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‘Why Were Our Yemenite Brothers Insulted?’: Love as Strong as Death as a Prequel to Mizrahi Presence in Israeli Theatre
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- 26 February 2024, pp. 50-69
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Scenography of the Unimaginable: Exploring Trauma of Others in 872 days. Voices of the besieged city
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- 26 February 2024, pp. 70-88
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Queer Street Scenes: Interruption, Exception, Orientation
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- 26 February 2024, pp. 5-24
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Staging Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre
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- 09 November 2023, pp. 246-263
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In the ‘Display Case’: (Capitalist) Realism and Simon Stone's ‘Zoological’ Ibsen
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- 09 November 2023, pp. 304-321
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‘Circles of Women’: Feminist Movements in the Choreography of Oona Doherty
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- 09 November 2023, pp. 229-245
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‘Stalin Died but Not Completely’: On the Theatrical Legacy of Totalitarian Catastrophe
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- 15 June 2023, pp. 160-178
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‘Dying … to Connect’: Postdigital Co-presence in Dead Centre's To Be a Machine (Version 1.0) (2020)
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- 09 February 2023, pp. 38-51
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Brave New Worlds? COVID-19 and Irish-Language Theatre Produced under Lockdown in Northern Ireland
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- 09 February 2023, pp. 67-81
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‘Close but Far, Human but Square, Normal but Exhausting’: Pandemic Theatre in Poland
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- 09 February 2023, pp. 82-99
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Video Essays
Theatre and Its Enchantments
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- 09 February 2023, pp. 105-107
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Precarious Bodies: Locating Spectatorship in the National Theatre of Scotland's Scenes for Survival Series
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- 09 February 2023, pp. 52-66
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Video Essays
Hijacking the Familiar: The Work of Big Telly Theatre Company
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- 09 February 2023, pp. 100-104
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Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)
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- 09 February 2023, pp. 9-23
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Post-performance: Pandemic Breach Experiments, Big Theatre Data, and the Ends of Theory
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- 09 February 2023, pp. 24-37
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Resistance to the Neo-liberal Economy and the Life of a Play: The Jana Natya Manch and Theatre Activism
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- 06 October 2022, pp. 294-310
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Queering Romeo and Juliet in South Korea: Homonormativity as Gay Utopian Fantasy
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- 06 October 2022, pp. 222-237
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‘We Already Carry Out a National Assignment’: Indigenous Performance and the Struggle for a Sámi National Theatre in Sweden
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- 06 October 2022, pp. 272-293
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On Being Had: Publishing an Article on a Literary Fake
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- 22 June 2022, pp. 200-202
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‘¡No quiero!’ Staging Alfonso Reyes's Ifigenia cruel in Francoist Spain (1958)
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- 22 June 2022, pp. 111-125
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