9876 results in Twentieth-Century and Contemporary Music
Editorial: Twentieth-Century Music – Plural
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 155-159
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Mark Carroll, Music and Ideology in Cold War Europe (Cambridge: Cambridge University Press, 2003), ISBN 0 521 82072 3 (hb)
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 308-314
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Arnold Whittall, Exploring Twentieth-Century Music: Tradition and Innovation (Cambridge: Cambridge University Press, 2003), ISBN 0 521 81642 4 (hb), 0 521 01668 1 (pb)
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 297-301
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Would You Like Some World Music with your Latte? Starbucks, Putumayo, and Distributed Tourism
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 209-223
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Kevin Holm-Hudson, ed., Progressive Rock Reconsidered (New York and London: Routledge, 2002), ISBN 0 8153 3714 0 (hb), 0 8153 3715 9 (pb)
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 285-293
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Kevin Holm-Hudson, ed., Progressive Rock Reconsidered
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 293-297
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Listening to Ravel, Watching Un coeur en hiver: Cinematic Subjectivity and the Music-film
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- Twentieth-Century Music / Volume 1 / Issue 2 / September 2004
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- 22 April 2005, pp. 253-275
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Ecoacoustic and shamanic technologies for multimedia composition and performance
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 3-19
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- April 2005
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eSaz: a non-Western instrument in the context of a live electronic performance system
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 21-29
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- April 2005
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New technology, non-Western instruments and composition
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 1-2
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- April 2005
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Atomic noise
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 75-81
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- April 2005
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The use of Brazilian folk instrument sounds in a concerto for computer and orchestra
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 31-36
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- April 2005
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Stéphane Roy, L'analyse des musiques électroacoustiques: Modèles et propositions (preface by J. J. Nattiez). L'Harmattan, Paris, 2003. 589 pp. ISBN 2-7475-5609-3.
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 85-86
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- April 2005
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Computer models and compositional applications of plastic corrugated tubes
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 67-73
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- April 2005
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Recent technology and the hybridisation of Western and Chinese musics
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 51-56
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- April 2005
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Christopher Cox and Daniel Warner (eds.), Audio Culture: Readings in Modern Music. Continuum, New York, 2004. xvii + 454 pp. ISBN 0-8264-1615-2. $19.95/£12.99.
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 83-84
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- April 2005
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Traditional New Zealand Mäori Instruments, Composition and Digital Technology: some recent collaborations and processes
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 57-65
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- April 2005
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Peter Utz, Introduction to Audio. A-R Editions, Middleton, WI, 2003. xii + 268 pp. ISBN 0-89579-512-4. $36.95.
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 84-85
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- April 2005
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Synthesising Chinese flutes using Csound
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 37-49
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- April 2005
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Timothy Warner, Pop Music – Technology and Creativity. Ashgate, Aldershot, 2003. 172 pp. ISBN 0-7546-3131-1. RRP 27 Euros.
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- Organised Sound / Volume 10 / Issue 1 / April 2005
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- 23 May 2005, pp. 86-87
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- April 2005
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