9876 results in Twentieth-Century and Contemporary Music
Lou Harrison and the Aesthetics of Revision, Alteration, and Self-Borrowing
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 79-107
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Suzanne Robinson, ed. Michael Tippett: Music and Literature (Aldershot: Ashgate, 2002), ISBN 0-7546-0132-3
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 137-142
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Hidden Places: Hyper-realism in Björk’s Vespertine and Dancer in the Dark
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 37-51
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Robin Holloway, On Music: Essays and Diversions (Brinkworth, Wilts: Claridge Press, 2003), ISBN 1-8070626-74-5
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 150-156
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Kofi Agawu, Representing African Music: Postcolonial Notes, Queries, Positions (New York and London: Routledge, 2003), ISBN 0415943892 (hb), 01415943906 (pb)
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 146-150
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Editorial
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 3-5
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The London Sinfonietta 1968–2004: A Perspective
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 109-136
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Multivalence and Collaboration in Benjamin Britten’s Death in Venice
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 53-78
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Andy Nercessian, Postmodernism and Globalization in Ethnomusicology: An Epistemological Problem (Lanham, Maryland and London: Scarecrow Press, 2002), ISBN 0-8108-4122-3
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- Twentieth-Century Music / Volume 2 / Issue 1 / March 2005
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- 09 December 2005, pp. 142-146
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9 - Austria and Germany, 1918–1960
- from Part three - Topographies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 146-164
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Part three - Topographies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp -
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7 - Neo-classical opera
- from Part two - Trends
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 105-122
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19 - Technology and interpretation: aspects of ‘modernism’
- from Part four - Directions
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 321-340
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17 - Popular musical theatre (and film)
- from Part four - Directions
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 291-305
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2 - Wagner and beyond
- from Part one - Legacies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 14-25
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12 - American opera: innovation and tradition
- from Part three - Topographies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 197-208
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18 - Opera in the marketplace
- from Part four - Directions
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 306-320
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14 - Music theatre since the 1960s
- from Part four - Directions
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 223-243
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8 - France and the Mediterranean
- from Part three - Topographies
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 123-145
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15 - Minimalist opera
- from Part four - Directions
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- The Cambridge Companion to Twentieth-Century Opera
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- 28 September 2011
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- 08 December 2005, pp 244-266
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