Re: Sources: Ellen MacKay
The Wrong Stuff: Staffordshire Figures at the Folger Shakespeare Library
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- 07 September 2015, pp. 389-401
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A Cultural History of Theatre: A Prospectus
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- 07 September 2015, pp. 402-421
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Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Reformations of the Body: Idolatry, Sacrifice and the Early Modern Theater. By Jennifer Waldron. Early Modern Cultural Studies. New York: Palgrave Macmillan, 2013; pp. xi + 296, 11 illustrations. $95 cloth, $90 e-book.
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- 29 December 2014, pp. 99-101
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Ira Aldridge: Performing Shakespeare in Europe, 1852–1855. By Bernth Lindfors. Rochester Studies in African History and the Diaspora. Rochester, NY: University of Rochester Press, 2013; pp. xii + 352, 21 illustrations. cloth, $55, e-book $49.99.
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- 01 May 2015, pp. 234-236
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Greek Tragedy and Its Reception: A Review Essay
Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Reimagining Greek Tragedy on the American Stage. By Helene P. Foley. Studies in Theatre History and Culture. Berkeley: University of California Press, 2012; first paperback printing 2014. pp. xv + 375. $95 cloth, $34.95 paper, $34.95 e-book. - Athenian Tragedy in Performance: A Guide to Contemporary Studies and Historical Debates. By Melinda Powers. Iowa City: University of Iowa Press, 2014. pp. 185. $45.00 paper, $45 e-book. - Antigone, Interrupted. By Bonnie Honig. Cambridge: Cambridge University Press, 2013. pp. xviii + 321. $89.99 cloth, $29.99 paper, $24 e-book. - Aristotle and Black Drama: A Theater of Civil Disobedience. By Patrice D. Rankine. Waco: Baylor University Press, 2013. pp. xv + 254. $59.95 cloth, $59.95 e-book. - Choruses, Ancient and Modern. Edited by Joshua Billings, Felix Budelmann, and Fiona Macintosh. Oxford: Oxford University Press, 2013. pp. xiii + 424. $185 cloth.
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- 07 September 2015, pp. 422-429
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Book Reviews: Edited by Gina Bloom, with Megan Ammirati
The Mind–Body Stage: Passion and Interaction in the Cartesian Theater. By R. Darren Gobert. Stanford: Stanford University Press, 2013; pp. xiii + 248, 18 illustrations. $60.00 cloth, $60 e-book.
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- 29 December 2014, pp. 101-103
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Burnt Cork: Traditions and Legacies of Blackface Minstrelsy. Edited by Stephen Johnson. Amherst & Boston: University of Massachusetts Press, 2012; pp. xii + 280, 90 illustrations. $80 cloth, $28.95 paper.
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- 01 May 2015, pp. 236-238
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Theatre & Race. By Harvey Young. Theatre&. New York: Palgrave Macmillan, 2013; pp. viii + 80. $10 paper.
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- 01 May 2015, pp. 238-240
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The Group Theatre: Passion, Politics, and Performance in the Depression Era. By Helen Krich Chinoy. Edited by Don B. Wilmeth and Milly S. Barranger. New York: Palgrave Macmillan, 2013; pp. xi + 283, 6 illustrations. $36 cloth, $35 e-book.
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- 29 December 2014, pp. 103-105
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Greek Tragedy and Its Reception: A Review Essay
Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era. By Denise Varney, Peter Eckersall, Chris Hudson, and Barbara Hatley. Studies in International Performance. New York: Palgrave Macmillan, 2013; pp. xxi + 253, 20 illustrations. $90 cloth, $90 e-book.
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- 07 September 2015, pp. 429-431
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Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Staging Faith: Religion and African American Theater from the Harlem Renaissance to World War II. By Craig R. Prentiss. New York and London: New York University Press, 2014; pp. xiv + 233, 8 halftone illustrations. $85 cloth, $27 paper, $21.25 e-book.
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- 01 May 2015, pp. 240-242
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Greek Tragedy and Its Reception: A Review Essay
Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Stagestruck: The Business of Theater in Eighteenth-Century France and Its Colonies. By Lauren R. Clay. Ithaca and London: Cornell University Press, 2013; pp. xviii + 341, 15 illustrations; $49.95 cloth, $49.95 e-book.
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- 07 September 2015, pp. 431-433
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Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Weavers of Dreams, Unite!: Actors' Unionism in Early Twentieth-Century America. By Sean P. Holmes. Urbana: University of Illinois Press, 2013; pp. x + 222, 8 illustrations. $60 cloth, $30 e-book.
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- 29 December 2014, pp. 105-107
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Suzan-Lori Parks in Person: Interviews and Commentaries. Edited by Philip C. Kolin and Harvey Young. London and New York: Routledge, 2014; pp. xii + 227, 9 figures. $130 cloth, $41.95 paper, $41.95 e-book.
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- 01 May 2015, pp. 242-244
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The Work of Poverty: Samuel Beckett's Vagabonds and the Theater of Crisis. By Lance Duerfahrd. Columbus: Ohio State University Press, 2013; viii + 236, 5 illustrations. $67.95 cloth, $14.95 CD.
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- 29 December 2014, pp. 107-109
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Greek Tragedy and Its Reception: A Review Essay
Book Reviews: Edited by Gina Bloom, with Megan Ammirati
Women Making Shakespeare: Text, Reception and Performance. Edited by Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughan. London and New York: Bloomsbury Arden Shakespeare, 2014; pp. xii + 368, 5 illustrations. $90 cloth, $27.95 paper, $26.99 e-book.
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- 07 September 2015, pp. 433-435
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Women's Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries. By Leslie Atkins Durham. New York: Palgrave Macmillan, 2013; pp. ix + 214. $95 cloth, $95 e-book.
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- 07 September 2015, pp. 435-437
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Book Reviews: Edited by Gina Bloom, with Megan Ammirati
The Avant-Garde: Race, Religion, War. By Mike Sell. Enactments. New York: Seagull Books, 2012; pp. viii + 355. $25 paper.
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- 29 December 2014, pp. 109-111
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“Uncle Tom's Cabin” on the American Stage and Screen. By John W. Frick. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2012; pp. xvii + 228. $100 cloth, $95 e-book.
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- 01 May 2015, pp. 244-246
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Dark Matter: Invisibility in Drama, Theater, and Performance. By Andrew Sofer. Ann Arbor: University of Michigan Press, 2013; pp. x + 229. $75 cloth, $29.95 paper, $29.95 e-book.
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- 29 December 2014, pp. 111-113
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