Cambridge Composer Studies - Series page

pp ii-ii

Telemann Studies - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Figures

pp vii-ix

Music Examples

pp x-xiv

Tables

pp xv-xvi

Appendices

pp xvii-xvii

Contributors

pp xviii-xviii

Preface

pp xix-xxix

Abbreviations

pp xxx-xxxii

Part I - Enlightenment Perspectives

pp 1-70

1 - Sehet an die Exempel der Alten

pp 3-38

2 - Composing “Freedom” and Freedom of the Composer

pp 39-58

Appendix 2.1 - Georg Philipp Telemann: Pastorelle en musique oder Musicalisches Hirten-Spiel (Frankfurt, 1713–15)

pp 54-58

3 - Telemann’s Beschreibung and Castel’s “Enlightenment” Harpsichord

pp 59-67

Appendix 3.1 - Published versions of Telemann’s Beschreibung der Augen-Orgel oder des Augen-Clavicimbels

pp 68-70

Part II - Urban and Courtly Contexts

pp 71-162

4 - Telemann, Lüneburg, and Roger Brown

pp 73-97

5 - Hamburg Passion Music at Telemann’s Arrival

pp 98-133

6 - The Testament of Prince Johann Ernst of Saxe-Weimar

pp 134-161

Appendix 6.1 - Surviving compositions by Prince Johann Ernst of Saxe-Weimar

pp 162-162

Part III - Nature (and) Theology in the Late Vocal Works

pp 163-212

7 - Telemann’s Donner-Ode and Lutheran Nature Theology

pp 165-178

8 - Body, Nature, and Emotion in Telemann’s Christmas Cantatas

pp 179-198

9 - Beyond Simplicity

pp 199-212

Part IV - Bach Family Connections

pp 213-270

10 - Telemann as “General Kapellmeister” to the Bach Family

pp 215-233

11 - Style as Substance

pp 234-249