9876 results in Twentieth-Century and Contemporary Music
Coming to the fore: the audibility of women's sexual pleasure in popular music and the sexual revolution
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- Popular Music / Volume 33 / Issue 1 / January 2014
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- 09 January 2014, pp. 109-128
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- January 2014
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The Cambridge Companion to Vaughan Williams - Half title page
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Select bibliography
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Series page
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9 - Chamber music and works for soloist with orchestra
- from Part II - Works by genre
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11 - The public figure: Vaughan Williams as writer and activist
- from Part III - Activism, reception and influence
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Part III - Activism, reception and influence
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General index
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6 - ‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition
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3 - Becoming a national composer: critical reception toc.1925
- from Part I - ‘Who wants the English composer?’: forging a path, 1890–1925
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Contents
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Part I - ‘Who wants the English composer?’: forging a path, 1890–1925
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10 - The later symphonies
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Tables
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![](https://assets.cambridge.org/97805211/97687/cover/9780521197687.jpg)
The Cambridge Companion to Vaughan Williams
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8 - Music for stage and film
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12 - Vaughan Williams, Boult, and the BBC
- from Part III - Activism, reception and influence
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7 - Folksong arrangements, hymn tunes and church music
- from Part II - Works by genre
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List of abbreviations
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Introduction
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