5745 results in Nineteenth-Century Music
1 - The Nineteenth-Century Songster: Recovering a Lost Musical Artefact
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp 1-8
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10 - The Blackface Songster in Britain
- from Part 3 - Nation, Place and Purpose
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp 184-204
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9 - Rethinking the Songster and National-Cosmopolitan Identity in Lowland Scotland, c. 1787–1830
- from Part 3 - Nation, Place and Purpose
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp 161-183
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7 - ‘Confound Their Politics’: The Political Uses of ‘God Save the King-Queen’
- from Part 2 - Politics
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp 112-137
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Copyright page
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp iv-iii
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Tables
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp viii-ix
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8 - Charles Robert Thatcher’s Songsters: Politics on the Goldfields of Victoria, Australia
- from Part 2 - Politics
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- Cheap Print and Popular Song in the Nineteenth Century
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- 07 April 2017
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- 23 March 2017, pp 138-158
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Reimagining Fauré’s Solo Vocal Music: New Editions and Recordings of the Songs and Vocalises
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- Nineteenth-Century Music Review / Volume 14 / Issue 2 / August 2017
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- 15 March 2017, pp. 287-302
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Fryderyk Chopin. Polonaises, Op. 40: Facsimile Edition of the Manuscript Held in the British Library in London, commentary by Zofia Chechlinska. Facsimile Edition A VI/40 (Warsaw: The Fryderyk Chopin Institute, 2015), 2 vols, 12 and 55 pp. € 67. - Fryderyk Chopin. Mazurka in A flat major: Facsimile Edition of the Manuscript Held in the Bibliothèque Polonaise in Paris (MAM Rkp. 973), commentary by Irena Poniatowska. Facsimile Edition A IV/WN 45 (Warsaw: The Fryderyk Chopin Institute, 2015), 2 vols, 2 and 92 pp. € 48.
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- Nineteenth-Century Music Review / Volume 14 / Issue 2 / August 2017
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- 15 March 2017, pp. 283-286
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Caroline Potter, Erik Satie: A Parisian Composer and His World (Woodbridge, Suffolk: Boydell Press, 2016). xxxiv+269 pp. £29.95.
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- Nineteenth-Century Music Review / Volume 16 / Issue 1 / April 2019
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- 10 March 2017, pp. 93-97
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What Were the So-Called ‘German Bands’ of Pre-World War I Australian Street Life?
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 20 February 2017, pp. 51-65
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Serenading Spanish Students on the Streets of Paris: The International Projection of Estudiantinas in the 1870s
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 07 February 2017, pp. 23-36
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French Music Criticism and Musicology at the Turn of the Twentieth Century: New Journals, New Networks
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- Nineteenth-Century Music Review / Volume 14 / Issue 1 / April 2017
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- 07 February 2017, pp. 9-32
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Re-examining Czerny’s and Moscheles’s Metronome Marks for Beethoven’s Piano Sonatas
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- Nineteenth-Century Music Review / Volume 15 / Issue 2 / August 2018
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- 07 February 2017, pp. 209-235
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Irish Nationalism, Print Culture and the Spirit of the Nation
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- Nineteenth-Century Music Review / Volume 15 / Issue 2 / August 2018
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- 07 February 2017, pp. 189-208
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Anne Doggett, A Far Cry: Town Crying in the Antipodes (North Melbourne: Australian Scholarly Publishing, 2015). ix+170 pp. A$39.95.
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 06 February 2017, pp. 89-93
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Aimée Boutin, City of Noise: Sound and Nineteenth-Century Paris (Chicago: University of Illinois Press, 2015). 208 pp. £18.99.
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 06 February 2017, pp. 85-89
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From Music to Noise: The Decline of Street Music
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 06 February 2017, pp. 67-78
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‘Unmistakeable Sauerkrauts’: Local Perceptions of Itinerant German Musicians in New Zealand, 1850–1920
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 06 February 2017, pp. 37-49
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Street Music in London in the Nineteenth Century: ‘Evidence’ from Charles Dickens, Charles Babbage and Lucy Broadwood
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- Nineteenth-Century Music Review / Volume 15 / Issue 1 / April 2018
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- 03 February 2017, pp. 9-22
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