9876 results in Twentieth-Century and Contemporary Music
Chanson: the French Singer-Songwriter from Aristide Bruant to the Present Day. By Peter Hawkins. Aldershot: Ashgate, 2000. xi + 234 pp
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 237-244
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- May 2002
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A singer-songwriter's view of the French record industry: the case of Léo Ferré
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 147-157
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- May 2002
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The racial politics of hybridity and ‘neo-eclecticism’ in contemporary popular music
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 159-172
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- May 2002
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The Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya. By June Skinner Sawyers. London: Aurum Press, 2000. ix + 318 pp
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 237-244
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- May 2002
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The Musical Work – Reality or Invention? Edited by Michael Talbot. Liverpool University Press, 2000. vii + 260 pp.
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 237-244
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- May 2002
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Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes. By Zoila S. Mendoza. Chicago and London: University of Chicago Press, 2000. 285 pp
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 237-244
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- May 2002
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Harmonic palette in early Joni Mitchell
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 173-193
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- May 2002
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‘Japanese music’ can be popular
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 195-208
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- May 2002
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Authenticity as authentication
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- Popular Music / Volume 21 / Issue 2 / May 2002
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- 05 June 2002, pp. 209-223
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- May 2002
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Linking soundscape composition and acoustic ecology
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 51-56
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- April 2002
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Soundscape composition: the convergence of ethnography and acousmatic music
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 21-27
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- April 2002
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Creating the soundscape for Zagreb Everywhere
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 57-63
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- April 2002
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Sound compositions for expanding musicianship education
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 29-40
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- April 2002
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Sound and sign
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 15-19
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- April 2002
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Genres and techniques of soundscape composition as developed at Simon Fraser University
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 5-14
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- April 2002
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Walter B. Hewlett and E. Selfridge Field (eds.), Computing in Musicology 12. The Virtual Score: Representation, Retrieval and Restoration. MIT Press, Cambridge, MA, London, 2001. 291 pp. ISBN 0-262-58209-0, ISSN 1057-9178
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 79-82
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- April 2002
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Hildegard Westerkamp's Kits Beach Soundwalk: shifting perspectives in real world music
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 41-43
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- April 2002
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Alien intimacies: hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or ‘I don't like the country, the crickets make me nervous’)
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 24 September 2002, pp. 45-49
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- April 2002
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MetaSon #5 Skruv Stockholm: turning schizophonic sound into audiovirtual image
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 26 September 2002, pp. 73-78
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- April 2002
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Circumscribed journeys through soundscape composition
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- Organised Sound / Volume 7 / Issue 1 / April 2002
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- 13 January 2003, pp. 1-3
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- April 2002
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