9876 results in Twentieth-Century and Contemporary Music
IASPM's 9th international conference
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- Popular Music / Volume 17 / Issue 2 / May 1998
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- 11 November 2008, pp. 243-244
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- May 1998
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Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical
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- Popular Music / Volume 17 / Issue 2 / May 1998
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- 11 November 2008, pp. 205-218
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- May 1998
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Visualising 1950s hits on Your Hit Parade1
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- Popular Music / Volume 17 / Issue 2 / May 1998
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- 11 November 2008, pp. 139-152
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- May 1998
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The aesthetics of music video: an analysis of Madonna's ‘Cherish’
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- Popular Music / Volume 17 / Issue 2 / May 1998
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- 11 November 2008, pp. 153-185
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- May 1998
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Music In The Air: a theoretical model and software system for music analysis and composition
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 3-16
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- April 1998
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Information from recent journals
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, p. 89
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- April 1998
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Physically based sound modelling
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 61-76
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- April 1998
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Announcements
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 87-88
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- April 1998
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The Law of One: recursive structures in composition
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 17-25
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- April 1998
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Organised Sound compact disk
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, p. 85
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- April 1998
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Understanding electroacoustic music: analysis of narrative strategies in six early compositions
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 45-49
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- April 1998
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Microstructure and macrostructure
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 1-2
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- April 1998
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A proposed design for an audio processing system
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 77-84
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- April 1998
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Deconstructing musical structure
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 27-34
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- April 1998
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Technology and Pierre Schaeffer: Pierre Schaeffer's Arts-Relais, Walter Benjamin's technische Reproduzierbarkeit and Martin Heidegger's Ge-stell
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 35-43
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- April 1998
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Structural aspects of my music as illustrated in the tape work The Gown of Night and the cantata Like Two Branches
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- Organised Sound / Volume 3 / Issue 1 / April 1998
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- 04 April 2001, pp. 51-59
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- April 1998
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‘Fair use isn't fair’: a response to Sheila Whiteley
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- Popular Music / Volume 17 / Issue 1 / January 1998
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- 11 November 2008, pp. 129-132
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- January 1998
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Santiago IASPM Latin American Conference
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- Popular Music / Volume 17 / Issue 1 / January 1998
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- 11 November 2008, pp. 132-137
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- January 1998
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Power relations in the Israeli popular music system
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- Popular Music / Volume 17 / Issue 1 / January 1998
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- 11 November 2008, pp. 113-128
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- January 1998
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Counting down to number one: the evolution of the meaning of popular music charts
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- Popular Music / Volume 17 / Issue 1 / January 1998
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- 11 November 2008, pp. 95-111
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- January 1998
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