9876 results in Twentieth-Century and Contemporary Music
‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 1-20
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- January 2005
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Punk Productions: Unfinished Business. By Stacy Thompson. Albany, NY: State University of New York Press, 2004. 216 pp. ISBN 0-7914-6187-4 (hb), 0-7914-6188-2 (pb)
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 159-161
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- January 2005
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‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 37-56
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- January 2005
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The rise and generic features of Shanghai popular songs in the 1930s and 1940s
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 107-125
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- January 2005
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Going for Jazz: Musical Practices and American Ideology. By Nicholas Gebhardt. Chicago and London: The University of Chicago Press, 2001. 216 pp. ISBN 0-226-28466-2 (hb), 0-226-28467-0 (pb)
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 157-159
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- January 2005
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I'm waiting for the band: protraction and provocation at rock concerts
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 147-152
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- January 2005
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‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 57-77
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- January 2005
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Can we get rid of the ‘popular’ in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 133-145
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- January 2005
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Shoot the Singer! Music Censorship Today. Edited by Marie Korpe. London/New York: Zed Books, 2004. 228 pp. ISBN 1 84277 504 9 (hb), 1 84277 505 7 (pb)
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- Popular Music / Volume 24 / Issue 1 / January 2005
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- 07 January 2005, pp. 153-154
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- January 2005
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The Meta-Orchestra: research by practice in group multi-disciplinary electronic arts
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 283-294
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- December 2004
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Collective composition: the case of Edison Studio
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 261-270
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- December 2004
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EDITORIAL
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 225-228
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- December 2004
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Marketing strategies for electroacoustics and computer music
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 305-313
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- December 2004
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Alternative venues for computer music: SoundGallery_Living Room_ARTSHIP
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 301-303
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- December 2004
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Playing with fire: an unexpected collaboration
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 229-232
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- December 2004
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Shared sounds in detached movements: flautist identities inside the ‘local-field’ spaces
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 233-242
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- December 2004
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The Pavilion: Into the 21st Century: a space for reflection
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 251-259
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- December 2004
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An interface for ‘flat music’
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 243-250
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- December 2004
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Mixing things up: collaboration, converging disciplines, and the music curriculum
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 295-299
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- December 2004
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Organised Sound compact disc
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- Organised Sound / Volume 9 / Issue 3 / December 2004
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- 09 March 2005, pp. 317-318
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- December 2004
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