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Bernard Shaw's Letters to Siegfried Trebitsch. Edited by Sanuel A. Weiss. Stanford: Stanford University Press, 1986. Pp. 494. $45.00
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- 23 January 2009, pp. 301-302
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Shakespeare Survey. No. 40. Edited by Stanley Wells. Cambridge University Press, 1988. Pp. x + 243 + illus. £27.50.
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- 23 January 2009, pp. 91-92
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The Temple of Momus: Mitchell's Olympic Theatre. By David L. Rinear. Metuchen, New Jersey: The Scarecrow Press, Inc., 1987. Pp. vi + 235. $27.50.
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- 23 January 2009, pp. 92-94
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Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France. By Timothy Murray. New York, Oxford: Oxford University Press/OUP USA, 1987. Pp. xii + 284 + illus. £25.00.
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- 23 January 2009, pp. 196-197
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G. B. Shaw: An Annotated Bibliography of Writings About Him. Vol. I: 1871–1930; Vol. II: 1931–1956; Vol. III: 1957–1978. Compiled and Edited by J. P. Wearing (I), Elsie B. Adams with Donald C. Haberman (II), Donald C. Haberman (III). DeKalb: Northern Illinois University, 1986 (I), 1987 (II), 1986 (III). Pp. 562 + xxi (I), 667 + xxvi (II); 824 + xxii (III). $45.00 each.
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- 23 January 2009, pp. 302-304
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Selected Letters of Eugene O'Neill. Edited by Travis Bogard and Jackson R. Bryer. New Haven: Yale University Press, 1988. Pp. xi + 602 $35.
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- 23 January 2009, pp. 304-305
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Henry Fielding and the London Theatre 1728–1737. By Robert D. Hume. Oxford: Clarendon Press, 1988. Pp. xx + 284.
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- 23 January 2009, p. 198
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Shakespeare on the American Stage: From Booth and Barrett to Sothern and Marlowe. By Charles H. Shattuck. Washington, D.C.: Associated University Presses, 1987. Pp. 339. $65.00.
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- 23 January 2009, pp. 94-96
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Adolphe Appia, Theatre Artist. By Richard C. Beacham. Cambridge: Cambridge University Press, 1987. Pp. 190 + ill.
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- 23 January 2009, pp. 96-99
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White Grease Paint On Black Performers, A Study of The Federal Theatre, 1935–1939. By Glenda E. Gill. New York: Peter Lang, 1988.
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- 23 January 2009, p. 306
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English Drama of the Nineteenth Century, An Index and Finding Guide. Compiled and Edited by James Ellis. Assisted by Joseph Donohue. New Canaan, CT: Readex Books, 1988. Pp. i–vi + 345.
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- 23 January 2009, pp. 199-200
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Revolutionaries in the Theater: Meyerhold, Brecht, and Witkie-Wicz. By Christine Kiebuzinska. Ann Arbor, Michigan: UMI Research Press, 1988. Pp. 182. $44.95.
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- 23 January 2009, pp. 99-100
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Theatre In America: 200 Years of Plays, Players and Productions. By Mary C. Henderson. New York: Harry N. Abrams, 1986. Pp. 327.
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- 23 January 2009, pp. 307-308
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The German Stage, 1767–1890: A Directory of Playwrights and Plays. (Bibliographies and Indexes in the Performing Arts, 7). By Veronica Richel. Westport, CT: Greenwood, 1988. Pp. xiv + 230.
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- 23 January 2009, pp. 200-202
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Theatre and Politics in Nineteenth-Century Spain: Juan de Grimaldi as Empresario and Government Agent. By David Thatcher Gies. Cambridge: Cambridge University Press, 1988.
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- 23 January 2009, pp. 202-203
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Women in American Theatre. Revised & Expanded Edition. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Theatre Communications Group, 1987. Pp. 442. $14.95
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- 23 January 2009, pp. 308-309
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W. Somerset Maugham: The Critical Heritage. Edited by Anthony Curtis and John Whitehead. London: Routledge & Kegan Paul, 1987. Pp. xvii + 470.
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- 23 January 2009, pp. 100-101
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American Voices. By Esther Harriott, Jefferson, N. C.: McFarland & Co., Inc., 1988, Pp. 189.
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- 23 January 2009, pp. 309-311
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Theater … Der Nachwelt Unverloren. Edited by Dieter Hadam-czik. Berlin: Colloquium Verlag, 1987. Pp. 208 + illus. DM68.
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- 23 January 2009, pp. 101-102
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Women of Grace: James's Plays and the Comedy of Manners. By Susan Carlson. Ann Arbor: UMI Research Press, 1985. Pp. xiv + 185. $37.95.
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- 23 January 2009, pp. 203-205
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