Theatre Research International: Volume 43 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 43 - October 2018

Contents

Page 3 of 4

Book Review

The Aging Body in Dance: A Cross-cultural Perspective. Edited by Nanako Nakajima and Gabriele Brandstetter. London and New York: Routledge, 2017, Pp. xiv + 180 + 29 illus. £120 Hb; £26.99 Pb.
Nobuko Anan
Published online by Cambridge University Press:

07 March 2019, pp. 342-343
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Independent Theatre in Contemporary Europe: Structures – Aesthetics – Cultural Policy. Edited by Manfred Brauneck and ITI Germany. Bielefeld: Transcript, 2017. Pp. 602 + numerous illus. €29.99 Pb; free Ebook.
Jasna Jasna Žmak
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01 June 2018, pp. 109-111
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Performing Neurology: The Dramaturgy of Dr Jean-Martin Charcot. By Jonathan W. Marshall. New York: Palgrave Macmillan, 2016. Pp. xi + 277. £60.00/$90.00 Hb.
Christina Wald
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12 November 2018, pp. 233-235
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Théâtre et psychanalyse: Regards croisés sur le malaise dans la civilisation. Edited by Christiane Page, Carolina Koretzky, and Laetitia Jodeau-Belle. Montpellier: Editions L'Entretemps, 2016. Pp. 334. €27/£22 Pb.
Maria Grazia Turri
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01 June 2018, pp. 111-112
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Explorations in Southern African Drama, Theatre and Performance. By Patrick J. Ebewo. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017. Pp. xvii + 249 + 15 illus. £61.99 Hb.
Claire French
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07 March 2019, pp. 344-345
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Blacktino Queer Performance. Edited by E. Patrick Johnson and Ramón H. Rivera-Servera. Durham, NC: Duke University Press, 2016. Pp. 584 + 23 illus. £99/$105.36 Hb; £27.99/$34.95 Pb.
Javier Luis Hurtado
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12 November 2018, pp. 235-236
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Comic Performance in Pakistan: The Bhānd. By Claire Pamment. London and New York: Palgrave Macmillan, 2017. Pp. xx + 229 + 19 illus. €93.59 Hb.
Asma Mundrawala
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07 March 2019, pp. 345-346
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The Only Way Home Is through the Show: Performance Work of Lois Weaver. Edited by Jen Harvie and Lois Weaver. Bristol: LADA and Intellect, 2015. Pp. 320 + illus. £24.50 Pb.
Jennie Klein
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01 June 2018, pp. 113-114
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Black Movements: Performance and Cultural Politics. By Soyica Diggs-Colbert. New Brunswick, NJ: Rutgers University Press, 2017. Pp. vi + 232. £85.95/$65.98 Hb; £25.50/$27.95 Pb.
Michael P. Jaros
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12 November 2018, pp. 236-237
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Performing Korea. By Patrice Pavis. London and New York: Palgrave Macmillan, 2017. Pp. xxvii + 276 + 22 illus. £99.99/$109 Hb.
Hyunjung Lee
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07 March 2019, pp. 346-347
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Performing the Digital: Performativity and Performance Studies in Digital Cultures. Edited by Martina Leeker, Imanuel Schipper, and Timon Beyes. Bielefeld: Transcript, 2016. Pp. 304. €29.99 Pb; free Ebook.
Erin Sullivan
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01 June 2018, pp. 114-115
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Staging Queer Feminisms: Sexuality and Gender in Australian Performance 2005–2015. By Sarah French. London and New York: Palgrave Macmillan, 2017. Pp. xi + 263. £89.99/€103.99 Hb.
Sandra Gattenhof
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07 March 2019, pp. 347-348
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La représentation rhapsodique: Quand la scène invente le texte. By Rafaëlle Jolivet Pignon. Montpellier: L'Entretemps, 2015. Pp. 366. $26 Pb.
Laure Fernandez
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01 June 2018, pp. 115-117
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Site Unscene: The Offstage in English Renaissance Drama. By Jonathan Walker. Evanston, IL: Northwestern University Press, 2017. Pp. xvi + 220. £80.27/$99.95 Hb; £27.04/$34.95 Pb.
Jason Lotz
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12 November 2018, pp. 238-239
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Theaterdramaturgien von der Aufklärung bis zur Gegenwart. By Evelyn Deutsch-Schreiner. Vienna: Böhlau, 2016. Pp. 351. €24.99 Pb.
Jeroen Coppens
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01 June 2018, pp. 117-118
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The Director's Prism: E. T. A. Hoffman and the Russian Theatrical Avant-Garde. By Dassia Posner. Evanston, IL: Northwestern University Press, 2016. Pp. xxiii + 314. £91.95/ $99.95 Hb; £36.95/$39.95 Pb.
Rose Whyman
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12 November 2018, pp. 239-240
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Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare. By Joerg Esleben with Rolf Rohmer and David G. John. Toronto: University of Toronto Press, 2016. Pp. xv + 365. £47.99/$76.02 Hb.
Prateek
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07 March 2019, pp. 349-350
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Cultural Responses to Occupation in Japan: The Performing Body during and after the Cold War. By Adam Broinowski. London and New York: Bloomsbury Academic, 2017. Pp. x + 264. £28.99/$39.95 Pb.
Frances Barbe
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07 March 2019, pp. 350-351
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Trickster Theatre: The Poetics of Freedom in Urban Africa. By Jesse Weaver Shipley. Bloomington and Indianapolis: Indiana University Press, 2015. Pp. xii + 285 + 16 illus. $85 Hb; $35 Pb; $34.99 Ebook. - Spiders of the Market: Ghanaian Trickster Performance in a Web of Neoliberalism. By David Afriyie Donkor. Bloomington and Indianapolis: Indiana University Press, 2016. Pp. xvii + 233 + 11 illus. $80 Hb; $30 Pb; $29.99 Ebook.
Christine Matzke
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01 June 2018, pp. 118-121
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Books Received

Books Received
Published online by Cambridge University Press:

12 November 2018, pp. 241-242
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Page 3 of 4

Theatre Research International

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Volume 43 - October 2018

Book Review

The Aging Body in Dance: A Cross-cultural Perspective. Edited by Nanako Nakajima and Gabriele Brandstetter. London and New York: Routledge, 2017, Pp. xiv + 180 + 29 illus. £120 Hb; £26.99 Pb.

Independent Theatre in Contemporary Europe: Structures – Aesthetics – Cultural Policy. Edited by Manfred Brauneck and ITI Germany. Bielefeld: Transcript, 2017. Pp. 602 + numerous illus. €29.99 Pb; free Ebook.

Performing Neurology: The Dramaturgy of Dr Jean-Martin Charcot. By Jonathan W. Marshall. New York: Palgrave Macmillan, 2016. Pp. xi + 277. £60.00/$90.00 Hb.

Théâtre et psychanalyse: Regards croisés sur le malaise dans la civilisation. Edited by Christiane Page, Carolina Koretzky, and Laetitia Jodeau-Belle. Montpellier: Editions L'Entretemps, 2016. Pp. 334. €27/£22 Pb.

Explorations in Southern African Drama, Theatre and Performance. By Patrick J. Ebewo. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017. Pp. xvii + 249 + 15 illus. £61.99 Hb.

Blacktino Queer Performance. Edited by E. Patrick Johnson and Ramón H. Rivera-Servera. Durham, NC: Duke University Press, 2016. Pp. 584 + 23 illus. £99/$105.36 Hb; £27.99/$34.95 Pb.

Comic Performance in Pakistan: The Bhānd. By Claire Pamment. London and New York: Palgrave Macmillan, 2017. Pp. xx + 229 + 19 illus. €93.59 Hb.

The Only Way Home Is through the Show: Performance Work of Lois Weaver. Edited by Jen Harvie and Lois Weaver. Bristol: LADA and Intellect, 2015. Pp. 320 + illus. £24.50 Pb.

Black Movements: Performance and Cultural Politics. By Soyica Diggs-Colbert. New Brunswick, NJ: Rutgers University Press, 2017. Pp. vi + 232. £85.95/$65.98 Hb; £25.50/$27.95 Pb.

Performing Korea. By Patrice Pavis. London and New York: Palgrave Macmillan, 2017. Pp. xxvii + 276 + 22 illus. £99.99/$109 Hb.

Performing the Digital: Performativity and Performance Studies in Digital Cultures. Edited by Martina Leeker, Imanuel Schipper, and Timon Beyes. Bielefeld: Transcript, 2016. Pp. 304. €29.99 Pb; free Ebook.

Staging Queer Feminisms: Sexuality and Gender in Australian Performance 2005–2015. By Sarah French. London and New York: Palgrave Macmillan, 2017. Pp. xi + 263. £89.99/€103.99 Hb.

La représentation rhapsodique: Quand la scène invente le texte. By Rafaëlle Jolivet Pignon. Montpellier: L'Entretemps, 2015. Pp. 366. $26 Pb.

Site Unscene: The Offstage in English Renaissance Drama. By Jonathan Walker. Evanston, IL: Northwestern University Press, 2017. Pp. xvi + 220. £80.27/$99.95 Hb; £27.04/$34.95 Pb.

Theaterdramaturgien von der Aufklärung bis zur Gegenwart. By Evelyn Deutsch-Schreiner. Vienna: Böhlau, 2016. Pp. 351. €24.99 Pb.

The Director's Prism: E. T. A. Hoffman and the Russian Theatrical Avant-Garde. By Dassia Posner. Evanston, IL: Northwestern University Press, 2016. Pp. xxiii + 314. £91.95/ $99.95 Hb; £36.95/$39.95 Pb.

Fritz Bennewitz in India: Intercultural Theatre with Brecht and Shakespeare. By Joerg Esleben with Rolf Rohmer and David G. John. Toronto: University of Toronto Press, 2016. Pp. xv + 365. £47.99/$76.02 Hb.

Cultural Responses to Occupation in Japan: The Performing Body during and after the Cold War. By Adam Broinowski. London and New York: Bloomsbury Academic, 2017. Pp. x + 264. £28.99/$39.95 Pb.

Books Received

Books Received

Theatre Research International

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Volume 43 - October 2018

Book Review

Books Received