Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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J. M. Synge and the Pitfalls of National Consciousness
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- Published online by Cambridge University Press:
- 26 June 2003, pp. 125-142
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Mapping Utopia in the Post-ideological Era: Lee Yun-taek's The Dummy Bride1
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- 01 October 2007, pp. 296-311
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Language, Multiplicity, Void: The Radical Politics of the Beckettian Subject
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- 26 January 2012, pp. 38-48
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Editorial: Looking Ahead
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- 01 February 2013, pp. 1-3
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The Japanese-Garden Aesthetics of Robert Lepage: Shukukei, Mitate, and Fusuma-e in Seven Streams of the River Ota and Other Works
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- 29 August 2013, pp. 196-213
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Circus and Sumo: Tradition, Innovation and Opportunism at the Australian Circus
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- 04 September 2012, pp. 265-282
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Interdisciplinarity: A Traditional Aspect of Indian Theatre
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- 15 June 2001, pp. 164-171
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Laban for Actors and Dancers. By Jean Newlove. London: Nick Hern Books, 1993. Pp. 158. £9.99.
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- 23 January 2009, p. 177
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Foreword
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- 23 January 2009, pp. 95-96
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Audience Response in the Yiddish ‘Shund’ Theatre
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- 23 January 2009, pp. 97-105
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Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550–1750. By Jean-Christophe Agnew. Cambridge: Cambridge University Press, 1986. Pp. xvi + 262. £25.
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- 23 January 2009, pp. 160-162
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Henry Fielding and the London Theatre 1728–1737. By Robert D. Hume. Oxford: Clarendon Press, 1988. Pp. xx + 284.
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- 23 January 2009, p. 198
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Shakespeare as Virtual Event
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- 17 February 2003, pp. 46-60
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Inside Fateh Azzam's Baggage: Monologue and Forced Migration1
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- 01 March 2007, pp. 16-31
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The Surveying of Hell. On Theatricality and Styles of Thinking
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- 23 January 2009, pp. 114-118
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Le Passé a-t-il de l'avenir devant lui? Bilan du théâtre francophone de l'Ouest canadien
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- 23 January 2009, pp. 208-218
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Cracks in the Arch of Illusion: Contemporary Experiments in Taiwan's Peking Opera
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- 23 January 2009, pp. 237-254
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A More Humane Mikado: Re-envisioning the Nation through Occupation-Era Productions of The Mikado in Japan1
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- 09 September 2015, pp. 288-302
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The Essential Ambiguity in Lope de Vega's Peribáñez: Theme and Staging
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- 23 January 2009, pp. 157-178
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Composed Theatre: Aesthetics, Practices, Processes. Edited by Matthias Rebstock and David Roesner. Bristol and Chicago: Intellect, 2012. Pp. 367 + 73 illus. £45/$60 Hb
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- 01 February 2013, pp. 74-75
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