9876 results in Twentieth-Century and Contemporary Music
Contributors
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5 - “People Wrap Their Lunches in Them”: Duke Ellington and His Written Music Manuscripts
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2 - Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a “Serious” Jazz Composer
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7 - Duke Ellington in the LP Era
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1 - Ellington the Entertainer: Pageantry and Prophecy in Duke Ellington's Films
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6 - The Moor's Revenge: The Politics of Such Sweet Thunder
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Illustrations
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8 - Authentic Synthetic Hybrid: Ellington's Concepts of Africa and Its Music
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Copyright page
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Acknowledgements
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Duke Ellington Studies
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Vinyl Records and Analog Culture in the Digital Age: Pressing Matters. By Paul E. Winters . Lexington Books, 2016. 208 pp. ISBN 978-1-4985-1007-3.
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 320-322
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1966: The Year the Decade Exploded. By Jon Savage . London: Faber and Faber, 2015. 653 pp. ISBN 9780571277629.
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 335-337
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Slanted beats, enchanted communities: Pavement's early phrase rhythm as indie narrative
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 216-232
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PMU volume 36 issue 2 Cover and Front matter
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. f1-f6
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Religion in Hip Hop: Mapping the New Terrain in the US. Edited by Monica R. Miller , Anthony B. Pinn and Bernard ‘Bun B’ Freeman . New York: Bloomsbury, 2015. 270 pp. ISBN 978-1-4725-0907-9
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 329-331
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The politics of Flamenco: La leyenda del tiempo and ideology
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 196-215
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The Country Music Reader. By Travis D. Stimeling . Oxford: Oxford University Press, 2014. 382 pp. ISBN 9780199314928
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, p. 328
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‘Moving past the feeling’: emotion in Arcade Fire's Funeral
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 252-282
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Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk
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- Popular Music / Volume 36 / Issue 2 / May 2017
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- 19 June 2017, pp. 283-301
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