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Letter XXXIII: The Mission WorK • Letter XXXVIII

Published online by Cambridge University Press:  26 May 2022

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Summary

Form and Colour—A Windy Capital—Eccentricities in House Roofs.

HAKODATE, YEZO, August 13, 1878.

AFTER a tremendous bluster for two days the weather has become beautifully fine, and I find the climate here more invigorating than that of the main island. It is Japan, but yet there is a difference somehow. When the mists lift they reveal not mountains smothered in greenery, but naked peaks, volcanoes only recently burnt out, with the red ash flaming under the noonday sun, and passing through shades of pink into violet at sundown. Strips of sand border the bay, ranges of hills, with here and there a patch of pine or scrub, fade into the far-off blue, and the great cloud shadows lie upon their scored sides in indigo and purple. Blue as the Adriatic are the waters of the land-locked bay, and the snowy sails of pale junks look whiter than snow against its intense azure. The abruptness of the double peaks behind the town is softened by a belt of cryptomeria, the sandy strip which connects the headland with the mainland heightens the general resemblance of the contour of the ground to Gibraltar; but while one dreams of the western world a kuruma passes one at a trot, temple drums are beaten in a manner which does not recall “the roll of the British drum,” a Buddhist funeral passes down the street, or a man-cart pulled and pushed by four yellowskinned, little-clothed mannikins, creaks by, with the monotonous grunt of Ha huida

A single look at Hakodaté itself makes one feel that it is Japan all over. The streets are very wide and clean, but the houses are mean and low. The city looks as if it had just recovered from a conflagration. The houses are nothing but tinder. The grand tile roofs of some other cities are not to be seen. There is not an element of permanence in the wide and windy streets. It is an increasing and busy place; it lies for two miles along the shore, and has climbed the hill till it can go no higher; but still houses and people look poor. It has a skeleton aspect too, which is partially due to the number of permanent “clothes-horses” on the roofs. Stones, however, are its prominent feature.

Type
Chapter
Information
Unbeaten Tracks in Japan
Revisiting Isabella Bird
, pp. 212 - 213
Publisher: Amsterdam University Press
Print publication year: 2018

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