9876 results in Twentieth-Century and Contemporary Music
Adorno's Aesthetics of Music. By Max Paddison. Cambridge: Cambridge University Press, 1993. 378 + xii pp.
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, pp. 122-123
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New archive collection
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, p. 109
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Beating up the classics: aspects of a compact discourse
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, pp. 81-95
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PMU volume 16 issue 1 Cover and Back matter
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, pp. b1-b3
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Notes From Underground: Rock Music Counterculture in Russia. By Thomas Cushman. Albany, NY: SUNY Press, 1995. 403 pp.
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, pp. 124-125
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Putting Popular Music in Its Place. By Charles Hamm. Cambridge: Cambridge University Press, 1995. 39 pp. - Irving Berlin's Early Songs. Edited by Charles Hamm. Recent Researches in American Music, Volume 20. Music of the United States of America, Volume 2. (Madison: A-R Editions, 1994. Volume I: 1907–1911. 247 + liii pp. Volume II: 1911–1913. 359 pp. Volume III: 1913–1914. 289 pp.)
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, pp. 115-119
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‘Wasn't That a Time!’ Firsthand Accounts of the Folk Music Revival. Edited by Ronald D. Cohen. Metuchen, N.J. and London: The Scarecrow Press, 1995. 232 pp. - Ethnomimesis. Folklife and the Representation of Culture. By Robert Cantwell. Chapel Hill and London: The University of North Carolina Press, 1993. 323 pp. - Thirty Years of the Cambridge Folk Festival. Compiled and Edited by Dave Laing and Richard Newman. Ely: Music Maker Books, 1994. 162 pp.
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- Popular Music / Volume 16 / Issue 1 / January 1997
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- 11 November 2008, pp. 127-130
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Determinacy and indeterminacy
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 143-155
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- December 1996
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Some parentheses around algorithmic composition
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 167-172
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Reaction–diffusion systems for algorithmic composition
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 195-201
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Projection and interactivity of musical structures in Mirror-Rite
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 203-211
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Algorithmic composition as a model of creativity
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 157-165
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Francis Rumsey, MIDI Systems and Control. Focal Press, Oxford, UK. 2nd Edition 1994, 202 pp. ISBN 0–240–51370–3 (Paperback). RRP £19.99.
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 215-216
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- December 1996
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Organised Sound compact disk
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, p. 213
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An early case of algorithmic composition in Italy
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 179-182
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Lars-Gunnar Bodin (ed.), Music in the year 2002: Where are we, and where do we want to go? Report from an Electro-acoustic Music Conference organised by The Royal Swedish Academy of Music, March 17 & 18, 1995: Report No 16. The Royal Swedish Academy of Music, Blasieholmstorg 8, S-111 48 Stockholm, Sweden. 67 pp.
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 215-216
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Studies in metamusical methods for sound and image composition
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 183-194
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- December 1996
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Announcements
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 217-218
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- December 1996
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Code-notes-music: an epistemological investigation of algorithmic music
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, pp. 173-177
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- December 1996
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Editorial
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- Organised Sound / Volume 1 / Issue 3 / December 1996
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- 01 December 1996, p. 141
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- December 1996
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