5745 results in Nineteenth-Century Music
Foreword by Mark Evan Bonds
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7 - “Poison-Flaming Flowers from the Orient and Nightingales from Bayreuth”: On Hanslick's Reception of the Music of Goldmark
- from Part Two - Liberalism and Societal Order
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9 - The Critic as Subject: Hanslick's Aus meinem Leben as a Reflection on Culture and Identity
- from Part Three - Memoirs and Meaning in Social Contexts
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Acknowledgments
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Frontmatter
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Chronology
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Part Four - Critical Battlefields
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14 - On “Jewishness” and Genre: Hanslick's Reception of Gustav Mahler
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Part Three - Memoirs and Meaning in Social Contexts
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3 - Hanslick, Legal Processes, and Scientific Methodologies: How Not to Construct an Ontology of Music
- from Part One - Rules of Engagement
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13 - Battle Rejoined: Hanslick and the Symphonic Poem in the 1890s
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Abbreviations
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Part One - Rules of Engagement
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1 - Negotiating the “Absolute”: Hanslick's Path through Musical History
- from Part One - Rules of Engagement
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Contents
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781580467957/resource/name/9781580467957i.jpg)
Rethinking Hanslick
- Music, Formalism, and Expression
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Index
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NCM volume 9 issue 2 Cover and Back matter
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- Nineteenth-Century Music Review / Volume 9 / Issue 2 / December 2012
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- 08 January 2013, pp. b1-b9
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Marco Beghelli and Raffaele Talmelli, Ermafrodite armoniche (Varese: Zecchini Editore, 2011). vii+216 pp+CD. €25.00.
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- Nineteenth-Century Music Review / Volume 9 / Issue 2 / December 2012
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- 08 January 2013, pp. 323-325
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Moot point: Editing Poetry and Punctuation in Fauré's Early Songs
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- Nineteenth-Century Music Review / Volume 9 / Issue 2 / December 2012
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- 08 January 2013, pp. 213-235
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