6365 results in Music Criticism
Part I - Enlightenment Perspectives
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Contributors
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Contents
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7 - Telemann’s Donner-Ode and Lutheran Nature Theology
- from Part III - Nature (and) Theology in the Late Vocal Works
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Appendix 2.1 - Georg Philipp Telemann: Pastorelle en musique oder Musicalisches Hirten-Spiel (Frankfurt, 1713–15)
- from 2 - Composing “Freedom” and Freedom of the Composer
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16 - Under the Reign of Telemann’s Sacred Cantata Cycles
- from Part V - Cantata Cycles in Frankfurt, Hamburg, and Beyond
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Appendices
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10 - Telemann as “General Kapellmeister” to the Bach Family
- from Part IV - Bach Family Connections
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Appendix 15.1 - Sources for the cantata cycle of 1733–34
- from 15 - Telemann’s Cantata Cycle of 1733–1734
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Abbreviations
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Telemann Studies
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8 - Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin’s Fourth Ballade as a Link Between the Ages
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10 - Music, Time, and Society
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4 - The Perceptual Present and the Philosophical Puzzle of Musical Experience
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7 - Live Coding as a Theatre of Agency and a Factory of Time
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5 - Ensemble Timing in String Quartets
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9 - ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga
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2 - The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures
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Music and Time
- Psychology, Philosophy, Practice
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1 - Music Listening and the Perception of Time: The LEMI Model
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