9876 results in Twentieth-Century and Contemporary Music
Theoretical interlude 3
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3 - How should we study record production?
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Bibliography
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8 - Training, communication and practice
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Acknowledgements
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6 - The development of audio technology
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Theoretical interlude 1
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7 - Using technology
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Contents
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11 - The business of record production
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Discography
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Index
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Copyright page
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The Musicology of Record Production - Half title page
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The Musicology of Record Production
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Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840–1910 (Cambridge, MA: MIT Press, 2013), ISBN 978-0-262-01838-8 (hb). - Carolyn Birdsall, Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933–1945 (Amsterdam: Amsterdam University Press, 2012), ISBN 978-9-089-64426-8 (pb). - Florence Feiereisen and Alexandra Merley Hill, eds, Germany in the Loud Twentieth Century: An Introduction (New York: Oxford University Press, 2012), ISBN 978-0-199-75939-2 (hb), 978-0-199-75938-5 (pb).
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- Twentieth-Century Music / Volume 11 / Issue 2 / September 2014
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- 30 July 2014, pp. 315-321
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‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968
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- Twentieth-Century Music / Volume 11 / Issue 2 / September 2014
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- 30 July 2014, pp. 217-244
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TCM volume 11 issue 2 Cover and Front matter
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- Twentieth-Century Music / Volume 11 / Issue 2 / September 2014
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- 30 July 2014, pp. f1-f3
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Beware the Lamb: Staging Bach's Passions
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Notes on Contributors
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