9926 results in Twentieth-Century and Contemporary Music
Epilogue
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 256-263
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The Contributors
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- Popular Music / Volume 41 / Issue 4 / December 2022
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- 09 January 2023, pp. i-iv
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- December 2022
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Presentation of Noise Elements of Chinese Plucked String Instruments in Electronic Music
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 15 December 2022, pp. 316-324
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- December 2022
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OSO volume 27 issue 3 Cover and Back matter
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 02 May 2023, pp. b1-b2
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- December 2022
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Index
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- 01 December 2022, pp 296-308
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Editorial: Chinese Electroacoustic Music Today
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 07 December 2022, pp. 273-274
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- December 2022
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OSO volume 27 issue 3 Cover and Front matter
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 02 May 2023, pp. f1-f2
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- December 2022
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14 - Country-Loving Mexican Americans
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- 01 December 2022, pp 210-225
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13 - Playing at the Border
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- 03 February 2023
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- 01 December 2022, pp 193-209
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Contributors
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- 01 December 2022, pp ix-xiv
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Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890–1945. Edited by Elodie A. Roy and Eva Moreda Rodríguez. London: Routledge, 2021. xv+268 pp. ISBN : 978-1-032-05711-8
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- Popular Music / Volume 41 / Issue 4 / December 2022
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- 09 January 2023, pp. 564-566
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- December 2022
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‘Mixed Blood’ and Aesthetic Evolution in China’s Electroacoustic Music Today
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- Organised Sound / Volume 27 / Issue 3 / December 2022
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- 12 December 2022, pp. 307-315
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- December 2022
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Part IV - Boundary Work
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- Whose Country Music?
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- 03 February 2023
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- 01 December 2022, pp 191-263
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Musical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone
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- Twentieth-Century Music / Volume 19 / Issue 3 / October 2022
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- 28 November 2022, pp. 517-536
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Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private
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- Twentieth-Century Music / Volume 19 / Issue 3 / October 2022
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- 28 November 2022, pp. 363-368
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All Songs Considered: The Persuasive Listening of Music Podcasts
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- Twentieth-Century Music / Volume 19 / Issue 3 / October 2022
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- 28 November 2022, pp. 411-426
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Live and direct? Censorship and racialised public morality in grime and drill music
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- Popular Music / Volume 41 / Issue 4 / December 2022
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- 28 November 2022, pp. 495-510
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- December 2022
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Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype
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- Twentieth-Century Music / Volume 19 / Issue 3 / October 2022
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- 28 November 2022, pp. 495-516
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The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India
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- Twentieth-Century Music / Volume 19 / Issue 3 / October 2022
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- 28 November 2022, pp. 444-471
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Autoplaying, Unmuting, Attending: (Re)formatting the Twenty-First-Century Digital Sensorium
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- Twentieth-Century Music / Volume 19 / Issue 3 / October 2022
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- 28 November 2022, pp. 427-443
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