Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 54
Local scenes and dangerous crossroads: punk and theories of cultural hybridity
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- Published online by Cambridge University Press:
- 05 June 2002, pp. 225-236
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- Cited by 53
Syncopation in rock: a perceptual perspective
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- 17 November 2008, pp. 19-40
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- Cited by 53
The so-called ‘flattened seventh’ in rock
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- 11 November 2008, pp. 185-201
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- Cited by 52
The cassette industry and popular music in North India
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- 17 November 2008, pp. 189-204
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- Cited by 51
Popular film song in India: a case of mass-market musical eclecticism1
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- 11 November 2008, pp. 177-188
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- Cited by 50
‘The constant companion of man’: Separate Development, Radio Bantu and music
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- 17 November 2008, pp. 147-173
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- Cited by 50
Patterns of harmony
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- 11 November 2008, pp. 73-106
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- Cited by 50
Open letter: ‘Black music’, ‘Afro-American music’ and ‘European music’1
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- 11 November 2008, pp. 285-298
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- Cited by 49
The production of success: an anti-musicology of the pop song*
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- 11 November 2008, pp. 159-193
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- Cited by 47
The melodic-harmonic ‘divorce’ in rock
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- 01 May 2007, pp. 323-342
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- Cited by 45
All rock and roll is homosocial: the representation of women in the British rock music press
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- 07 March 2002, pp. 301-319
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- Cited by 44
Look! Hear! The uneasy relationship of music and television
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- Published online by Cambridge University Press:
- 09 December 2002, pp. 277-290
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- Cited by 43
Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records
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- 11 November 2008, pp. 13-31
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- Cited by 43
Is the post- in post-identity the post- in post-genre?
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- 13 December 2016, pp. 21-32
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- Cited by 43
Lines of drift: festival participation and performing a sense of place
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- 11 December 2000, pp. 51-64
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- Cited by 43
‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson
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- 11 December 2000, pp. 365-385
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- Cited by 42
The riddim method: aesthetics, practice, and ownership in Jamaican dancehall
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- 11 September 2006, pp. 447-470
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- Cited by 42
Ghazals to Bhangra in Great Britain
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- 11 November 2008, pp. 207-213
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- Cited by 42
2·5×6 metres of space: Japanese music coffeehouses and experimental practices of listening
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- 13 December 2007, pp. 15-34
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- Cited by 42
Copyright and the music business
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- 11 November 2008, pp. 57-75
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