9876 results in Twentieth-Century and Contemporary Music
Text and Drugs and Rock ‘n’ Roll: The Beats and Rock Culture. By Simon Warner. London: Bloomsbury, 2013. 521 pp. ISBN 978-0-8264-1664-3
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 128-130
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Reverberations: The Philosophy, Aesthetics and Politics of Noise. Edited by Michael Goddard, Benjamin Halligan and Paul Hegarty. New York and London: Continuum, 2012. xiii + 287 pp. ISBN 978-1-4411-6065-2 - Resonances: Noise and Contemporary Music. Edited by Michael Goddard, Benjamin Halligan and Nicola Spelman. New York and London: Bloomsbury, 2013. xiv + 375 pp. ISBN 978-1-4411-5937-3
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 136-139
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Sweet Air: Modernism, Regionalism, and American Popular Song. By Edward P. Comentale. Urbana, IL: University of Illinois Press, 2013. 274 pp. ISBN 978-0-252-07892-7
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 146-148
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Dance Floor Democracy. By Sherrie Tucker. Durham, NC and London: Duke University Press, 2014. 384 pp. ISBN 978-0-8223-5757-5
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 139-141
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Remembering Sheila Whiteley
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 118-121
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- January 2016
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How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 141-142
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- January 2016
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Litpop: Writing and Popular Music. Edited by Rachel Carroll and Adam Hansen. Farnham: Ashgate, 2014. pp. 243. ISBN 978-1-4724-1097-9
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 155-157
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Black British Jazz: Routes, Ownership and Performance. Edited by Jason Toynbee, Catherine Tackley and Mark Doffman. Farnham: Ashgate, 2014. 230 pp. ISBN 978-1-4724-1756-5
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 122-124
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- January 2016
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Reformatted: Code, Networks, and the Transformation of the Music Industry. By Andrew Leyshon. Oxford: Oxford University Press, 2014. 199 pp. ISBN 978-0-19-957241-0
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 132-134
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An Eye for Music: Popular Music and the Audio-Visual Surreal. By John Richardson. Oxford: OUP, 2012. 336 pp. ISBN 978-0-1953-6736-2
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 126-128
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PMU volume 35 issue 1 Cover and Front matter
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. f1-f5
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- January 2016
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Tell Tchaikovsky The News: Rock ‘n’ Roll, the Labor Question, and the Musicians' Union, 1942–1968. By Michael James Roberts. Durham, NC: Duke University Press, 2014. 254 pp. ISBN 9-780822-35475-8
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 130-132
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Top 40 Democracy: The Rival Mainstreams of American Music. By Eric Weisbard. Chicago, IL: University of Chicago Press, 2014. 329 pp. ISBN 9780226896182
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 153-155
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- January 2016
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‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 41-63
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- January 2016
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Back to the garden again: Joni Mitchell's ‘Woodstock’ and utopianism in song
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 1-22
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- January 2016
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The Arab Avant-Garde: Music, Politics, Modernity. Edited by Thomas Burkhalter, Kay Dickinson and Benjamin J. Harbert. Middleton, CT: Wesleyan University Press, 2013. 284 pp. ISBN 978-0-8195-7386-5
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 124-126
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- January 2016
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Soundscapes of Wellbeing in Popular Music. Edited by Gavin J. Andrews, Paul Kingsbury and Robin Kearns. Farnham: Ashgate, 2014. 304 pp. ISBN 978-1-4094-4359-9
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 134-136
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Adapting Idols: Authenticity, Identity and Performance in the Global Television Format. Edited by Koos Zwaan and Joost de Bruin. Farnham: Ashgate, 2012. 237 pp. ISBN 978-1-4094-4169-4
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 143-144
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Perth punk and the construction of urbanity in a suburban city1
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 100-117
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- January 2016
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The social rhythm of the rock music festival
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- Popular Music / Volume 35 / Issue 1 / January 2016
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- 30 November 2015, pp. 64-83
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