9876 results in Twentieth-Century and Contemporary Music
List of illustrations
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5 - Torrefranca versus Puccini
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Frontmatter
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3 - Tosca: truth and lies
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Index
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Acknowledgements
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‘A Multicoloured Alphabet’: Rediscovering Albert Giraud’s Pierrot Lunaire
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- Twentieth-Century Music / Volume 4 / Issue 1 / March 2007
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- 01 March 2007, pp. 97-121
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Ian Inglis, ed., Performance and Popular Music: History, Place and Time (Aldershot: Ashgate, 2006), ISBN 0 7546 4056 6 (hb), 0 7546 4057 4 (pb)
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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- 01 March 2007, pp. 165-167
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Performing Spaces: Street Music and Public Territory
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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Editorial
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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Daniel M. Grimley and Julian Rushton, eds., The Cambridge Companion to Elgar (Cambridge: Cambridge University Press, 2004), ISBN 0 521 82623 3 (hb), 0 521 53363 5 (pb)
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- 01 March 2007, pp. 159-165
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The Impact of Recording on Listening
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- Twentieth-Century Music / Volume 4 / Issue 1 / March 2007
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- 01 March 2007, pp. 47-70
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Virgil Moorefield, The Producer as Composer: Shaping the Sounds of Popular Music (Cambridge, MA: MIT Press, 2005), ISBN 0 262 13457 8 (hb)
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- Twentieth-Century Music / Volume 4 / Issue 1 / March 2007
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- 01 March 2007, pp. 127-129
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Britta Sweers, Electric Folk: The Changing Face of English Traditional Music (Oxford: Oxford University Press, 2005), ISBN 0 19 515878 4 (hb), 0 19 517478 X (pb)\
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- Twentieth-Century Music / Volume 4 / Issue 1 / March 2007
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- 01 March 2007, pp. 123-126
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Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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- 01 March 2007, pp. 73-96
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Introduction: Liminality and the Social Location of Musicians
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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- 01 March 2007, pp. 5-12
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Alison Latham, ed., Sing, Ariel: Essays and Thoughts for Alexander Goehr’s Seventieth Birthday (Aldershot: Ashgate, 2003), ISBN 0 7546 3497 3 (hb)
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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- 01 March 2007, pp. 150-154
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‘Recercar’ – The Collaborative Process as Invention
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- Twentieth-Century Music / Volume 4 / Issue 1 / March 2007
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- 01 March 2007, pp. 71-95
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Texts, Tunes, and Talking Heads: Discourses about Socially Marginal North Indian Musicians
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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- 01 March 2007, pp. 121-144
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Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s (Aldershot: Ashgate, 2004), ISBN 0 7546 0582 5 (hb)
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- Twentieth-Century Music / Volume 3 / Issue 1 / March 2007
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- 01 March 2007, pp. 145-149
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