“Qu'est-ce qui cloche dans le système, qu'est-ce qui boite? La question est aussi boiteuse et ne fait pas question. Ce qui déborde le système, c'est l'impossibilité de son échec, comme l'impossibilité de la réussite: finalement on n'en peut rien dire, et il y a une manière de se taire (le silence lacunaire de l'écriture) qui arrête le système, le laissant désoeuvré, Iivré au sérieux de l'ironie.”

Glas is a tour de force of Hegel scholarship. Although primarily concerned with the Philosophy of Right and the Phenomenology of Spirit, Derrida also offers detailed discussions of The Spirit of Christianity and its Fate, the First Philosophy of Spirit of 1803-4, the 1803 essay Scientific Ways of Treating Natural Law, the Lectures on Aesthetics and the introduction to the Lectures on the Philosophy of World History. In addition - and this list is not exhaustive - there are discussions of and references to the Logic, the Encyclopaedia, the Lectures on the Philosophy of Religion, the Differenzschrift, Faith and Knowledge, and abundant quotations from Hegel's correspondence.

On the first page of Glas Derrida writes in the left column that “This” is a legend, not a fable. “This” could be that or this pronoun. It could be Hegel's signature, Sa signature referred to a few lines earlier, Hegel's corpus, also referred to earlier, what Derrida is in the course of writing, and much else. Not Hegel's whole corpus, however, but two passages: the religion of flowers and the phallic column of India. On each page there are two columns. The right column has to do especially with Jean Genet, especially with Genet's writing about flowers, especially the flower of the broom, genêt; but genêt is also a common noun for a kind of Spanish horse. In other words, the religion of flowers and its role as an introduction to the religion of animals are in play also in the right column. And just as the right column plays on the possibilities of taking a mark as a proper and a common name, so too does the left column, for example on the chances of hearing the name of the eagle in the name of the philosopher when these names are pronounced à la française. So pronunciation has an important part in this. But reading has an important part in pronunciation, legein in logos. The fable thought of as pure thought without mark, immaculate conception, is at stake in Glas. “Glas” means the voice that speaks, as “fable” is from fari, to speak. So is the reader about to discover in Glas something that sticks in the throat of the Hegelian system, resisting digestion there, a materialism of the idea that resists Aufhebung to absolute knowledge? Or is Derrida lifted thither in the eagle's talons? For does not the dialectic thrive on resistance? Would it not be a bad reading of Hegel's text that failed to comprehend this? But