¹ Potter, Caroline, ed., Erik Satie: Music, Art, and Literature (Burlington, VT: Ashgate, 2013)Google Scholar.

² See Fulcher, Jane, French Cultural Politics and Music: From the Dreyfus Affair to the First World War (New York: Oxford University Press, 1999)Google Scholar, and Fulcher, The Composer as Intellectual: Music and Ideology in France, 1914–1940 (New York: Oxford University Press, 2005).

³ The most cited studies include Robert Orledge’s Satie the Composer (Cambridge: Cambridge University Press, 1990), Steven Moore Whiting’s Satie the Bohemian: from Cabaret to Concert Hall (New York: Oxford University Press, 1999) and Ornella Volta’s rich collection of publications of primary sources, some of which have been translated into English; Potter also references the works of many students and young scholars, demonstrating her desire to be informed of the newest research, as well as her general support of emerging scholars (which can also be seen in her edited collection).