Theatre Research International: Volume 36 -

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Volume 36 - October 2011

Contents

Page 3 of 4

Book Review

Euripides, Our Contemporary. By Michael Walton. London: Methuen, 2009. Pp. vi + 250. £16.99 Pb - Theorising Performance: Greek Drama, Cultural History and Critical Practice. Edited by Edith Hall and Stephen Harrop. London: Duckworth, 2010. Pp. xiv + 306 + 8 illus. £25 Pb
Ian Ruffell
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30 August 2011, pp. 292-293
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The Provocation of the Senses in Contemporary Theatre. By Stephen Di Benedetto. Abingdon and New York: Routledge, 2010. Pp. xi + 238. £80/$118 Hb.
Nicola Shaughnessy
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31 May 2011, pp. 182-183
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Crossroads: Performance Studies and Irish Culture. Edited by Sarah Brady and Fintan Walsh. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. v + 255 + 9 illus. £55/$75 Hb.
Sheila McCormick
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21 December 2010, pp. 87-88
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The Language of Space in Court Performance, 1400–1625. By Janette Dillon. Cambridge: Cambridge University Press, 2010. Pp. xiii + 264 + 28 illus. $90 Hb.
Jennifer A. Low
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30 August 2011, pp. 293-294
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Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. By James M. Harding. Ann Arbor: University of Michigan Press, 2010. Pp. ix + 222. £53.50/$60 Hb.
Michael M. Chemers
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31 May 2011, pp. 183-184
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The New Music Theater: Seeing the Voice, Hearing the Body. By Eric Salzman and Thomas Desi. Oxford: Oxford University Press, 2008. Pp. 416 + illus. £27.50/$39.95 Hb.
Arthur J. Sabatini
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21 December 2010, pp. 88-89
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Medieval Roles for Modern Times: Theater and the Battle for the French Republic. By Helen Solterer. University Park: Pennsylvania State University Press, 2010. Pp. 304 + 40 illus. £71.50/$80 Hb.
Jesse Njus
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30 August 2011, pp. 294-295
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The Infinity Machine: Mike Parr's Performance Art, 1971–2005. By Edward Scheer. Melbourne: Schwartz City Press, 2009. Pp. 200. AU$49.95 Hb.
Rex Butler
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31 May 2011, pp. 184-185
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Performing Bodies in Pain: Medieval and Post-modern Martyrs, Mystics, and Artists. By Marla Carlson. New York: Palgrave MacMillan, 2010. Pp. xii + 227 + 8 illus. £52.50/$80 Hb.
Kim Solga
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30 August 2011, pp. 295-296
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Gilbert and Sullivan: Class and the Savoy Tradition, 1875–1896. By Regina B. Oost. Farnham: Ashgate, 2009. Pp. 168 + 10 illus. £50/$99.95 Hb.
Michael Goron
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21 December 2010, pp. 89-90
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Male Trouble: Masculinity and the Performance of Crisis. By Fintan Walsh. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. viii + 234 + 9 illus. £50/$80 Hb.
Dominic Johnson
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31 May 2011, pp. 185-186
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Theatre Censorship in Britain: Silencing, Censure and Suppression. By Helen Freshwater. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. x + 212 + 6 illus. £45/$90 Hb.
Claire Cochrane
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31 May 2011, pp. 186-187
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When Marina Abramović Dies: A Biography. By James Westcott. Cambridge, MA: The MIT Press, 2010. Pp. xiii + 328. $27.95/£19.95 Hb.
Roberta Mock
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30 August 2011, pp. 296-297
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Ruskin, The Theatre and Victorian Visual Culture. Edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. v + 242 + 31 illus. £50/$90 Hb.
Helen E. M. Brooks
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21 December 2010, pp. 90-91
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The Colonial Staged: Theatre in Colonial Calcutta. By Sudipto Chatterjee. Calcutta and Chicago: Seagull and The University of Chicago Press, 2007. Pp. xiv + 318. $29.95 Pb; $84.95 Hb.
David Mason
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31 May 2011, pp. 187-188
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The Oxford Handbook of Early Modern Theatre. Edited by Richard Dutton. Oxford: Oxford University Press, 2009. Pp. xxvi + 716 + 32 illus. £80 Hb.
Kenneth Richards
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21 December 2010, pp. 91-92
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Further On, Nothing: Tadeusz Kantor's Theatre. By Michal Kobialka. Minneapolis, MN, and London: University of Minnesota Press, 2010. Pp. 552. $35 Pb.
Sarah Bay-Cheng
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30 August 2011, pp. 297-298
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The American Play, 1787–2000. By Marc Robinson. New Haven and London: Yale University Press, 2009. Pp. x + 406 + illus. $45/£30 Hb.
Christopher Bigsby
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31 May 2011, pp. 188-189
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When Broadway Was the Runway: Theater, Fashion, and American Culture. By Marlis Schweitzer. Philadelphia: University of Pennsylvania Press, 2009. Pp. x + 310. £26.00/$39.95 Hb.
Christin Essin
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21 December 2010, pp. 92-93
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The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer. By Melissa Trimingham. New York: Routledge, 2011. Pp. xvi + 214. $132/£85 Hb.
Günter Berghaus
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30 August 2011, pp. 298-299
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Page 3 of 4

Theatre Research International

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Volume 36 - October 2011

Book Review

Euripides, Our Contemporary. By Michael Walton. London: Methuen, 2009. Pp. vi + 250. £16.99 Pb - Theorising Performance: Greek Drama, Cultural History and Critical Practice. Edited by Edith Hall and Stephen Harrop. London: Duckworth, 2010. Pp. xiv + 306 + 8 illus. £25 Pb

The Provocation of the Senses in Contemporary Theatre. By Stephen Di Benedetto. Abingdon and New York: Routledge, 2010. Pp. xi + 238. £80/$118 Hb.

Crossroads: Performance Studies and Irish Culture. Edited by Sarah Brady and Fintan Walsh. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. v + 255 + 9 illus. £55/$75 Hb.

The Language of Space in Court Performance, 1400–1625. By Janette Dillon. Cambridge: Cambridge University Press, 2010. Pp. xiii + 264 + 28 illus. $90 Hb.

Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. By James M. Harding. Ann Arbor: University of Michigan Press, 2010. Pp. ix + 222. £53.50/$60 Hb.

The New Music Theater: Seeing the Voice, Hearing the Body. By Eric Salzman and Thomas Desi. Oxford: Oxford University Press, 2008. Pp. 416 + illus. £27.50/$39.95 Hb.

Medieval Roles for Modern Times: Theater and the Battle for the French Republic. By Helen Solterer. University Park: Pennsylvania State University Press, 2010. Pp. 304 + 40 illus. £71.50/$80 Hb.

The Infinity Machine: Mike Parr's Performance Art, 1971–2005. By Edward Scheer. Melbourne: Schwartz City Press, 2009. Pp. 200. AU$49.95 Hb.

Performing Bodies in Pain: Medieval and Post-modern Martyrs, Mystics, and Artists. By Marla Carlson. New York: Palgrave MacMillan, 2010. Pp. xii + 227 + 8 illus. £52.50/$80 Hb.

Gilbert and Sullivan: Class and the Savoy Tradition, 1875–1896. By Regina B. Oost. Farnham: Ashgate, 2009. Pp. 168 + 10 illus. £50/$99.95 Hb.

Male Trouble: Masculinity and the Performance of Crisis. By Fintan Walsh. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. viii + 234 + 9 illus. £50/$80 Hb.

Theatre Censorship in Britain: Silencing, Censure and Suppression. By Helen Freshwater. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. x + 212 + 6 illus. £45/$90 Hb.

When Marina Abramović Dies: A Biography. By James Westcott. Cambridge, MA: The MIT Press, 2010. Pp. xiii + 328. $27.95/£19.95 Hb.

Ruskin, The Theatre and Victorian Visual Culture. Edited by Anselm Heinrich, Katherine Newey and Jeffrey Richards. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. v + 242 + 31 illus. £50/$90 Hb.

The Colonial Staged: Theatre in Colonial Calcutta. By Sudipto Chatterjee. Calcutta and Chicago: Seagull and The University of Chicago Press, 2007. Pp. xiv + 318. $29.95 Pb; $84.95 Hb.

The Oxford Handbook of Early Modern Theatre. Edited by Richard Dutton. Oxford: Oxford University Press, 2009. Pp. xxvi + 716 + 32 illus. £80 Hb.

Further On, Nothing: Tadeusz Kantor's Theatre. By Michal Kobialka. Minneapolis, MN, and London: University of Minnesota Press, 2010. Pp. 552. $35 Pb.

The American Play, 1787–2000. By Marc Robinson. New Haven and London: Yale University Press, 2009. Pp. x + 406 + illus. $45/£30 Hb.

When Broadway Was the Runway: Theater, Fashion, and American Culture. By Marlis Schweitzer. Philadelphia: University of Pennsylvania Press, 2009. Pp. x + 310. £26.00/$39.95 Hb.

The Theatre of the Bauhaus: The Modern and Postmodern Stage of Oskar Schlemmer. By Melissa Trimingham. New York: Routledge, 2011. Pp. xvi + 214. $132/£85 Hb.

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Volume 36 - October 2011

Book Review