Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-zzh7m Total loading time: 0 Render date: 2024-04-26T23:27:27.191Z Has data issue: false hasContentIssue false

Part II - Culture, Place, and Practice

Published online by Cambridge University Press:  08 January 2019

Iain Fenlon
Affiliation:
King's College, Cambridge
Richard Wistreich
Affiliation:
Royal College of Music, London
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Alford, Stephen, London’s Triumph: Merchant Adventurers and the Tudor City, London, 2017Google Scholar
Archer, Jayne Elisabeth, Goldring, Elizabeth, and Knight, Sarah, eds., The Progresses, Pageants, and Entertainments of Elizabeth I, Oxford, 2007Google Scholar
Bairoch, Paul, Batou, Jean, and Chève, Pierre, La population des villes européennes, Geneva, 1988Google Scholar
Baker, Geoffrey, Imposing Harmony: Music and Society in Colonial Cuzco, Durham, NC, 2008Google Scholar
Banchieri, Adriano, Barca di Venetia per Padova. Dilettevoli madrigali a cinque voci, Venice, 1605Google Scholar
Berlin, Michael, ‘Reordering Rituals: Ceremony and the Parish, 1520–1640’, in Londonipolis, ed. Griffiths, Paul and Jenner, Mark, Manchester, 2000, 4766Google Scholar
Billiet, Frédéric, La vie musicale à Amiens au XVIe siècle, Amiens, 1984Google Scholar
Billiet, FrédéricLes sonorités de la rue: contribution à l’analyse des cris de Paris de Clément Janequin: sociabilité des marchands’, in La rue, lieu de sociabilité? Rencontres de la rue, ed. Leménorel, Alain, Rouen, 1997, 416–22Google Scholar
Billiet, FrédéricPouvoir et culture sonore dans les rues d’Amiens au XVIe siècle’, in Mélodies urbaines. La musique dans les villes d’Europe (XVIe–XIXe siècles), ed. Gauthier, Laure and Traversier, Mélanie, Paris, 2008, 2544Google Scholar
Wietse de, Boer, and Göttler, Christine, eds., Religion and the Senses in Early Modern Europe, Leiden, 2013Google Scholar
Bos, Sander, Lange-Meyers, Marianne, and Six, Jeanine, ‘Sidney’s Funeral Portrayed’, in Sir Philip Sidney: 1586 and the Creation of a Legend, ed. van Dorsten, Jan, Baker, Dominic Smith, and Arthur F. Kinney, , Leiden, 1986, 3861CrossRefGoogle Scholar
Braudel, Fernand, Civilization and Capitalism 15th–18th Century, trans. Siân Reynolds, 3 vols., London, 1981–4Google Scholar
Brown, Howard Mayer, ‘On Gentile Bellini’s Processione in San Marco (1496)’, in International Musicological Society Congress Report XII: Berkeley 1977, Kassel and London, 1981, 649–58Google Scholar
Burckhardt, Jakob, The Civilization of the Renaissance in Italy, New York, 1958Google Scholar
Burke, Peter, Popular Culture in Early Modern Europe, 2nd edn, Aldershot, 1994Google Scholar
Burke, Peter The Historical Anthropology of Early Modern Italy, Cambridge, 1987Google Scholar
Butler, Katharine, ‘Creating Harmonious Subjects? Ballads, Psalms and Godly Songs for Queen Elizabeth’s Accession Day’, JRMA 140 (2015), 272312Google Scholar
Calabi, Donatella, ‘The Jews and the City in the Mediterranean Area’, in Mediterranean Urban Culture 1400–1700, ed. Cowan, Alexander, Exeter, 2000, 5668Google Scholar
Canniffe, Eamonn, The Politics of the Piazza: The History and Meaning of the Italian Square, Aldershot, 2008Google Scholar
Richard, Cantillon Essai sur la nature du commerce en général (1755), trans. and ed. Higgs, Henry, London, 1931Google Scholar
Castello, Albert da, Liber sacerdotalis, Venice, 1523Google Scholar
Cipolla, Carlo, Clocks and Culture, London, 1967Google Scholar
Clark, Peter, ed., Small Towns in Early Modern Europe, Cambridge, 1995Google Scholar
Corbin, Alain, Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside, trans. Martin Thom, New York, 1998Google Scholar
Coryate, Thomas, Coryat’s crudities, hastily gobled up in five moneths travels …, London, 1611Google Scholar
Coster, Will, and Spicer, Andrew, ‘Introduction: The Dimension of Sacred Space’, in Sacred Space in Early Modern Europe, ed. Coster, Will and Spicer, Andrew, Cambridge, 2005, 116Google Scholar
Coster, Will, and Spicer, Andrew, eds., Sacred Space in Early Modern Europe, Cambridge, 2005Google Scholar
Cowan, Alexander, ‘Foreigners and the City: The Case of the Immigrant Merchant’, in Mediterranean Urban Culture 1400–1700, ed. Cowan, Alexander, Exeter, 2000, 4555Google Scholar
Cowan, Alexander, and Steward, J., eds., The City and the Senses: Urban Culture since 1500, Aldershot, 2007Google Scholar
Cremades, Fernando Checa, and Fernández-González, Laura, eds., Festival Culture in the World of the Spanish Habsburgs, Farnham, 2015Google Scholar
Cressy, David, Bonfires and Bells: National Memory and the Protestant Calendar in Elizabethan and Stuart England, London, 1989Google Scholar
Croce, Giovanni, Mascarate piacevole et ridicolose per il carnevale a 4.5.6.7. & otto voci … libro primo, Venice, 1590Google Scholar
Davis, Natalie Zemon, ‘The Rites of Violence’, in Society and Culture in Early Modern France, London, 1975, 152–87.Google Scholar
Davis, Natalie Zemon Descrittione della pompa funerale fatta in Brusseles alli XXIX di Decembre M.D.LVIII. Per la felice, & immortal memoria di Carlo V. Imperatore, con una nave delle vittorie di sua Cesarea Maestà, Milan, 1558Google Scholar
Dunning, Albert, Die Staatsmotette, 1480–1555, Utrecht, 1970Google Scholar
Dyos, H. J., ‘Urbanity and Suburbanity’, in Exploring the Urban Past: Essays in Urban History by H. J. Dyos, ed. Cannadine, David and Reeder, David, Cambridge, 1982, 1936Google Scholar
Elliot, James, The City in Maps: Urban Mapping to 1900, London, 1986Google Scholar
Escobar, Jesús, The Plaza Mayor and the Shaping of Baroque Madrid, Cambridge, 2004Google Scholar
Estengo, Villanueva, Viage literario á las Iglesias de España … con algunas observaciones, 22 vols., Madrid and Valencia, 1803–52Google Scholar
Estrella, Calvete de, El felicissimo viaje…, Antwerp, 1552Google Scholar
Fabbri, Paolo, ‘Fatti e prodezze di Manoli Blessi’, Rivista italiana di musicologia 11 (1976), 182–96Google Scholar
Feld, Stephen, ‘Places Sensed: Towards a Sensuous Epistomology of Environments’, in Empire of the Senses: The Sensual Cultural Reader, ed. Howes, David, Oxford, 2005, 179–91Google Scholar
Fenlon, Iain, Music and Culture in Late Renaissance Italy, Oxford, 2002Google Scholar
Fenlon, IainOrality and Print: Singing in the Street in Early Modern Venice’, in Interactions between Orality and Writing in Early Modern Culture, ed. Degl’ Innocenti, Luca, Richardson, Brian, and Sbordoni, Chiara, Abingdon, 2016, 8198.Google Scholar
Fenlon, Iain“Other” Musics in Sixteenth-Century Venice’, in Sleuthing the Muse: Essays in Honor of William F. Prizer, ed. Forney, Kristine K and Smith, Jeremy L, Hillsdale, NY, 2012, 461–74Google Scholar
Fenlon, IainPiazza San Marco: Theatre of the Senses, Market Place of the World’, in Religion and the Senses in Early Modern Europe, ed. de Boer, Wietse and Göttler, Christine, Leiden, 2013, 331–60Google Scholar
Fenlon, Iain The Ceremonial City: History, Memory and Myth in Renaissance Venice, New Haven, CT, and London, 2007Google Scholar
Fenlon, IainTheories of Decorum: Music and the Italian Renaissance Entry’, in Ceremonial Entries in Early Modern Europe: The Iconography of Power, ed. Mulryne, J. R., Ines Aliverti, Maria, and Testaverde, Anna Maria, Farnham, 2015, 135–48Google Scholar
Ferer, Mary Tiffany, Music and Ceremony at the Court of Charles V, Woodbridge, 2012Google Scholar
Filocamo, Gioia, ‘Through the mala note: the Anthropology of Assisting Those Condemned to Die in the 15th and 16th Centuries’, in Anthropological Reformations: Anthropology in the Era of Reformation, ed. Eusterschulte, Anne and Wälzholz., Hannah, Göttingen, 2015, 383–9Google Scholar
Fisher, Alexander J., Music, Piety and Propaganda: The Soundscape of Counter-Reformation Bavaria, New York, 2014Google Scholar
Fisher, Alexander J. Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630, Aldershot, 2004Google Scholar
Forney, Kristine K., ‘Music, Ritual and Patronage at the Church of Our Lady, Antwerp’, EMH 7 (1987), 157Google Scholar
Garrioch, David, ‘Sounds of the City: The Soundscape of Early Modern European Towns’, Urban History 30 (2003), 525CrossRefGoogle Scholar
Glixon, Jonathan, Honoring God and the City: Music at the Venetian Confraternities, 1260–1807, New York, 2003Google Scholar
Goldring, Elizabeth, ‘The Funeral of Sir Philip Sidney and the Politics of Elizabethan England’, in Court Festivals of the European Renaissance: Art, Politics and Performance, ed. Mulryne, J. R. and Goldring, Elizabeth, Aldershot, 2002, 199224Google Scholar
Goltz, Maren, ‘The Role of Music on the Stages of Quacks’, Ludica 5–6 (2000), 103–15Google Scholar
Greef, Wulfert de, The Writings of John Calvin: An Introductory Guide, trans. Lyle D. Bierma, Louisville, KY, 2008Google Scholar
Greengrass, Mark, Christendom Destroyed: Europe 1517–1648, London, 2014Google Scholar
Gschwend, Annemarie Jordan, and Lowe, Kate, The Global City: On the Streets of Renaissance Lisbon, London, 2015Google Scholar
Haar, James, ‘Arie per cantar stanze ariostesche’, in L’Arioso e la musica, I musicisti: quattro studi e sette madrigali ariosteschi, ed. Balsano, Maria Antonella, Florence, 1981, 3146Google Scholar
Haar, James Essays on Italian Poetry and Music in the Renaissance, 1350–1600, Berkeley, CA, 1986Google Scholar
Hablot, Laurent, and Vissière, Laurent, eds., Les paysages sonores du Moyen Age à la Renaissance, Rennes, 2015Google Scholar
Hahn, Philip, ‘Sensing Sacred Space: Ulm Minster, the Reformation, and Parishioners’ Sensory Perception, c.1470 to 1640’, Archiv für Reformationsgeschichte 105 (2014), 5591Google Scholar
Hamilton, Sarah, and Spicer, Andrew, ‘Defining the Holy: The Delineation of Sacred Space’, in Defining the Holy: Sacred Space in Medieval and Early Modern Europe, ed. Spicer, Andrew and Hamilton, Sarah, Aldershot, 2005, 123Google Scholar
Hannerz, Ulf, Exploring the City: Inquiries Toward an Urban Anthropology, New York, 1980Google Scholar
Harris, Max, Sacred Folly: A New History of the Feast of Fools, Ithaca, NY, 2011Google Scholar
Hill, Robert Adam, ‘The Reformation of the Bells in Early Modern England’, Ph.D. diss., Simon Frazer University, British Columbia, 2012Google Scholar
Hindle, Steve, ‘Beating the Bounds of the Parish: Order, Memory, and Identity in the English Local Community, c.1500–1700’, in Defining Community in Early Modern Europe, ed. Halverson, Michael J. and Spierling, Karen E., Aldershot, 2008, 205–27Google Scholar
Howard, Deborah, Jacopo Sansovino: Architecture and Patronage in Renaissance Venice, New Haven, CT, and London, 1975Google Scholar
Hughes, Charles, ed., Shakespeare’s Europe: A Survey of the Condition of Europe at the End of the 16th Century, Being Unpublished Chapters of Fynes Moryson’s Itinerary (1617), London, 1903Google Scholar
Janequin, Clément, Six gaillardes et six pavanes avec treze chansons musicales à quatre parties, Paris, 1529Google Scholar
Johnson, Trevor, Magistrates, Madonnas and Miracles: The Counter Reformation in the Upper Palatinate, Farnham, 2009Google Scholar
Karant-Nunn, Susan, The Reformation of Ritual: An Interpretation of Early Modern Germany, London, 1997Google Scholar
Karant-Nunn, Susan Zwickau in Transition. 1500–1547: The Reformation as an Agent of Change, Columbus, OH, 1987Google Scholar
Katritzky, Margaret A., ‘Marketing Medicine: The Image of the Early Modern Mountebank’, RS 15 (2001), 121–53Google Scholar
Kendrick, Robert, The Sounds of Milan, 1585–1650, New York, 2002CrossRefGoogle Scholar
Kisby, Fiona, ed., Music and Musicians in Renaissance Cities and Towns, Cambridge, 2001Google Scholar
Kreitner, Kenneth, ‘Music in the Corpus Christi Procession of Fifteenth-Century Barcelona’, EMH 14 (1995), 153204CrossRefGoogle Scholar
Kreitner, Kenneth The Church Music of Fifteenth-Century Spain, Woodbridge, 2004Google Scholar
Kümin, Beat, ‘Masses, Morris and Metrical Psalms: Music in the English Parish, c.1400–1600’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 7081Google Scholar
Kümin, Beat La bataglie la lovette le critz de Paris le chant des oyseaux le rossignol libro primo, Venice, 1545Google Scholar
La magnifique et sumptueuse pompe funèbre faite aus obsèques et funerailles du très grand et très victoreux Empereur Charles Cinquième celebrées en la ville de Bruxelles le XXIX jour de mois de décembre MDLVIII par Philippe roy catholique d’Esagne, so fils, Antwerp, 1559Google Scholar
Latour, Melinda, ‘Disciplining Song in Sixteenth-Century Geneva’, Journal of Musicology 32 (2015), 139Google Scholar
Leaver, Robin, Luther’s Liturgical Music: Principles and Implications, Grand Rapids, MI, 2007Google Scholar
Lotz, Wolfgang, ‘The Piazza Ducale in Vigevano: A Princely Forum of the Late Fifteenth Century’, in Studies in Italian Renaissance Architecture, Cambridge, MA, 1977, 117–39Google Scholar
Marsh, Christopher, Music and Society in Early Modern England, Cambridge, 2010Google Scholar
Marsh, Christopher, The Family of Love in English Society: 1560–1630, New York, 1994Google Scholar
Marshall, Peter, Beliefs and the Dead in Reformation England, New York, 2004Google Scholar
Martin, Gregory, Roma sancta (1581), ed. Parks, George Bruner, Rome, 1969Google Scholar
McGavin, John, ‘Secular Music in the Burgh of Haddington, 1530–1640’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 4556Google Scholar
McLean, Matthew, The Cosmographia of Sebastian Münster: Describing the World in the Reformation, Aldershot, 2007Google Scholar
Muir, Edward, Civic Ritual in Renaissance Venice, Princeton, NJ, 1981Google Scholar
Mullett, Michael A., The Catholic Reformation, London, 1999Google Scholar
Nolhac, Pierre de, and Solerti, Angelo, Il viaggio in Italia di Enrico III re di Francia e le feste a Venezia, Ferrara, Mantova e Torino, Turin, 1890Google Scholar
O’Regan, Noel, Institutional Patronage in Post-Tridentine Rome: Music at Santissima Trinità dei Pellegrini 1550–1650, London, 1995Google Scholar
O’Regan, NoelProcessions and their Music in Post-Tridentine Rome’, Recercare 4 (1992), 4580Google Scholar
Olsen, Greta, ‘Imágenes sonoras en Valencia al final del renacimiento’ in Música y cultura urbana en la edad moderna, ed. Bombi, A., Carreras, Juan J, and Marín, Miguel Angel, Valencia, 2005, 279–94Google Scholar
Pérez, Lucía, ‘Jugulares y ministreles en la procesión del Corpus de Daroca en los siglos XV y XVI’, Nassarre: Revista aragonesa de musicologia 6 (1990), 85177Google Scholar
Pettegree, Andrew, Reformation and the Culture of Persuasion, Cambridge, 2005Google Scholar
Pomian, Krzysztof, L’ordre du temps, Paris, 1984Google Scholar
Ramos López, Pilar, ‘Música y autorrepresentación en las processions del Corpus del España Moderna’, in Música y cultura urbana en la edad moderna, ed. Bombi, Andrea, Carreras, Juan José, and Marin, Miguel Angel, Valencia, 2005, 243–54Google Scholar
Rees, Owen, ‘“The City Full of Grief”: Music for the Exequies of King Philip II’, in Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm, ed. Bucciarelli, Melania and Joncus, Berta, Woodbridge, 2007, 119–34Google Scholar
Richardson, Brian, ‘Oral Culture in Early Modern Italy: Performance, Language, Religion’, The Italianist 34 (2014), 313–17Google Scholar
Rincón, Soterraña Aguirre, ‘Music and Court in Charles V’s Valladolid, 1517–1539’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 106–17Google Scholar
Robinson-Hammerstein, Helga, ‘The Lutheran Reformation and its Music’, in The Transmission of Ideas in the Lutheran Reformation, Blackrock, AR, 1989Google Scholar
Rubin, Miri, Corpus Christi: The Eucharist in Late Medieval Culture, Cambridge, 1991Google Scholar
Ruggiero, Guido, Violence in Early Renaissance Venice, New Brunswick, NJ, 1980Google Scholar
Schafer, R. Murray, The Tuning of the World: Toward a Theory of Soundscape Design, New York, 1977Google Scholar
Schrader, I. S., ‘“Greater Than He Was”: Ritual and Power in Charles V’s 1558 Funeral Procession’, Nederlands Kunsthistorisch Jaarboek 49 (1998), 6993Google Scholar
Schraven, Minou, Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration, Farnham, 2014Google Scholar
Schulz, Juergen, ‘Jacopo de’ Barbari’s View of Venice: Map Making, City Views and Moralized Geography Before 1500’, Art Bulletin 60 (1978), 425–74Google Scholar
Smith, Bruce, The Acoustic World of Early Modern England: Attending to the O-Factor, Chicago, IL, 1999Google Scholar
Smith, Bruce Sensing the Past: Seeing, Hearing, Smelling, Tasting, and Touching in History, Berkeley, CA, 2007Google Scholar
Southall, Aidan, The City in Time and Space, Cambridge, 1998Google Scholar
Stewart, Susan, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Durham, NC, 1993Google Scholar
Stinger, Charles L., ‘The Campidoglio as the Locus of Renovatio Imperii in Renaissance Rome’, in Art and Politics in Late Medieval and Renaissance Italy, 1250–1500, ed. Rosenberg, Charles, Notre Dame, IN, and London, 1990, 135–56Google Scholar
Strohm, Reinhard, Music in Late Medieval Bruges, Oxford, 1985Google Scholar
Tacconi, Marica, Cathedral and Civic Ritual in Late Medieval and Renaissance Florence, New York, 2005Google Scholar
Thøfner, Margit, A Common Art: Urban Ceremonial in Antwerp and Brussels during and after the Dutch Revolt, Zwolle, 2007Google Scholar
Thøfner, MargitThe Court in the City, the City in the Court: Denis van Alsloot’s Depictions of the 1615 Brussels “Ommegang”’, Netherlands Yearbook of the History of Art 47 (1998), 185207CrossRefGoogle Scholar
Thompson, E. P., ‘Rough Music’, in Customs in Common: Studies in Traditional Popular Culture, London, 1993, 467538Google Scholar
Torrente, Alvaro, ‘Function and Liturgical Context of the Villancico in Salamanca Cathedral’, in Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres, ed. Knighton, Tess and Torrente, Alvaro, Aldershot, 2007, 99147Google Scholar
Vecchi, Orazio, Breve compendio del pereginagio di Loreto, fatto dalla illustre compagnia di S. Geminiano di Modona, Modena, 1595Google Scholar
Vecchi, Orazio L’Amfiparnasso, Venice, 1597Google Scholar
Virgili Blanquet, Maria Antonia, ‘Danza y teatro en la celebración de la Corpus Christi’, Quadernos de arte de la Universidad de Granada 26 (1995), 1526Google Scholar
Vries, Jan de, European Urbanization, 1500–1800, London, 1984Google Scholar
Watt, Tessa, Cheap Print and Popular Piety 1550–1640, Cambridge, 1991Google Scholar
Weiss, Roberto, The Renaissance Discovery of Classical Antiquity, Oxford, 1969Google Scholar
Williams, Sheila, and Jacquot, Jean, ‘Ommegangs anversois du temps de Bruegel et de Van Heemskerk’, in Fêtes et cérémonies au temps de Charles Quint, ed. Jacquot, Jean, Paris, 1960, 359–88Google Scholar
Wilson, Blake, Music and Merchants: The Laudesi Companies of Republican Florence, Oxford, 1992Google Scholar
Wilson, Blake The World in Venice: Print, the City and Early Modern Identity, Toronto, 2005Google Scholar
Wirth, Louis, ‘Urbanism as a Way of Life’, The American Journal of Sociology 44 (1938), 124Google Scholar
Yates, Frances A., ‘Religious Processions in Paris, 1583–4’, in Astrea: The Imperial Theme in the Sixteenth Century, London and Boston, MA, 1975, 173207Google Scholar

References

Ahnert, Ruth, ‘Introduction: The Psalms and the English Reformation’, RS 29 (2015), 493508Google Scholar
Ajmar-Wollheim, Marta, ‘Sociability’, in At Home in Renaissance Italy, ed. Ajmar-Wollheim, Marta and Dennis, Flora, London, 2006, 206–21Google Scholar
Alton, Smith, Douglas, ‘The Musical Instrument Inventory of Raymund Fugger’, GSJ 33 (1980), 3644Google Scholar
Alvarenga, João Pedro d’, ‘On Performing Practices in Mid- to Late Sixteenth-Century Portuguese Church Music: The Cappella of Évora Cathedral’, EM 43 (2015), 321Google Scholar
Arnold, Denis, Giovanni Gabrieli and the Music of the Venetian High Renaissance, Oxford, 1979Google Scholar
Baade, Colleen, ‘Music and Misgiving: Attitudes towards Nuns’ Music in Early Modern Spain’, in Female Monasticism in Early Modern Europe: An Interdisciplinary View, ed. van Whye, Cordula, Aldershot, 2008, 8195Google Scholar
Balsamo, Jean, ‘La musique dans l’éducation aristocratique au XVIe siècle’, in Claude Le Jeune et son temps en France et dans les états de Savoie, 1530–1600. Actes du colloque international de Chambéry, 4–7 November 1991, ed. Bouquet-Boyer, Marie-Thérèse and Bonniffet, Pierre, Bern, 1996, 190–7Google Scholar
Barbieri, Patrizio, ‘The Acoustics of Italian Opera Houses and Auditoriums (ca. 1450–1900)’, Recercare 10 (1998), 263328Google Scholar
Barbieri, PatrizioThe State of Architectural Acoustics in the Late Renaissance’, in Architettura e musica nella Venezia del Rinascimento, ed. Howard, Deborah and Moretti, Laura, Milan, 2006, 5378Google Scholar
Barocchi, Paola, ed., Scritti d’arte del Cinquecento, 3 vols., Milan and Naples, 1971–8Google Scholar
Barron, Caroline, ‘Church Music in English Towns 1450–1550: An Interim Report’, Urban History 29 (2002), 8391Google Scholar
Baumann, Dorothea, ‘Musical Acoustics in the Middle Ages’, EM 18 (1990), 199212Google Scholar
Belozerskaya, Marina, Luxury Arts of the Renaissance, Los Angeles, CA, 2005Google Scholar
Beltramini, Guido, ‘Spaces for Music in Sixteenth-Century Paduan Courts’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 177–94Google Scholar
Blackburn, Bonnie J., and Lowinsky, Edward, trans. and eds., The Perfect Musician: Luigi Zenobi, A Letter to N. N., Kraków, 1995Google Scholar
Bletschacher, Richard, Die Lauten- und Geigenmacher des Füssener Landes, Hofheim am Taunus, 1978Google Scholar
Boalch, Donald H., Makers of the Harpsichord and Clavichord, 1440–1840, ed. Mould, Charles, Oxford, 1995Google Scholar
Brooks, Jeanice, Courtly Song in Late-Sixteenth Century France, Chicago, IL, 2000Google Scholar
Brown, Christopher Boyd, ‘Devotional Life in Hymns, Liturgy, Music and Prayer’, in Lutheran Ecclesiastical Culture, 1550–1675, ed. Kolb, Robert, Leiden, 2008, 205–58Google Scholar
Brown, Christopher Boyd Singing the Gospel: Lutheran Hymns and the Success of the Reformation, Cambridge, MA, 2005Google Scholar
Bryant, David, ‘The cori spezzati of St Mark’s: Myth and Reality’, EMH 1 (1982), 165–86Google Scholar
Burnett, Charles, ‘Sound and its Perception in the Middle Ages’, in The Second Sense: Studies in Hearing and Musical Judgement from Antiquity to the Seventeenth Century, ed. Burnett, Charles, Fend, Michael, and Gouk, Penelope, London, 1991, 4369Google Scholar
Carreras, Juan José, and Fenlon, Iain, eds., Polychoralities: Music, Identity and Power in Italy, Spain and the New World, Kassel, 2013Google Scholar
Cavicchi, Camilla, and Vendrix, Philippe, ‘L’érudit et l’amateur: collectionner la musique à la renaissance’, in Collectionner la musique: Histoires d’une passion, ed. Herlin, Denis, Duron, Jean, and Fabris, Dinko, Turnhout, 2010, 2554Google Scholar
Certeau, Michel de, The Practice of Everyday Life, Berkeley, CA, 1984Google Scholar
Cervelli, Luisa, ‘Brevi note sui liutai tedeschi attivi in Italia dal sec. XVI al XVIII’, Analecta musicologica 5 (1968), 299337Google Scholar
Cooper, Donal, ‘Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-Tridentine Umbria’, JWCI 44 (2001), 154Google Scholar
Coster, Will, and Spicer, Andrew, ‘Introduction: The Dimensions of Sacred Space in Reformation Europe’, in Sacred Space in Early Modern Europe, ed. Coster, Will and Spicer, Andrew, Cambridge, 2005, 116Google Scholar
Cowen, Orlin, Lena, Locating Privacy in Tudor London, Oxford, 2009Google Scholar
Cowen, Orlin, Lena Private Matters and Public Culture in Post-Reformation England, Ithaca, NY, 1994Google Scholar
Craig, John, ‘Psalms, Groans and Dogwhippers: The Soundscape of Worship in the English Parish Church, 1547–1642’, in Sacred Space in Early Modern Europe, ed. Coster, Will and Spicer, Andrew, Cambridge, 2005, 104–23Google Scholar
Croce, Giulio Cesare, Ducento enigmi piacevoli da indovinare, Venice, 1611Google Scholar
D’Accone, Frank, ‘The Musical Chapels at the Florentine Cathedral and Baptistry during the First Half of the Sixteenth Century’, JAMS 24 (1971), 150Google Scholar
Dean, Jeffrey, ‘Listening to Sacred Polyphony c. 1500’, EM 25 (1997), 611–36Google Scholar
Dennis, Flora, ‘Music’, in At Home in Renaissance Italy, ed. Ajmar-Wollheim, Marta and Dennis, Flora, London, 2006, 228–43Google Scholar
Dennis, FloraMusical Sound and Material Culture’, in The Routledge Handbook of Material Culture in Early Modern Europe, ed. Richardson, Catherine, Hamling, Tara, and Gaimster, David, London, 2016, 370–81Google Scholar
Dennis, FloraResurrecting Forgotten Sound: Fans and Handbells in Early Modern Italy’, in Everyday Objects: Medieval and Early Modern Material Culture and its Meanings, ed. Richardson, Catherine and Hamling, Tara, Aldershot, 2010, 191209Google Scholar
Dennis, FloraSound and Domestic Boundaries in Fifteenth- and Sixteenth-century Italy’, Studies in the Decorative Arts 16 (2008–9), 719Google Scholar
Dennis, FloraWhen is a Room a Music Room? Sounds, Spaces and Objects in Non-Courtly Italian Interiors’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 3749Google Scholar
Dobbins, Frank, Music in Renaissance Lyons, Oxford, 1992Google Scholar
Duffy, Eamon, The Stripping of the Altars: Traditional Religion in England, c.1400–c.1580, New Haven, CT, and London, 2005Google Scholar
Fabris, Dinko, ‘Giochi musicali e veglie “alla senese” nelle città non toscane dell’Italia rinascimentale’, in Musica Franca: Essays in Honor of Frank A. D’Accone, ed. Alm, Irene, McLamore, Alyson, and Reardon, Colleen, Stuyvesant, NY, 1996, 213–29Google Scholar
Falletti, Franca, Meucci, Renato, and Rossi-Rognoni, Gabriele, eds., Marvels of Sound and Beauty: Italian Baroque Musical Instruments, Milan, 2007Google Scholar
Fenlon, Iain, ‘Artus Taberniel: Music Printing and the Book Trade in Renaissance Salamanca’, in Early Music Printing and Publishing in the Iberian World, ed. Fenlon, Iain and Knighton, Tess, Kassel, 2006, 117–41Google Scholar
Fenlon, IainGiaches de Wert and the Palatine Basilica of Santa Barbara: Music, Liturgy, and Design’, in Music and Culture in Renaissance Italy, Oxford, 2002, 180204Google Scholar
Fenlon, Iain ‘Music, Print and Society in Sixteenth-Century Europe’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 280303Google Scholar
Fenlon, IainMusic and Learning in Isabella d’Este’s Studiolo’, in La corte di Mantova nell’età di Andrea Mantegna: 1450–1550, ed. Mozzarelli, Cesare, Oresko, Robert, and Ventura, Leandro, Rome, 1997, 353–67Google Scholar
Fenlon, Iain Music and Patronage in Sixteenth-Century Mantua, 2 vols., Cambridge, 1980–2Google Scholar
Fenlon, IainMusic Rooms in the Ducal Palace in Mantua’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 237–58Google Scholar
Fenlon, IainPreparations for a Princess’, in Music and Culture in Renaissance Italy, Oxford, 2002, 205–28Google Scholar
Fenlon, IainRenaissance Novellara: Musical Life in the Gonzaga Hinterland’, ML 91 (2010), 484–97Google Scholar
Fenlon, Iain The Ceremonial City: History, Memory and Myth in Renaissance Venice, New Haven, CT, and London, 2007Google Scholar
Ferino-Pagden, Sylvia, Dipingere la musica. Strumenti in posa nell’arte del Cinque e Seicento, Milan, 2001Google Scholar
Findlen, Paula, Possessing Nature: Museums, Collecting and Scientific Culture in Early Modern Italy, Berkeley, CA, 1994Google Scholar
Fisher, Alexander J., Music, Piety and Propaganda: The Soundscapes of Counter-Reformation Bavaria, New York, 2014Google Scholar
Fisher, Alexander J. Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630, Aldershot, 2004Google Scholar
Fleming, Michael, ‘An “Old Old Violl” and “Other Lumber”: Musical Remains in Provincial, Non-Noble England, c.1580–1660’, GSJ 58 (2005), 8999Google Scholar
Gaier, Martin, ‘Il mausoleo nel presbiterio’, in Lo spazio e il culto: relazioni tra l’edificio ecclesiale e il suo uso liturgico dal XV al XVII secolo. Atti del convegno: Florence: Kunsthistorisches Institut, Venice, 2006, 153–80Google Scholar
Ghisi, Andrea, Il nobile et piacevole gioco, intitolato il passatempo, Venice, 1620Google Scholar
Goldthwaite, Richard, Wealth and the Demand for Art in Italy, 1300–1600, Baltimore, MD, 1993Google Scholar
Goldthwaite, Richard, and Carter, Tim, Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence, Cambridge, MA, 2013Google Scholar
Green, Ian, ‘“All People that on Earth Do Dwell. Sing to the Lord with Cheerful Voice”: Protestantism and Music in Early Modern England’, in Christianity and Community in the West, ed. Ditchfield, Simon, Aldershot, 2001, 148–64Google Scholar
Guazzo, Stefano, La civil conversazione, 3 vols., ed. Quondam, A., Modena, 1993Google Scholar
Guidobaldi, Nicoletta, La musica di Federico: Immagini e suoni alla corte di Urbino, Florence, 1995Google Scholar
Haar, James, ‘From Cantimbanco to Court: The Musical Fortunes of Ariosto in Florentine Society’, in L’arme e gli amori: Ariosto, Tasso and Guarini in Late Renaissance Florence, ed. Rossi, Massimiliano and Superbi, Fiorella Gioffredi, Florence, vol. II, 179–97Google Scholar
Haar, JamesThe Courtier as Musician: Castiglione’s View of the Science and Art of Music’, in The Science and Art of Renaissance Music, ed. Corneilson, Paul, Princeton, NJ, 1998, 2037Google Scholar
Hall, Marcia B., Renovation and Counter-Reformation: Vasari and Duke Cosimo in Santa Maria Novella and Santa Croce, 1565–77, Oxford, 1979Google Scholar
Hall, Marcia B.The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy’, JWCI 37 (1974), 157–73Google Scholar
Herl, Joseph, Worship Wars in Early Lutheranism: Choir, Congregation and Three Centuries of Conflict, Oxford, 2004Google Scholar
Hills, Helen, Architecture and the Politics of Gender in Early Modern Europe, Aldershot, 2003Google Scholar
Hills, HelenCities and Virgins: Female Aristocratic Convents in Early Modern Naples and Palermo’, Oxford Art Journal 22 (1999), 3152Google Scholar
Hills, Helen Invisible City: The Architecture of Devotion in Seventeenth-Century Neapolitan Convents, Oxford, 2004Google Scholar
Howard, Deborah, ‘The Role of Music in the Venetian Home in the Cinquecento’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 95114Google Scholar
Howard, Deborah, and Longair, Malcolm, ‘Harmonic Proportion and Palladio’s “Quattro Libri”’, Journal of the Society of Architectural Historians 61 (1982), 116–43Google Scholar
Howard, Deborah, and Moretti, Laura, Sound and Space in Renaissance Venice: Architecture, Music and Acoustics, New Haven, CT, and London, 2009Google Scholar
Howard, Deborah, and Moretti, Laura, eds., Architettura e musica nella Venezia del Rinascimento, Milan, 2006Google Scholar
Howard, Deborah, and Moretti, Laura, The Music Room in Early Modern France and Italy: Sound, Space and Object, Oxford, 2012Google Scholar
Hulse, Lynn, ‘The Musical Patronage of Robert Cecil, First Earl of Salisbury’, JRMA 116 (1991), 2440Google Scholar
Indovinelli, riboboli, passerotti, et farfalloni, n.p., n.d.Google Scholar
Jardine, Lisa, Worldly Goods: A New History of the Renaissance, New York, 1996Google Scholar
Katrizky, Margaret A., ‘The Diaries of Prince Ferdinand of Bavaria: Commedia dell’Arte at the Wedding Festivals of Florence (1563) and Munich (1568)’, in Italian Renaissance Festivals and Their European Influence, ed. Mulyrne, J. R. and Shewring, Margaret, Lewiston, NY, 1992, 143–4Google Scholar
Kendrick, Robert, Celestial Sirens: Nuns and their Music in Early Modern Milan, Oxford, 1996CrossRefGoogle Scholar
Kendrick, Robert The Sounds of Milan, 1585–1650, Oxford, 2002Google Scholar
Kmetz, John, ‘The Piperinus–Amerback Partbooks: Six Months of Music Lessons in Renaissance Basel’, in Music in the German Renaissance, ed. Kmetz, John, Cambridge, 1994, 215–34Google Scholar
Kümin, Beat, ‘Masses, Morris and Metrical Psalms: Music in the English Parish c. 1400–1600’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 7081Google Scholar
Leaver, Robin, ‘Goostly Psalmes and Spirituall Songs’: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535–66, Oxford, 1991Google Scholar
Leaver, Robin, ‘The Reformation and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 371400Google Scholar
Lefebvre, Henri, The Production of Space, trans. Donald Nicholson-Smith, Oxford, 1991Google Scholar
Liguori, Francesco, L’arte del liuto. Le botteghe dei Teiffenbrucker prestigiosi costruttori di liuti a Padova tra il Cinquecento e il Seicento, Padua, 2010Google Scholar
Lorenzetti, Stefano, Musica e identità nobiliare nell’Italia del Rinascimento, Florence, 2003Google Scholar
Lorenzetti, StefanoPublic Behaviour, Music and the Construction of Feminine Identity in the Italian Renaissance’, Recercare 23 (2011), 734Google Scholar
Marsh, Christopher, ‘Sacred Space in England, 1560–1640: The View from the Pew’, JEH 53 (2002), 286311Google Scholar
Maxwell, Susan, ‘A Marriage Commemorated in the Stairway of Fools’, SCJ 36 (2005), 717–41Google Scholar
Maxwell, SusanThe Pursuit of Art and Pleasure in the Secret Grotto of Wilhelm V of Bavaria’, RQ 61 (2008), 414–62Google Scholar
McGee, Timothy, ‘The Fall of the Noble Minstrel: The Sixteenth-Century Minstrel in a Musical Context’, Medieval and Renaissance Drama in England 7 (1995), 98120Google Scholar
Monson, Craig, Disembodied Voices: Music and Culture in an Early Modern Italian Convent, Berkeley, CA, 1995Google Scholar
Monson, CraigRenewal, Reform and Reaction in Catholic Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 401–21Google Scholar
Montford, Kimberlyn, ‘Holy Restraint: Religious Reform and Nuns’ Music in Early Modern Rome’, SCJ 37 (2006), 1007–26Google Scholar
Moore, James H., ‘The Vespero delli cinque laudate and the role of salmi spezzati at St Mark’s’, JAMS 24 (1981), 249–78Google Scholar
Moretti, Laura, ‘Architectural Spaces for Music: Jacopo Sansovino and Adrian Willaert at St Mark’s’, EMH 24 (2004), 153–84Google Scholar
Moretti, LauraBuilt Architecture for Music: Spaces for Chamber Music in Sixteenth-Century Italy’, in The Routledge Companion to Music and Visual Culture, ed. Shephard, Tim and Leonard, Anne, London, 2013, 281–5Google Scholar
Moretti, LauraL’immagine della musica nello “studio” del Palazzo Veronese di Mario Bevilacqua (1536–93)’, Music in Art 40 (2015), 285–96Google Scholar
Moretti, LauraSpaces for Musical Performance in the Este Court in Ferrara (c. 1440–1540)’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 213–36Google Scholar
Moretti, LauraThe Function and Use of Musical Sources at the Paduan “Court” of Alvise Cornaro in the First Half of the Cinquecento’, JAF 2 (2010), 4761Google Scholar
Moretti, LauraThe Palazzo, Collections, and Musical Patronage of Niccolò Gaddi (1536–91)’, Journal of the History of Collections 29 (2017), 189207Google Scholar
Nelson, Bernadette, ‘Ritual and Ceremony at the Spanish Royal Chapel, c.1559–c.1561’, EMH 19 (2000), 105200Google Scholar
Nelson, Katie, ‘Love in the Music Room: Thomas Whythorne and the Private Affairs of Tudor Music Tutors’, EM 40 (2012), 1526Google Scholar
Newcomb, Anthony, ‘Courtesans, Muses or Musicians? Professional Women Musicians in Sixteenth–Century Italy’, in Women Making Music: The Western Art Tradition, ed. Bowers, Jane and Tick, Judith, Urbana IL, 1986Google Scholar
Newcomb, Anthony The Madrigal at Ferrara, 1579–97, 2 vols., Princeton, NJ, 1980Google Scholar
O’Regan, Noel, ‘The Performance of Roman Sacred Polychoral Music in the Late Sixteenth and Early Seventeenth Centuries: Evidence from Archival Sources’, Performance Practice Review 8 (1995), 107–46Google Scholar
Ongaro, Giulio, ‘All Work and No Play? The Organization of Work Among Musicians in Late Renaissance Venice’, Journal of Medieval and Renaissance Studies 25 (1995), 5572Google Scholar
Ongaro, GiulioThe Tieffenbruckers and the Business of Lute-Making in Sixteenth-Century Venice’, GSJ 44 (1991), 4654Google Scholar
Palumbo, Fossati, Isabella, ‘L’interno della casa dell’artigiano e dell’artista nella Venezia del cinquecento’, Studi veneziani 8 (1984), 109–53Google Scholar
Pickford, Sophie, ‘Music in the French Domestic Interior (1500–1600)’, in The Music Room in Early Modern France and Italy. Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 7993Google Scholar
Pirotta, Nina, and Povoledo, Elena, Music and Theatre from Poliziano to Monteverdi, trans. Karen Eales, Cambridge, 1992Google Scholar
Pomian, Krzysztof, Collectors and Curiosities: Paris and Venice, 1500–1800, Cambridge, 1990Google Scholar
Prizer, William, ‘Isabella d’Este and Lorenzo da Pavia, “Master Instrument-Maker”’, EMH 2 (1982), 87118Google Scholar
Prizer, William“Una virtù molto conveniente a Madonne”: Isabella d’Este as a Musician’, JM 17 (1999), 1049Google Scholar
Reardon, Colleen, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575–1700, Oxford, 2001Google Scholar
Rooley, Anthony, ‘Sounds and Spaces’, EM 42 (2014), 119–20Google Scholar
Rose, Stephen, ‘Performances and Popular Culture in the German Reformation’, EM 33 (2005), 295303Google Scholar
Scamozzi, Vincenzo, L’idea della architettura universale, Venice, 1615Google Scholar
Schiltz, Katelijne, ‘Church and Chamber: The Influence of Acoustics on Musical Composition and Performance’, EM 31 (2003), 6578Google Scholar
Selfridge-Field, Eleanor, Venetian Instrumental Music from Gabrieli to Vivaldi, Oxford, 1975Google Scholar
Serlio, Sebastiano, Architecturae liber septimus, Frankfurt am Main, 1575Google Scholar
Serlio, Sebastiano Sebastiano Serlio on Architecture, trans. and ed. Hart, Vaughan and Hicks, Peter, 2 vols., New Haven, CT, and London, 1996–2001Google Scholar
Shephard, Tim, Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530, Oxford, 2014Google Scholar
Shephard, TimMusical Spaces: The Politics of Space in Renaissance Italy’, in The Routledge Companion to Music and Visual Culture, ed. Shephard, Tim and Leonard, Anne, New York, 2014, 274–80Google Scholar
Sherr, Richard, ‘Performance Practice in the Papal Chapel during the 16th Century’, EM 15 (1987), 452–62Google Scholar
Sherr, RichardSpeculations on Repertory, Performance Practice and Ceremony in the Papal Chapel in the Early Sixteenth Century’, in Studien zur Geschichte der päpstlichen Kapelle: Tagungsbericht Heidelberg 1989, ed. Janz, Bernhard, Vatican City, 1994, 103–22Google Scholar
Temperley, Nicholas, ‘“All Skillful Praises Sing”: How Congregations Sang the Psalms in Early Modern England’, RS 29 (2015), 531–53Google Scholar
Thornton, Dora, The Scholar in his Study: Ownership and Experience in Renaissance Italy, New Haven, CT, and London, 1997Google Scholar
Toffolo, Stefano, Antichi strumenti veneziani, Venice, 1987Google Scholar
Toffolo, Stefano Strumenti musicali a Venezia nella storia e nell’arte dal XIV al XVIII secolo, Cremona, 1995Google Scholar
Troiano, Massimo, Dialoghi … ne’ quali si narrano le cose piu notabili fatti nelle Nozze dello illustriss. & eccell. Prencipe Giulielmo VI Conte Palatino del Reno, e Duca di Bavaria …, Venice, 1569Google Scholar
van Orden, Kate, ‘Children’s Voices: Singing and Literacy in Sixteenth-Century France’, EMH 25 (2006), 209–56Google Scholar
van Orden, Kate Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar
Wagner, Oettinger, Rebecca, Music as Propaganda in the German Reformation, Aldershot, 2001Google Scholar
Weill-Garris, Kathleen, and D’Amico, John F, ‘The Renaissance Cardinal’s Ideal Palace: A Chapter from Cortesi’s De Cardinalatu, in Studies in Italian Art and Architecture, 15th through 18th Centuries, Memoirs of the American Academy in Rome, ed. Millon, Henry A. 35 (1980), 45123Google Scholar
Willis, Jonathan, Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities, Aldershot, 2010Google Scholar
Winternitz, Emanuel, Musical Instruments of the Western World, New York, 1967Google Scholar
Wittkower, Rudolf, Architectural Principles in the Age of Humanism, London, 1949Google Scholar
Zecher, Carla, Sounding Objects: Musical Instruments, Poetry and Art in Renaissance France, Toronto, 2007Google Scholar

References

Anthon, Carl, ‘Some Aspects of the Social Status of Italian Musicians in the Sixteenth Century’, Journal of Renaissance and Baroque Music 1 (1946), 111–23, 222–34Google Scholar
Arbeau, Thoinot, Orchésographie, Langres, 1589; rep. Orchesography, trans. Mary Stewart Evans, ed. Sutton, Julia, New York, 1967Google Scholar
Atlas, Allan, ‘Music for the Mass’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 101–29Google Scholar
Austern, Linda, Music in English Children’s Drama of the Late Renaissance, Philadelphia, 1992Google Scholar
Bizzarini, Marco, Luca Marenzio: The Career of a Musician between the Renaissance and the Counter-Reformation, trans. James Chater, Aldershot, 2003Google Scholar
Bölling, Jörg, ‘Zur Institutions- und Bildungsgeschichte von pueri cantores’, in Rekrutierung musikalischer Eliten: Knabengesang im 15. und 16. Jahrhundert. TroJa: Jahrbuch für Renaissancemusik 10, ed. Schwindt, Nicole, Kassel, 2011, 93109Google Scholar
Brayshay, Mark, ‘Waits, Musicians, Bearwards and Players: The Inter-Urban Road Travel and Performances of Itinerant Entertainers in Sixteenth and Seventeenth Century England’, Journal of Historical Geography 31 (2005), 430–58Google Scholar
Brobeck, John T., ‘Musical Patronage in the Royal Chapel of France under Francis I (r. 1515–1547)’, JAMS 48 (1995), 187239Google Scholar
Brooks, Jeanice, Courtly Song in Late-Sixteenth-Century France, Chicago, 2000Google Scholar
Busse, Berger, Anna Maria, and Rodin, Jesse, eds., The Cambridge History of Fifteenth-Century Music, Cambridge, 2015Google Scholar
Canguilhem, Philippe, ‘Improvisation as Concept and Musical Practice in the Fifteenth Century’, in The Cambridge History of Fifteenth-Century Music, ed. Busse, Anna Maria Berger, Jesse Rodin, , Cambridge, 2015, 149–63Google Scholar
Canguilhem, Philippe, ‘Singing upon the Book According to Vicente Lusitano’, EMH 30 (2011), 55103Google Scholar
Cazaux, Christelle, La musique à la cour de Francois Ier, Paris, 2002Google Scholar
Cellini, Benvenuto, Vita di Benvenuto Cellini scritta da lui medesimo, Florence, 1559; ed. Bonino, Guido Davico, Turin, 1973Google Scholar
Coehlo, Victor, and Polk, Keith, Instrumentalists and Renaissance Culture, 1420–1600: Players of Function and Fantasy, Cambridge, 2016Google Scholar
Coerdevey, Annie, Roland de Lassus, Paris, 2003Google Scholar
Comberiarti, Carmelo, Late Renaissance Music at the Habsburg Court, New York, 1987Google Scholar
Delmonte, Rossana, Camillo Cortellini madrigalista Bolognese, Florence, 1980Google Scholar
Doni, Antonfrancesco, Dialogo della musica, Venice, 1544Google Scholar
Doorslaer, G. van, La vie et les oeuvres de Philippe de Monte, Brussels, 1921Google Scholar
Downey, Peter, ‘A Renaissance Correspondence Concerning Trumpet Music’, EM 19 (1981), 325–9Google Scholar
Downey, PeterFrom the Wheel to the Hub: Fortuna’s Wheel and Instrumental Music at the German-Speaking Renaissance Courts’, in Perspectives in Brass Scholarship: Proceedings of the Historic Brass Symposium, Amhurst 1995, ed. Carter, Stewart, Stuyvesant, NY, 1995, 118Google Scholar
Dumont, Sandrine, ‘Choirboys and Vicaires in the Maîtrise of Cambrai: A Socio-anthropological Study (1550–1670)’, in Young Choristers (650–1700), ed. Boynton, Susan and Rice, Eric, Woodbridge, 2008, 146–62Google Scholar
Fenlon, Iain, Giaches de Wert: Letters and Documents, Paris, 1999Google Scholar
Fenlon, Iain Music and Patronage in Sixteenth-Century Mantua, Cambridge, 1980Google Scholar
Fenlon, Iain The Ceremonial City: History, Memory and Myth in Renaissance Venice, New Haven and London, 2007Google Scholar
Fenlon, IainVenice: Theatre of the World’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 102–32Google Scholar
Florio, John, A World of Words, or Most Copious and Exact Dictionarie of Italian and English, London, 1598Google Scholar
Flynn, Jane, ‘The Education of Choristers in England During the Sixteenth Century’, in English Choral Practice 1400–1650, ed. Morehen, John, Cambridge, 1995, 180–99Google Scholar
Flynn, JaneThomas Mulliner: An Apprentice of John Heywood?’ in Young Choristers (650–1700), ed. Boynton, Susan and Rice, Eric, Woodbridge, 2008, 173–94Google Scholar
Forney, Kristine K., ‘The Netherlands, 1520–1640’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 246–79Google Scholar
Freedman, Richard, ‘Paris and the French Court under François I’, in Man and Music: The Renaissance: From the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 174–96Google Scholar
Frey, Hans-Walter, ‘Die Kapellmeister an der französischen Nationalkirche San Luigi dei Francesi in Rom im 16. Jahrhundert. Teil II: 1577–1608’, AfM 23 (1966), 3260Google Scholar
Gair, Reaveley, The Children of St Paul’s: The Story of a Theatre Company, 1533–1608, Cambridge, 1982Google Scholar
Gale, Michael, ‘Learning the Lute in Early Modern England, c. 1550–1640’, Ph.D. diss., University of Southampton, 2014Google Scholar
Gambassi, Osvaldo, Il Concerto Palatino della Signoria di Bologna: Cinque secoli di vita musicale a corte (1250–1797), Florence, 1989Google Scholar
Glixon, Jonathan, Honoring God and the City: Music at the Venetian Confraternities, 1260–1807, New York, 2003Google Scholar
Gout, Alain, Histoire des maîtrises en occident, Paris, 1987Google Scholar
Green, Helen, ‘Defining the City Trumpeter: German Civic Identity and the Employment of Brass Instrumentalists, ca. 1500’, JRMA 136 (2011), 131Google Scholar
Haar, James, ‘Munich at the Time of Orlande de Lassus’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 243–62Google Scholar
Haar, JamesNotes on the Dialogo della Musica of Antonfrancesco Doni’, ML 47 (1966), 198224Google Scholar
Handy, Isabelle, Musiciens au temps des derniers Valois (1547–1589), Paris, 2008Google Scholar
Herr, Corinna, ‘Zur Äesthetik der Knabenstimme’, in Die Musikkulture in der Renaissance: Kontexte, Disziplinen, Diskurse, ed. Schwindt, Nicole, Laaber, 2015, 185210Google Scholar
Holman, Peter, Four and Twenty Fiddlers: The Violin at the English Court 1540–1690, Oxford, 1993Google Scholar
Hulse, Lynne, ‘Musical Apprenticeship in Noble Households’, in John Jenkins and his Time: Studies in English Consort Music, ed. Ashbee, Andrew and Holman, Peter, Oxford, 1996, 7587Google Scholar
Knighton, Tess, ‘A Day in the Life of Francisco Peñalosa’, in Companion to Medieval and Renaissance Music, ed. Knighton, Tess and Fallows, David, London, 1992, 7984Google Scholar
Kurtzman, Jeffrey, and Koldau, Linda Maria, ‘Trombe, Trombe d’argento, Trombe squarciate, Tromboni, and Pifferi in Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries (I)’, JSCM 8 (2002), http://sscm-jscm.org/v8no1.htmlGoogle Scholar
Lasocki, David, and Prior, Roger, The Bassanos: Venetian Musicians and Instrument Makers in England, 1531–1665, London, 1995, rep. 2017Google Scholar
Laube, Matthew, ‘Music and Confession in Heidelberg, 1556–1618’, Ph.D. diss., Royal Holloway, University of London, 2014Google Scholar
Lesure, François, ‘La maîtrise de Langres au XVIe siècle’, RdM 52 (1966), 202–20Google Scholar
Leuchtmann, Horst, ‘Zur sozialen Stellung europäischer Renaissance-Musiker am Beispiel Orlando di Lassuss’, in Anton Fugger (1493–1560): Vorträge und Dokumentation zum fünfhundertjährigen Jubiläum, ed. Burkhardt, Johannes, Weissenhorn, 1994, 4778, reprinted in Institutions and Patronage in Renaissance Music, ed. Thomas Schmidt-Beste, Farnham, 2012, 493–527Google Scholar
Lindell, Robert, ‘Musicians from the Low Countries, Ecclesiastical Benefices, and the Imperial preces primariae’, in Musicology and Archival Research, ed. Haggh, Barbara, Daelemans, Frank, and Vanrie, André, Brussels, 1994, 338–55Google Scholar
Lindell, RobertDie Neubesetzung der Hofkapellmeisterstelle am Kaiserhof in den Jahren 1567–1568: Palestrina order Monte?Studien zur Musikwissenschaft 36 (1985), 3552Google Scholar
Lockwood, Lewis, Music in Renaissance Ferrara, 1400–1505, Oxford, 1984Google Scholar
Lütteken, Laurenz, ‘Maîtrise’, in MGG, Sachteil V, Kassel, 1996, 15971602Google Scholar
Marsh, Christopher, Music and Society in Early Modern England, Cambridge, 2010Google Scholar
McGee, Timothy J., ‘Giovanni Cellini, Piffero of Florence’, Historic Brass Journal 12 (2000), 210–25Google Scholar
McGee, Timothy J.In the Service of the Commune: The Changing Role of Florentine Civic Musicians, 1450–1532’, SCJ 30 (1999), 727–43Google Scholar
Monson, Craig, Disembodied Voices: Music and Culture in an Early Modern Italian Convent, Berkeley, 1995Google Scholar
Monson, CraigElizabethan London’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 304–40Google Scholar
Mulcaster, Richard, The First Part of the Elementarie Which Entreateth Chefelie of the Right Writing of our English Tung, London, 1582Google Scholar
Nelson, Katherine, ‘Love in the Music Room: Thomas Whythorne and the Private Affairs of Tudor Music Tutors’, EM 40 (2012), 1526Google Scholar
Newcomb, Anthony, ‘Courtesans, Muses, or Musicians? Professional Women Musicians in Sixteenth-Century Italy’, in Women Making Music: The Western Tradition, 1150–1950, ed. Bowers, Jane and Tick, Judith, Urbana, 1987, 90115Google Scholar
O’Regan, Noel, ‘Choirboys in Early Modern Rome’, in Young Choristers (650–1700), ed. Boynton, Susan and Rice, Eric, Woodbridge, 2008, 1624Google Scholar
Ongaro, Giulio, ‘Italy, 1520–1560’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 5874Google Scholar
Peters, Gretchen, The Musical Sounds of Medieval French Cities: Players, Patrons and Politics, Cambridge, 2012Google Scholar
Picker, Lawrence, ‘The Habsburg Courts in the Netherlands and Austria, 1477–1530’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 216–42Google Scholar
Pietschmann, Klaus, ‘Music Institutions in the Fifteenth Century and their Political Contexts’, in The Cambridge History of Fifteenth-Century Music, ed. Busse, Anna Maria Berger, Jesse Rodin, , Cambridge, 2015, 403–26Google Scholar
Piperno, Franco, ‘Diplomacy and Musical Patronage: Virginia, Guidobaldo II, Maximillian II, “lo Streggino”, and Others’, EMH 18 (1999), 259–85Google Scholar
Piperno, Franco L’Immagine del Duca: Musica e spettacolo alla corte di Guidobaldo II duca d’Urbino, Florence, 2001Google Scholar
Prior, Roger, ‘Jewish Musicians at the Tudor Court’, MQ 69 (1983), 235–65Google Scholar
Prizer, William, ‘North Italian Courts, 1460–1540’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 133–55Google Scholar
Pruett, Lillian, ‘New Light on a Musician’s Lot at the Court of Rudolph II: The Case of Philippe de Monte’, in Res Musicae: Essays in Honor of James W. Pruett, ed. Laird, Paul and Russell, Craig, Warren, MI, 2001, 125–32Google Scholar
Reynolds, Christopher, ‘Musical Careers, Ecclesiastical Benefices, and the Example of Johannes Brunet’, JAMS 37 (1984), 4997Google Scholar
Reynolds, ChristopherRome: A City of Rich Contrasts’, in Man and Music: The Renaissance from the 1470s to the End of the 16th Century, ed. Fenlon, Iain, London, 1989, 63101Google Scholar
Saunders, James, ‘Music and Moonlighting: The Cathedral Choirmen of Early Modern England, 1558–1649’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 157–66Google Scholar
Schwindt, Nicole, ‘Hans Mielichs bildliche Darstellung der Münchner Hofkapelle’, AcM 68 (1996), 4879Google Scholar
Sherr, Richard, ‘Competence and Incompetence in the Papal Choir in the Age of Palestrina’, EM 22 (1994), 606–29Google Scholar
Sherr, RichardGuglielmo Gonzaga and the Castrati’, RQ 33 (1980), 3356Google Scholar
Skinner, David, ‘“At the mynde of Nycholas Ludford”: New Light on Ludford from the Churchwardens’ Accounts of St. Margaret’s, Westminster’, EM 22 (1994), 393413Google Scholar
Somerset, Allen B., ed., Records of Early English Drama: Shropshire, vol. I, Toronto, 1994Google Scholar
Starr, Pamela F., ‘The Beneficial System and Fifteenth-Century Polyphony’, in The Cambridge History of Fifteenth-Century Music, ed. Busse, Anna Maria Berger, Jesse Rodin, , Cambridge, 2015, 463–75Google Scholar
Stevens, Dennis, The Letters of Claudio Monteverdi, London, 1980Google Scholar
Stevens, John, Music and Poetry in the Early Tudor Court, London, 1961Google Scholar
Vendrix, Philippe, ‘Die Münchener Versuchung: zur Emigration Flämischer und Lütticher Musiker in der zweiten Hälfte des 16. Jahrhunderts’, in Die Münchener Hofkappelle des 16. Jahrhunderts im europäischen Kontext, ed. Göllner, Theodor and Bernhold, Schmid, Munich, 2016, 135–42Google Scholar
Verhasselt, Eliane, ‘A Biography of Nathan Field, Dramatist and Actor’, Revue belge de philologie et d’histoire 25 (1946), 485508Google Scholar
Ward, John, and Bernstein, Jane, ‘Van Wilder, Philip’, Grove Music OnlineGoogle Scholar
Wegman, Rob, ‘Obrecht and Erasmus’, JAF 3 (2011), 109–26Google Scholar
West, John E., Cathedral Organists Past and Present, London, 1921Google Scholar
Whythorne, Thomas, The Autobiography of Thomas Whythorne, ed. Osborn, James M, Oxford, 1961Google Scholar
Wickham, Glynne, Berry, Herbert, and Ingram, William, eds., English Professional Theatre, 1530–1660, Cambridge, 2000Google Scholar
Wistreich, Richard, ‘Philippe de Monte: New Autobiographical Documents’, EMH 25 (2006), 257308Google Scholar
Wistreich, RichardSinging and Sociability’, Il Saggiatore musicale 18 (2011), 230–46Google Scholar
Wistreich, RichardUsing the Music: Musical Materials and Expert Singers’ Practices in Monteverdi’s Time’, Basler Jahrbuch für Historische Musikpraxis 10 (2013), 920Google Scholar
Zenobi, Luigi, ‘The Perfect Musician: A Letter to N. N.’, trans. and ed. Blackburn, Bonnie J. and Holford-Strevens, Leofranc, Krakow, 1995Google Scholar

References

Acciai, Giovanni, ‘La Canzone alla Vergine del Petrarca nell’interpretazione madrigalistica de Cipriano de Rore e Giovanni Pierluigi da Palestrina’, in Studi palestriniani II: Palestrina 1986, ed. Bianchi, Lino and Rostirolla, Giancarlo, Palestrina, 1991, 167–74Google Scholar
Anglo, Sydney, Spectacle, Pageantry, and Early Tudor Policy, Oxford, 1969Google Scholar
Arbeau, Thoinot, Orchésographie, Langres, 1589, 1596; rep. as Orchesography, trans. Mary Stewart Evans, ed. Sutton, Julia, New York, 1967Google Scholar
Baade, Colleen, ‘Nun Musicians as Teachers and Students in Early Modern Spain’, in Music Education in the Middle Ages and the Renaissance, ed. Murray, Russell E. Jr, Forscher Weiss, Susan and Cyrus, Cynthia J., Bloomington, IN, 2010, 262–83Google Scholar
Bayrou, François, Henri IV, le roi libre, Paris, 1994Google Scholar
Beaujoyeulx, Balthasar de, Balet comique de la Royne, Paris: Le Roy & Ballard, 1582Google Scholar
Bellingham, Bruce A., ‘The Bicinium in the Lutheran Latin Schools during the Reformation Period’, Ph.D. diss., University of Toronto, 1971Google Scholar
Bernstein, Jane A., Music Printing in Renaissance Venice: The Scotto Press, 1539–1572, New York, 1998Google Scholar
Bernstein, Jane A.The Cantus-Firmus Chansons of Tylman Susato’, JAMS 22 (1969), 197240Google Scholar
Blackburn, Bonnie J., ‘Music and Festivities at the Court of Leo X: A Venetian View’, EMH 11 (1992), 137Google Scholar
Boucher, Jacqueline, La cour de Henri III, Rennes, 1986Google Scholar
Bouvet, Sébastien, ‘Les couteaux de bénédicité conservés au musée national de la Renaissance’, Musique–Images–Instruments, Revue française d’organologie et d’iconographie musicale 5 (2003), 139–47Google Scholar
Bowen, Karen Lee, Christopher Plantin’s Books of Hours: Figure and Production, Nieuwkoop, 1997Google Scholar
Brantôme, Pierre Bourdeille de, Oeuvres complètes, ed. Lalanne, Ludovic, 11 vols., Paris, 1864–82Google Scholar
Brooks, Jeanice, Courtly Song in Late Sixteenth-Century France, Chicago, IL, 2000Google Scholar
Brown, Howard Mayer, ‘A Cook’s Tour of Ferrara in 1529’, Rivista italiana di musicologia 10 (1975), 216‒41Google Scholar
Brown, Howard Mayer Instrumental Music Printed Before 1600: A Bibliography, Cambridge, MA, 1965Google Scholar
Brown, Howard MayerThe Mirror of Man’s Salvation: Music in Devotional Life about 1500’, RQ 43 (1990), 744–73Google Scholar
Burke, Peter, The Fortunes of the Courtier: The European Reception of Castiglione’s Cortigiano, Cambridge, 1995Google Scholar
Burney, Charles, A General History of Music from the Earliest Ages to the Present Day (1789), ed. Mercer, Frank, 2 vols., New York, 1957Google Scholar
Butler, Katherine, ‘“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I’, RQ 65 (2012), 353–84Google Scholar
Calvisius, Seth, Biciniorum libri duo, Leipzig: Jacopo Alepio, 1612Google Scholar
Cartier, Antoine, Vingt et une chansons nouvellement composées à trois parties, Paris: Le Roy & Ballard, 1557Google Scholar
Castiglione, Baldassare, The Book of the Courtier, trans. George Bull, London, 1976Google Scholar
Chartier, Roger, The Order of Books, Stanford, CA, 1994Google Scholar
Coignet, Matthieu, Instruction aux princes pour garder la foy promise, Paris, 1584; trans. Sir Edward Hoby, Politique Discourses upon Trueth and Lying, London: Ralfe Newberie, 1586Google Scholar
Compère, Marie-Madeleine, and Julia, Dominique, Les collèges français, 16e–18e siècles, 3 vols., Paris, 1984–2002Google Scholar
Coolidge, Grace E., Guardianship, Gender, and the Nobility in Early Modern Spain, Farnham, 2011Google Scholar
Crook, David, ‘A Sixteenth-Century Catalog of Prohibited Music’, JAMS 62 (2009), 179Google Scholar
Crook, DavidThe Exegetical Motet’, JAMS 68 (2015), 255315Google Scholar
Cumming, Julie E., ‘Petrucci’s Publics for the First Motet Prints’, in Making Publics in Early Modern Europe: People, Things, Forms of Knowledge, ed. Wilson, Bronwen and Yachnin, Paul, New York, 2010, 96122Google Scholar
Cummings, Anthony M., ‘Three Gigli: Medici Musical Patronage in the Early Cinquecento’, Recercare 15 (2003), 3972Google Scholar
Dennis, Flora, ‘Scattered Knives and Dismembered Song: Cutlery, Music and the Rituals of Dining’, RS 24 (2010), 156–84Google Scholar
Diefendorf, Barbara B., ‘The Huguenot Psalter and the Faith of French Protestants’, in Culture and Identity in Early Modern Europe, 1500‒1800, Essays in Honor of Natalie Zemon Davis, ed. Diefendorf, Barbara B. and Hesse, Carla, Ann Arbor, MI, 1993, 4163Google Scholar
Dobbins, Frank, Music in Renaissance Lyons, Oxford, 1992Google Scholar
Dowland, John, First Booke of Songes or Ayres, London, 1597Google Scholar
Durosoir, Georgie, L’air de cour en France, 1571–1655, Liège, 1991Google Scholar
Elders, Willem, et al., ‘Clemens non Papa, Jacobus’, Grove Music OnlineGoogle Scholar
Feldman, Martha, City Culture and the Madrigal at Venice, Berkeley, CA, 1995Google Scholar
Feldman, MarthaThe Courtesan’s Voice: Petrarchan Lovers, Pop Philosophy, and Oral Traditions’, in The Courtesan’s Arts: Cross-Cultural Perspectives, ed. Feldman, Martha and Gordon, Bonnie, Oxford, 2006, 105–23Google Scholar
Fenlon, Iain, ‘Renaissance Novellara: Musical Life in the Gonzaga Hinterland’, ML 91 (2010), 484–97Google Scholar
Forney, Kristine, ‘Music, Ritual and Patronage at the Church of Our Lady, Antwerp’, EMH 7 (1987), 157Google Scholar
Forney, Kristine“Nymphes gayes en abry du Laurier”: Music Instruction for the Bourgeois Woman’, MD 49 (1995), 151–87Google Scholar
Freedman, Richard, The Chansons of Orlando di Lassus and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, Rochester, NY, 2001Google Scholar
Garrisson, Janine, Henri IV, le roi de la paix, Paris, 2000Google Scholar
Harmoniae miscellae cantionum sacrarum, Nuremberg: Gerlach, 1583Google Scholar
Harrán, Don, and Chater, James, ‘Frottola’, Grove Music OnlineGoogle Scholar
Heartz, Daniel, ‘“Au pres de vous”: Claudin’s Chanson and the Commerce of Publishers’ Arrangements’, JAMS 24 (1971), 193225Google Scholar
Helms, Dietrich, ‘Henry VIII’s Book: Teaching Music to Royal Children’, MQ 92 (2009), 118–35Google Scholar
Herdman, Jessica, ‘Musical Affective Economies and the Wars of Religion in Lyon’, Ph.D. diss., University of California, Berkeley, 2015Google Scholar
Hilton, Wendy, Dance of Court and Theater: The French Noble Style, 1690‒1725, Princeton, NJ, 1981Google Scholar
Howard, Skiles, The Politics of Courtly Dancing in Early Modern England, Amherst, MA, 1998Google Scholar
Huppert, George, Public Schools in Renaissance France, Urbana, IL, 1984Google Scholar
Kendrick, Robert, Celestial Sirens: Nuns and Their Music in Early Modern Milan, Oxford, 1996Google Scholar
Kenny, Elizabeth, ‘Revealing their Hand: Lute Tablatures in Early Seventeenth-Century England’, RS 26 (2012), 112–37Google Scholar
Kmetz, John, ‘The Piperinus–Amerbach Partbooks: Six Months of Music Lessons in Renaissance Basle’, in Music in the German Renaissance, ed. Kmetz, John, Cambridge, 1994, 215–34Google Scholar
Motte-Messemé, La, Poulchre de, François Le, Le passe-temps, Book II, Paris, 1597Google Scholar
Labarre, Albert, Le livre dans la vie amiénoise du seizième siècle: l’enseignement des inventaires après décès, 1503–1576, Paris, 1971Google Scholar
Lauze, François de, Apologie de la danse et la parfaicte methode de l’enseigner tant aux Cavaliers qu’aux dames, facsimile edn, Geneva, 1977Google Scholar
Les Proverbes de Salomon. L’Ecclesiaste. Le cantique des cantiques. Le livre de la Sapience. L’Ecclesiastique, Paris: Robert Estienne, 1552Google Scholar
Lesure, François, and Thibault, Geneviève, Bibliographie des éditions d’Adrian Le Roy et Robert Ballard (1551–1598), Paris, 1955Google Scholar
Liliencron, Rochus von, Die Horazischen Metren in deutschen Kompositionen des XVI. Jahrhunderts, Leipzig, 1887Google Scholar
Lockwood, Lewis, and O’Regan, Noel, ‘Animuccia, Giovanni’, Grove Music OnlineGoogle Scholar
Lorenzetti, Stefano, Musica e identità nobiliare nell’Italia del Rinascimento: educazione, mentalità, immaginario, Florence, 2003Google Scholar
Marsh, Christopher, Music and Society in Early Modern England, Cambridge, 2010Google Scholar
McGowan, Margaret, Dance in the Renaissance: European Fashion, French Obsession, New Haven, CT, and London, 2008Google Scholar
Melville, James, Memoirs of Sir James Melville of Halhill, 1535‒1617, ed. Francis Steuart, A., London, 1929Google Scholar
Meurier, Hubert, Traicté de l’institution et vray usage des processions … en la Province de Champaigne …, Rheims: Jean de Foigny, 1584Google Scholar
Milsom, John, ‘Sacred Songs in the Chamber’, in English Choral Practice, 1400–1650, ed. Morehen, John, Cambridge, 1996, 161–79Google Scholar
Monson, Craig, Disembodied Voices: Music and Culture in an Early Modern Italian Convent, Berkeley, CA, 1995Google Scholar
Montaigne, Michel de, Journal de voyage [1580–1], ed. Rigolot, François, Paris, 1992Google Scholar
Morley, Thomas, A Plaine and Easie Introduction to Practicall Musicke, London, 1597Google Scholar
Motley, Mark, Becoming a French Aristocrat: The Education of the Court Nobility, 1580‒1715, Princeton, NJ, 1990Google Scholar
Ongaro, Giulio, ‘The Library of a Sixteenth-Century Music Teacher’, JM 12 (1994), 357‒75Google Scholar
Parthenay, Catherine de, Duchess of Rohan, Ballets allégoriques en vers, 1592‒1593, ed. Ritter, Raymond, Paris, 1927Google Scholar
Pelletier, Thomas, La nourriture de la noblesse, Paris: veufve Mamert Patisson, 1604Google Scholar
Pendle, Karin, ‘Musical Women in Early Modern Europe’, in Women and Music: A History, ed. Pendle, Karin Anna, Bloomington, IN, 2001, 5796Google Scholar
Pettegree, Andrew, The Book in the Renaissance, New Haven, CT, and London, 2010Google Scholar
Piperno, Franco, ‘Alfabetizzazione e apprendimento musicale delle élites nella prima età moderna’, Saggiatore musicale 18 (2011), 181–91Google Scholar
Pirro, André, ‘Leo X and Music’, MQ 21 (1935), 116Google Scholar
Pluvinel, Antoine de, L’instruction du roy en l’exercice de monter à cheval, ed. de Menou, René, Paris, 1625Google Scholar
Pogue, Samuel, Jacques Moderne: Music Printer of the Sixteenth Century, Geneva, 1969Google Scholar
Police de l’aulmosne, Lyons: Sébastien Gryphius, 1539Google Scholar
Pomi, David de, L’Ecclesiaste di Salomone nuovamente dal testo hebreo tradotto & secondo il vero senso nel volgar idioma, Venice: Giordano Ziletti, 1571Google Scholar
Porteau, Paul, Montaigne et la vie pédagogique de son temps, Paris, 1935Google Scholar
Prizer, William F., ‘Isabella d’Este and Lucrezia Borgia as Patrons of Music: The Frottola at Mantua and Ferrara’, JAMS 38 (1985), 133Google Scholar
Prizer, William F.“Laude di popolo”, “laude di corte”: Some Thoughts on the Style and Function of the Renaissance Lauda’, in La musica a Firenze al tempo di Lorenzo il Magnifico: congresso internazionale di studi, Firenze, 15–17 giugno, 1992, Florence, 1993, 167–94Google Scholar
Rabelais, François, Oeuvres complètes, ed. Huchon, Mireille, Paris, 1994Google Scholar
Ranum, Orest, ‘Courtesy, Absolutism, and the Rise of the French State, 1630–1660’, Journal of Modern History 52 (1980), 426–51Google Scholar
Ravanelli Guidotti, Carmen, Musica di smalto. Maioliche fra XVI e XVIII secolo del Museo internazionale delle Ceramiche in Faenza, Ferrara, 2004Google Scholar
Reinburg, Virginia, ‘Books of Hours’, in The Sixteenth-Century French Religious Book, ed. Pettegree, Andrew, Nelles, Paul, and Conner, Philip, Aldershot, 2001, 6282Google Scholar
Riquier, Nicolas, Recueil mémorable d’aulcuns cas advenus depuis l’an du salut 1573 tant à Beauvais qu’ailleurs, ed. Leblond, Victor, vol. II of Documents pour servir à l’histoire de Beauvais et du Beauvaisis au XVIe siècle, Paris, 1909Google Scholar
Rochemonteix, Camille de, Le Collège Henri IV de La Flèche, 2 vols., Le Mans, 1889Google Scholar
Slim, H. Colin, ‘Music in Majolica’, EM 12 (1984), 371–3Google Scholar
Slim, H. Painting Music in the Sixteenth Century, Aldershot, 2002Google Scholar
Slim, H. ‘The Music Library of the Augsburg Patrician, Hans Heinrich Herwart (1520–1583)’, Annales musicologiques 7 (1964–77), 67109Google Scholar
Smith, Carleton Sprague, ‘Table Blessings set to Music’, in The Commonwealth of Music, ed. Reese, Gustave and Brandel, Rose, New York, 1965, 236–82Google Scholar
Taricani, JoAnn, ‘A Chansonnier from a Library in Renaissance Augsburg: Munich Bayerische Staatsbibliothek, Mus. Ms. 1508’, Ph.D. diss., University of Pennsylvania, 1986Google Scholar
Temperley, Nicholas, ‘“If Any of You Be Mery Let Hym Synge Psalmes”: The Culture of Psalms in Church and Home’, in ‘Noyses, Sounds, and Sweet Aires’: Music in Early Modern England, ed. Owens, Jessie Ann, Washington DC, 2006, 90–9Google Scholar
Temperley, Nicholas, et al., ‘Psalms, Metrical, III: England’, Grove Music OnlineGoogle Scholar
Troiano, Massimo, Discorsi delli triomfi, giostre, apparati, é [sic] delle cose piu notabile fatte nelle sontuose nozze, dell’Illustrißimo & Eccellentißimo Signor Duca Guglielmo, Munich, 1568Google Scholar
van Orden, Kate, ‘French Vernacular Culture and the Chanson in Paris, 1570‒1580’, Ph.D. diss., University of Chicago, 1996Google Scholar
van Orden, Kate Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe, New York, 2015Google Scholar
van Orden, Kate Music, Authorship, and the Book in the First Century of Print, Berkeley, CA, 2014Google Scholar
van Orden, Kate Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar
Vanhulst, Henri, ‘La musique dans les manuels de conversation bilingues de la Renaissance’, Revue belge de musicologie 59 (2005), 93124Google Scholar
Wistreich, Richard, ‘Music Books and Sociability’, Saggiatore musicale 18 (2011), 230–44Google Scholar
Wistreich, Richard Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance, Aldershot, 2007Google Scholar
Wordsworth, Christopher, ed., Horae Eboracenses, The Prymer of Hours of the Blessed Virgin Mary, According to the Use of the Illustrious Church of York with Other Devotions as They were Used by the Lay-Folk in the Northern Province in the XVth and XVIth Centuries, Durham, 1920Google Scholar
Zecher, Carla, Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France, Toronto, 2007 Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×