9876 results in Twentieth-Century and Contemporary Music
Brandon LaBelle, Sonic Agency: Sound and Emergent Forms of Resistance. London: Goldsmiths Press, 2018. 224 pp. ISBN: 978-1-906-89751-2.
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- Organised Sound / Volume 23 / Issue 3 / December 2018
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- 21 December 2018, pp. 308-309
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- December 2018
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David Cline, The Graph Music of Morton Feldman (Cambridge: Cambridge University Press, 2016), ISBN 978-1-107-10923-0 (hb). - Alistair Noble, Composing Ambiguity: The Early Music of Morton Feldman (Abingdon, UK: Routledge, 2016 [2013]), ISBN 978-1-138-27053-4 (pb), ISBN: 978-1-4094-5164-8 (hb).
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 493-499
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Notes on Contributors
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 323-324
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Why the Next Song Matters: Streaming, Recommendation, Scarcity
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 325-357
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Kenneth H. Marcus: Schoenberg and Hollywood Modernism (Cambridge: Cambridge University Press, 2016), ISBN 978-1-107-06499-7 (hb), (Cambridge: Cambridge University Press, 2018), ISBN 978-1-107-65249-1 (pb).
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 501-505
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‘Who Is British Music?’ Placing Migrants in National Music History
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 439-492
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TCM volume 15 issue 3 Cover and Back matter
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. b1-b2
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Recital I (for Cathy): A Drama ‘Through the Voice’
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 359-397
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TCM volume 15 issue 3 Cover and Front matter
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. f1-f3
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Fifty Shades of Bluebeard? Dukas's Ariane et Barbe-Bleue in the Twenty-First Century
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- Twentieth-Century Music / Volume 15 / Issue 3 / October 2018
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- 29 November 2018, pp. 399-438
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Delius and the Sound of Place
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- 10 November 2018
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- 06 December 2018
5 - Syntactic Magic
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 74-83
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17 - Musical User Interfaces
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 227-261
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Frontmatter
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp i-iv
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14 - Random Numbers, Probability Distributions, and Markov Chains
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 193-204
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16 - Higher-Order Types and Monads
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 211-226
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Appendix B - Haskell’s Standard Type Classes
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 355-364
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10 - Self-Similar Music
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 148-155
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3 - Polymorphic and Higher-Order Functions
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 42-62
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Appendix E - Haskell Quick Reference
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- The Haskell School of Music
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- 21 September 2018
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- 04 October 2018, pp 370-372
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