practice 1400–1650, ed. Morehen, John, Cambridge, 1995, 180–99Google Scholar
Flynn, JaneThomas Mulliner: An Apprentice of John Heywood?’ in Young Choristers (650–1700), ed. Boynton, Susan and Rice, Eric, Woodbridge, 2008, 173–94Google Scholar
Forney, Kristine K., ‘The Netherlands, 1520–1640’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 246–79Google Scholar
Freedman, Richard, ‘Paris and the French Court under François I’, in Man and Music: The Renaissance: From the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 174–96Google Scholar
Frey, Hans-Walter, ‘Die Kapellmeister an der französischen Nationalkirche San Luigi dei Francesi in Rom im 16. Jahrhundert. Teil II: 1577–1608’, AfM 23 (1966), 3260Google Scholar
Gair, Reaveley, The Children of St Paul’s: The Story of a Theatre Company, 1533–1608, Cambridge, 1982Google Scholar
Gale, Michael, ‘Learning the Lute in Early Modern England, c. 1550–1640’, Ph.D. diss., University of Southampton, 2014Google Scholar
Gambassi, Osvaldo, Il Concerto Palatino della Signoria di Bologna: Cinque secoli di vita musicale a corte (1250–1797), Florence, 1989Google Scholar
Glixon, Jonathan, Honoring God and the City: Music at the Venetian Confraternities, 1260–1807, New York, 2003Google Scholar
Gout, Alain, Histoire des maîtrises en occident, Paris, 1987Google Scholar
Green, Helen, ‘Defining the City Trumpeter: German Civic Identity and the Employment of Brass Instrumentalists, ca. 1500’, JRMA 136 (2011), 131Google Scholar
Haar, James, ‘Munich at the Time of Orlande de Lassus’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 243–62Google Scholar
Haar, JamesNotes on the Dialogo della Musica of Antonfrancesco Doni’, ML 47 (1966), 198224Google Scholar
Handy, Isabelle, Musiciens au temps des derniers Valois (1547–1589), Paris, 2008Google Scholar
Herr, Corinna, ‘Zur Äesthetik der Knabenstimme’, in Die Musikkulture in der Renaissance: Kontexte, Disziplinen, Diskurse, ed. Schwindt, Nicole, Laaber, 2015, 185210Google Scholar
Holman, Peter, Four and Twenty Fiddlers: The Violin at the English Court 1540–1690, Oxford, 1993Google Scholar
Hulse, Lynne, ‘Musical Apprenticeship in Noble Households’, in John Jenkins and his Time: Studies in English Consort Music, ed. Ashbee, Andrew and Holman, Peter, Oxford, 1996, 7587Google Scholar
Knighton, Tess, ‘A Day in the Life of Francisco Peñalosa’, in Companion to Medieval and Renaissance Music, ed. Knighton, Tess and Fallows, David, London, 1992, 7984Google Scholar
Kurtzman, Jeffrey, and Koldau, Linda Maria, ‘Trombe, Trombe d’argento, Trombe squarciate, Tromboni, and Pifferi in Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries (I)’, JSCM 8 (2002), http://sscm-jscm.org/v8no1.htmlGoogle Scholar
Lasocki, David, and Prior, Roger, The Bassanos: Venetian Musicians and Instrument Makers in England, 1531–1665, London, 1995, rep. 2017Google Scholar
Laube, Matthew, ‘Music and Confession in Heidelberg, 1556–1618’, Ph.D. diss., Royal Holloway, University of London, 2014Google Scholar
Lesure, François, ‘La maîtrise de Langres au XVIe siècle’, RdM 52 (1966), 202–20Google Scholar
Leuchtmann, Horst, ‘Zur sozialen Stellung europäischer Renaissance-Musiker am Beispiel Orlando di Lassuss’, in Anton Fugger (1493–1560): Vorträge und Dokumentation zum fünfhundertjährigen Jubiläum, ed. Burkhardt, Johannes, Weissenhorn, 1994, 4778, reprinted in Institutions and Patronage in Renaissance Music, ed. Thomas Schmidt-Beste, Farnham, 2012, 493–527Google Scholar
Lindell, Robert, ‘Musicians from the Low Countries, Ecclesiastical Benefices, and the Imperial preces primariae’, in Musicology and Archival Research, ed. Haggh, Barbara, Daelemans, Frank, and Vanrie, André, Brussels, 1994, 338–55Google Scholar
Lindell, RobertDie Neubesetzung der Hofkapellmeisterstelle am Kaiserhof in den Jahren 1567–1568: Palestrina order Monte?Studien zur Musikwissenschaft 36 (1985), 3552Google Scholar
Lockwood, Lewis, Music in Renaissance Ferrara, 1400–1505, Oxford, 1984Google Scholar
Lütteken, Laurenz, ‘Maîtrise’, in MGG, Sachteil V, Kassel, 1996, 15971602Google Scholar
Marsh, Christopher, Music and Society in Early Modern England, Cambridge, 2010Google Scholar
McGee, Timothy J., ‘Giovanni Cellini, Piffero of Florence’, Historic Brass Journal 12 (2000), 210–25Google Scholar
McGee, Timothy J.In the Service of the Commune: The Changing Role of Florentine Civic Musicians, 1450–1532’, SCJ 30 (1999), 727–43Google Scholar
Monson, Craig, Disembodied Voices: Music and Culture in an Early Modern Italian Convent, Berkeley, 1995Google Scholar
Monson, CraigElizabethan London’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 304–40Google Scholar
Mulcaster, Richard, The First Part of the Elementarie Which Entreateth Chefelie of the Right Writing of our English Tung, London, 1582Google Scholar
Nelson, Katherine, ‘Love in the Music Room: Thomas Whythorne and the Private Affairs of Tudor Music Tutors’, EM 40 (2012), 1526Google Scholar
Newcomb, Anthony, ‘Courtesans, Muses, or Musicians? Professional Women Musicians in Sixteenth-Century Italy’, in Women Making Music: The Western Tradition, 1150–1950, ed. Bowers, Jane and Tick, Judith, Urbana, 1987, 90115Google Scholar
O’Regan, Noel, ‘Choirboys in Early Modern Rome’, in Young Choristers (650–1700), ed. Boynton, Susan and Rice, Eric, Woodbridge, 2008, 1624Google Scholar
Ongaro, Giulio, ‘Italy, 1520–1560’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 5874Google Scholar
Peters, Gretchen, The Musical Sounds of Medieval French Cities: Players, Patrons and Politics, Cambridge, 2012Google Scholar
Picker, Lawrence, ‘The Habsburg Courts in the Netherlands and Austria, 1477–1530’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 216–42Google Scholar
Pietschmann, Klaus, ‘Music Institutions in the Fifteenth Century and their Political Contexts’, in The Cambridge History of Fifteenth-Century Music, ed. Busse, Anna Maria Berger, Jesse Rodin, , Cambridge, 2015, 403–26Google Scholar
Piperno, Franco, ‘Diplomacy and Musical Patronage: Virginia, Guidobaldo II, Maximillian II, “lo Streggino”, and Others’, EMH 18 (1999), 259–85Google Scholar
Piperno, Franco L’Immagine del Duca: Musica e spettacolo alla corte di Guidobaldo II duca d’Urbino, Florence, 2001Google Scholar
Prior, Roger, ‘Jewish Musicians at the Tudor Court’, MQ 69 (1983), 235–65Google Scholar
Prizer, William, ‘North Italian Courts, 1460–1540’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 133–55Google Scholar
Pruett, Lillian, ‘New Light on a Musician’s Lot at the Court of Rudolph II: The Case of Philippe de Monte’, in Res Musicae: Essays in Honor of James W. Pruett, ed. Laird, Paul and Russell, Craig, Warren, MI, 2001, 125–32Google Scholar
Reynolds, Christopher, ‘Musical Careers, Ecclesiastical Benefices, and the Example of Johannes Brunet’, JAMS 37 (1984), 4997Google Scholar
Reynolds, ChristopherRome: A City of Rich Contrasts’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 63101Google Scholar
Saunders, James, ‘Music and Moonlighting: The Cathedral Choirmen of Early Modern England, 1558–1649’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 157–66Google Scholar
Schwindt, Nicole, ‘Hans Mielichs bildliche Darstellung der Münchner Hofkapelle’, AcM 68 (1996), 4879Google Scholar
Sherr, Richard, ‘Competence and Incompetence in the Papal Choir in the Age of Palestrina’, EM 22 (1994), 606–29Google Scholar
Sherr, RichardGuglielmo Gonzaga and the Castrati’, RQ 33 (1980), 3356Google Scholar
Skinner, David, ‘“At the mynde of Nycholas Ludford”: New Light on Ludford from the Churchwardens’ Accounts of St. Margaret’s, Westminster’, EM 22 (1994), 393413Google Scholar
Somerset, Allen B., ed., Records of Early English Drama: Shropshire, vol. I, Toronto, 1994Google Scholar
Starr, Pamela F., ‘The Beneficial System and Fifteenth-Century Polyphony’, in The Cambridge History of Fifteenth-Century Music, ed. Busse, Anna Maria Berger, Jesse Rodin, , Cambridge, 2015, 463–75Google Scholar
Stevens, Dennis, The Letters of Claudio Monteverdi, London, 1980Google Scholar
Stevens, John, Music and Poetry in the Early Tudor Court, London, 1961Google Scholar
Vendrix, Philippe, ‘Die Münchener Versuchung: zur Emigration Flämischer und Lütticher Musiker in der zweiten Hälfte des 16. Jahrhunderts’, in Die Münchener Hofkappelle des 16. Jahrhunderts im europäischen Kontext, ed. Göllner, Theodor and Bernhold, Schmid, Munich, 2016, 135–42Google Scholar
Verhasselt, Eliane, ‘A Biography of Nathan Field, Dramatist and Actor’, Revue belge de philologie et d’histoire 25 (1946), 485508Google Scholar
Ward, John, and Bernstein, Jane, ‘Van Wilder, Philip’, Grove Music OnlineGoogle Scholar
Wegman, Rob, ‘Obrecht and Erasmus’, JAF 3 (2011), 109–26Google Scholar
West, John E., Cathedral Organists Past and Present, London, 1921Google Scholar
Whythorne, Thomas, The Autobiography of Thomas Whythorne, ed. Osborn, James M, Oxford, 1961Google Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William, eds., English Professional Theatre, 1530–1660, Cambridge, 2000Google Scholar
Wistreich, Richard, ‘Philippe de Monte: New Autobiographical Documents’, EMH 25 (2006), 257308Google Scholar
Wistreich, RichardSinging and Sociability’, Il Saggiatore musicale 18 (2011), 230–46Google Scholar
Wistreich, RichardUsing the Music: Musical Materials and Expert Singers’ Practices in Monteverdi’s Time’, Basler Jahrbuch für Historische Musikpraxis 10 (2013), 920Google Scholar
Zenobi, Luigi, ‘The Perfect Musician: A Letter to N. N.’, trans. and ed. Blackburn, Bonnie J. and Holford-Strevens, Leofranc, Krakow, 1995Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×