9876 results in Twentieth-Century and Contemporary Music
Acknowledgements
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Tables
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Mad Dogs & Englishness. Popular Music and English Identities. Edited by By Lee Brooks, Mark Donnelly and Richard Mills. New York: Bloomsbury Academic, 2017. 220 pp. ISBN 9781-50131-1253
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 576-579
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The Beatles on Screen: From Pop Stars to Musicians By Stephanie Fremaux. New York: Bloomsbury Academic, 2018. 184 pp. ISBN: 978-1501327131
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 575-576
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The Music Profession in Britain, 1780–1920: New Perspectives on Status and Identity. Edited by Rosemary Golding. London: Routledge. 2018. 230 pp. ISBN 978-1-138-29186-7
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 572-574
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KVLTER than KVLT: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’
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- 11 October 2019, pp. 518-537
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Jazz As Critique: Adorno and Black Expression Revisited. By Fumi Okiji. Stanford, CA: Stanford University Press, 2018. 148 pp. ISBN: 9781503602021
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 562-564
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PMU volume 38 issue 3 Cover and Back matter
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A sound track to ecological crisis: tracing guitars all the way back to the tree – ERRATUM
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- 11 October 2019, p. 588
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A strictly American institution: Neil O'Brien, blackface minstrelsy, and the invention of white Catholic identity
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 379-398
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The Value of Popular Music: An Approach from Post-Kantian Aesthetics. By Alison Stone. London: Palgrave Macmillan, 2016. 294 pp. ISBN: 978-3-319-83538-6
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 560-562
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‘Kollegah the Boss’: A case study of persona, types of capital, and virtuosity in German gangsta rap
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 457-480
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Corvus Corax: medieval rock, the minstrel, and cosmopolitanism as anti-nationalism
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- 11 October 2019, pp. 361-378
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Good things come in threes: triplet flow in recent hip-hop music
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- 11 October 2019, pp. 423-456
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‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist
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- 11 October 2019, pp. 481-497
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Sounds of Origin in Heavy Metal Music. Edited by Toni-Matti Karjalainen. Newcastle upon Tyne: Cambridge Scholars, 2018. 198 pp. ISBN: 978-1-5275-1170-5
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 580-582
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Modern Records, Maverick Methods: Technology and Process in Popular Music Record Production 1978–2000. By Samantha Bennett. New York: Bloomsbury Academic, 2018. 256 pp. ISBN: 978-1501344091
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 564-566
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Searching for ghosts: fluidity and temporal expansion in Joni Mitchell's first five albums (1968–1972)
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- 11 October 2019, pp. 399-422
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Tunes for All? Music on Danish Radio. Edited by Morten Michelsen, Mads Krogh, Iben Have and Steen Kaargaards Nielsen. Aarhus: Aarhus University Press, 2019. 357 pp. ISBN 978-87-7184-379-8
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 570-571
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A Hidden Landscape Once a Week: The Unruly Curiosity of the UK Music Press in the 1960s–1980s, in the Words of Those Who Were There. Edited by Mark Sinker. London: Strange Attractor Press, 2018. 380 pp. ISBN 9781907222634
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- Popular Music / Volume 38 / Issue 3 / October 2019
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- 11 October 2019, pp. 567-569
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