9876 results in Twentieth-Century and Contemporary Music
‘You Better Work!’ Underground Dance Music in New York City. By Kai Fikentscher. Hanover, NH: Wesleyan University Press, 2000
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 256-258
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- May 2003
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Between globalisation and localisation: a study of Hong Kong popular music
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 143-157
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- May 2003
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Where in the world is the hip hop nation?
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 241-245
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- May 2003
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Making Popular Music: Musicians, Creativity and Institutions. By Jason Toynbee. London: Arnold, 2000. 199 pp.
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 247-250
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- May 2003
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Limited pidgin-type patois? Policy, language, technology, identity and the experience of Canto-pop in Singapore
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 217-233
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- May 2003
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Performing Identity/Performing Culture: Hip-hop as Text, Pedagogy, and Lived Practice. By Greg Dimitriadis. New York: Peter Lang, 2001. 148 pp
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 253-256
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- May 2003
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What to Listen For in Rock: a Stylistic Analysis. By Ken Stephenson. Yale University Press, 2002. xvii+ 253 pp. ISBN 0 300 09239 3
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 250-251
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- May 2003
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Selling an image: girl groups of the 1960s
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 173-193
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- May 2003
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Gesturing elsewhere: the identity politics of the Balinese death/thrash metal scene
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 195-215
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- May 2003
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Is ‘world music’ the ‘classic music’ of our time?
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 235-240
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- May 2003
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Settling the Pop Score: Pop Texts and Identity Politics. By Stan Hawkins. Aldershot and Burlington: Ashgate, 2002. xiv + 220 pp.
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 251-253
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- May 2003
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You can't rid a song of its words: notes on the hegemony of lyrics in Russian rock songs (Volume 22 Number 1 January 2003, Yngvar B. Steinholt, pp 89-108)
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, p. 259
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- May 2003
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Blurred affinities: tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations
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- Popular Music / Volume 22 / Issue 2 / May 2003
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- 26 June 2003, pp. 117-142
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- May 2003
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Wounds like flowers opening: a discussion of Hysteria for trombone and four-channel tape
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 19 January 2004, pp. 85-87
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- April 2003
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Women and music technology: pioneers, precedents and issues in the United States
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 19 January 2004, pp. 31-47
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- April 2003
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Project Lovelace: unprecedented opportunities for music education
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 19 January 2004, pp. 57-60
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- April 2003
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GLOBULE of NON-STANDARD: an attempted clarification of globular identity politics in Japanese electronic ‘sightseeing music’
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 19 January 2004, pp. 97-107
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- April 2003
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Bodies of evidence, singing cyborgs and other gender issues in electrovocal music
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 19 January 2004, pp. 5-17
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- April 2003
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Editorial
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 19 January 2004, pp. 1-3
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- April 2003
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In and out of the sound studio
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- Organised Sound / Volume 8 / Issue 1 / April 2003
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- 20 January 2004, pp. 89-96
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- April 2003
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