Book Review
Irving Berlin's American Musical Theater. By Jeffrey Magee . New York: Oxford University Press, 2012. - The Irving Berlin Reader. Edited by Benjamin Sears . New York: Oxford University Press, 2012.
-
- Published online by Cambridge University Press:
- 16 January 2017, pp. 95-101
-
- Article
- Export citation
Knowing Jazz: Community, Pedagogy, and Canon in the Information Age. By Ken Prouty . Jackson: University Press of Mississippi, 2012. - School for Cool: The Academic Jazz Program and the Paradox of Institutionalized Creativity. By Eitan Y. Wilf . Chicago: University of Chicago Press, 2014.
-
- Published online by Cambridge University Press:
- 16 May 2017, pp. 227-232
-
- Article
- Export citation
The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. By Christopher J. Smith . Urbana: University of Illinois Press, 2013. - Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery. By Katrina Dyonne Thompson . Urbana: University of Illinois Press, 2014.
-
- Published online by Cambridge University Press:
- 20 October 2017, pp. 502-507
-
- Article
- Export citation
Sounding Race in Rap Songs. By Loren Kajikawa . Oakland: University of California Press, 2015.
-
- Published online by Cambridge University Press:
- 23 August 2017, pp. 376-379
-
- Article
- Export citation
The Magic of Beverly Sills. By Nancy Guy . Urbana: University of Illinois Press, 2015
-
- Published online by Cambridge University Press:
- 23 August 2017, pp. 379-381
-
- Article
- Export citation
Dance Floor Democracy: The Social Geography of Memory at the Stage Door Canteen. By Sherrie Tucker . Durham, NC: Duke University Press, 2014.
-
- Published online by Cambridge University Press:
- 20 October 2017, pp. 508-511
-
- Article
- Export citation
“Show Boat”: Performing Race in an American Musical. By Todd Decker . Broadway Legacies Series. New York: Oxford University Press, 2013. - Loverly: The Life and Times of “My Fair Lady.” By Dominic McHugh . Broadway Legacies Series. New York: Oxford University Press, 2012.
-
- Published online by Cambridge University Press:
- 16 January 2017, pp. 101-107
-
- Article
- Export citation
Dangerous. By Susan Fast . 33 1/3 Series. New York: Bloomsbury, 2014.
-
- Published online by Cambridge University Press:
- 16 May 2017, pp. 232-235
-
- Article
- Export citation
Harry Partch, Hobo Composer. By S. Andrew Granade . Rochester, NY: University of Rochester Press, 2014.
-
- Published online by Cambridge University Press:
- 16 May 2017, pp. 235-238
-
- Article
- Export citation
Media Reviews
John Luther Adams. Become Ocean. Cantaloupe Music B00L5VZL4S, 2014, CD and DVD.
-
- Published online by Cambridge University Press:
- 23 August 2017, pp. 382-384
-
- Article
- Export citation
Book Review
Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels. By James Revell Carr . Urbana: University of Illinois Press, 2014.
-
- Published online by Cambridge University Press:
- 16 January 2017, pp. 107-110
-
- Article
- Export citation
Leaders of the Pack: Girl Groups of the 1960s and Their Influence on Popular Culture in Britain and America. By Sean McLeod . London: Rowman and Littlefield, 2015.
-
- Published online by Cambridge University Press:
- 20 October 2017, pp. 511-514
-
- Article
- Export citation
Media Reviews
Muscle Shoals. Greg “Freddy” Camalier, dir. Magnolia Pictures 10634 (DVD), 2014.
-
- Published online by Cambridge University Press:
- 23 August 2017, pp. 384-387
-
- Article
- Export citation
Book Review
The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace. By David Gilbert . Chapel Hill: University of North Carolina Press, 2015.
-
- Published online by Cambridge University Press:
- 20 October 2017, pp. 514-517
-
- Article
- Export citation
Bernstein Meets Broadway: Collaborative Art in a Time of War. By Carol J. Oja . Oxford: Oxford University Press, 2014.
-
- Published online by Cambridge University Press:
- 16 May 2017, pp. 238-240
-
- Article
- Export citation
Louis Armstrong: Master of Modernism. By Thomas Brothers . New York: W. W. Norton, 2014.
-
- Published online by Cambridge University Press:
- 16 January 2017, pp. 110-113
-
- Article
- Export citation
Tell Tchaikovsky the News: Rock ’n’ Roll, the Labor Question, and the Musicians’ Union, 1942–1968. By Michael James Roberts . Durham, NC: Duke University Press, 2014.
-
- Published online by Cambridge University Press:
- 16 January 2017, pp. 113-115
-
- Article
- Export citation
The Black Musicians and the White City: Race and Music in Chicago, 1900–1967. By Amy Absher . Ann Arbor: University of Michigan Press, 2014. - The Pekin: The Rise and Fall of Chicago's First Black-Owned Theater. By Thomas Bauman . Urbana: University of Illinois Press, 2014.
-
- Published online by Cambridge University Press:
- 16 May 2017, pp. 240-246
-
- Article
- Export citation
Louise Talma: A Life in Composition. By Kendra Preston Leonard . Farnham, Surrey: Ashgate, 2014.
-
- Published online by Cambridge University Press:
- 20 October 2017, pp. 517-519
-
- Article
- Export citation
Media Reviews
Music in Gotham, www.musicingotham.org.
-
- Published online by Cambridge University Press:
- 23 August 2017, pp. 387-389
-
- Article
- Export citation