9876 results in Twentieth-Century and Contemporary Music
Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys
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- Popular Music / Volume 22 / Issue 1 / January 2003
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- 10 March 2003, pp. 1-19
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- January 2003
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Global Repertoires: Popular Music within and beyond the Transnational Music Industry. Edited by Andreas Gebesmair and Alfred Smudits. Aldershot, UK, and Burlington, Vermont: Ashgate, 2001. xi + 176 pp. The Unbroken Circle: Tradition and Innovation in the Music of Ry Cooder and Taj Mahal. By Fred Metting. Lanham, Maryland and London: Scarecrow Press, 2001. xviii + 293 pp.
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- Popular Music / Volume 22 / Issue 1 / January 2003
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- 10 March 2003, pp. 109-116
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- January 2003
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Sounds English: Transnational Popular Music. By Nabeel Zuberi. Chicago: University of Illinois Press, 2001. 276 pp
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- Popular Music / Volume 22 / Issue 1 / January 2003
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- 10 March 2003, pp. 109-116
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- January 2003
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Singing the pulse of the Egyptian-Arab street: Shaaban Abd al-Rahim and the geo-pop-politics of fast food
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- Popular Music / Volume 22 / Issue 1 / January 2003
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- 10 March 2003, pp. 73-88
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- January 2003
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Sampling the 1970s in hip-hop
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- Popular Music / Volume 22 / Issue 1 / January 2003
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- 10 March 2003, pp. 41-56
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- January 2003
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RTMix – towards a standardised interactive electroacoustic art performance interface
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 275-286
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- December 2002
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For a morphology of interaction
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 305-311
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- December 2002
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Interactivity, where to from here?
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 295-304
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- December 2002
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On space, listening and interaction: Words on the streets are these and Still Life
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 287-294
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- December 2002
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EDITORIAL
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 227-228
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- December 2002
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Pikapika – the collaborative composition of an interactive sonic character
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 229-238
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- December 2002
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Composing instrument control dynamics
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 255-266
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- December 2002
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Organised Sound compact disc
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 339-341
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- December 2002
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Experiments with a new customisable interactive evolution framework
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 267-273
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- December 2002
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Approaches to creating interactivated spaces, from intimate to inhabited interfaces
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 239-246
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- December 2002
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Modalys-ER for OpenMusic (MfOM): virtual instruments and virtual musicians
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 325-338
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- December 2002
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Anticipating interactivity: Henry Cowell and the Rhythmicon
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 247-254
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- December 2002
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Spatio-musical composition strategies
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 313-323
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- December 2002
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Chewing gum for the ears: children's television and popular music
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 291-305
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- October 2002
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Wrong's What I Do Best: Hard Country Music and Contemporary Culture. By Barbara Ching. New York: Oxford University Press, 2001. 186 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 375-388
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- October 2002
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