Book contents
- Frontmatter
- Dedication
- Contents
- Author’s Preface to the English Edition
- The Kanasaka Commentaries
- Unbeaten Tracks in Japan
- Preface
- Contents
- List of Illustrations
- Letter I: First Impressions • Letter I
- Letter II: The Old and the New • Letter II
- Letter III: Yedo • Letter III
- Letter IV: Chinese and Servants • Letter VI
- Letter V: Worship • Letter VIII
- Letter VI: The Journey Begun • Letter IX
- Letter VI (Continued): From Kasukabé to Nikkô • Letter IX (Continued)
- Letter VII: Kanaya’s House • Letter X
- Letter VIII: Nikkô • Letter XI
- Letter IX: A Watering - Place • Letter XII
- Letter X: Domestic Life • Letter XIII
- Letter X. - (Continued.): Evening Employments • Letter XIII (Continued)
- Letter X. - (Completed): Shopping • Letter XIII (Completed.)
- Letter XL: Scant Costumes • Letter XIV
- Letter XII: Dirt and Disease • Letter XV
- Letter XII-(Concluded): High Farming • Letter XV (Concluded)
- Letter XIII: A Malarious District • Letter XVI
- Letter XIV: Extreme Filthiness • Letter XVII
- Letter XV: A River Journey • Letter XVIII
- Letter XVI: Niigata • Letter XX
- Letter XVII: Discomforts • Letter XXII
- Letter XVIII: A Prosperous District • Letter XXIII
- Letter XIX: A Japanese Doctor • Letter XXIV
- LETTER XX: A FEARFUL DISEASE • LETTER XSN
- LETTER XX.—(Continued?): FUNERAL CEREMONIES • LETTER XXV {Continued)
- Letter XX.—(Concluded): Policemen • Letter XXV (Concluded.)
- Letter XXI: A Hospital Visit • Letter XXVI
- Letter XXII: The Police Force • Letter XXVII
- Letter XXIII: ITO’S Virtues And Faults • Letter XXVIII
- Letter XXIV: A Wedding Ceremony • Letter XXIX
- Letter XXV: A Holiday • Letter XXX
- Letter XXVI: A Narrow Escape • Letter XXXI
- Letter XXVII: Shirasawa • Letter XXXII
- Letter XXVIII: An Inundation • Letter XXXIII
- Letter XXVIII: – (Continued) Children’s Games • Letter XXXIII (Continued)
- Letter XXIX: The Tanabata • Letter XXXIV
- Letter XXX: Popular Superstitions • Letter XXXV
- Letter XXXI: Primitive Simplicity • Letter XXXVI
- Letter XXXII: End of the Journey • Letter XXXVII
- Letter XXXIII: The Mission WorK • Letter XXXVIII
- Letter XXXIV: HakodatÉ • Letter XXXIX
- Letter XXXV: A Change of Scenery • Letter XL
- Letter XXXV.—(continued.): A Meeting • Letter XL (continued.)
- Letter XXXVI: Living with the Ainos • Letter XLI
- Letter XXXVI—(Continued.): Aino Hospitality • Letter XLI (Continued.)
- Letter XXXVII: Savage Life • Letter XLII
- Letter XXXVII.—(Continued.): Costume and Customs • Letter XLII (Continued.)
- Letter XXXVII. -(Continued.): Religion of Ainos • Letter XLII (Continued.)
- Letter XXXVIII: A Tipsy Scene • Letter XLIII
- Letter XXXIX: Visit to a Volcano • Letter XLIV
- Letter XXXIX. — (Continued.): A Wet Trip • Letter XLIV (Continued.)
- Letter XL: A Surprise • Letter XLV
- Letter XL.—(Continued.): Solitude • Letter XLV (Continued.)
- Letter XLI: The Missing Link • Letter XLVI
- Letter XLII: Compliments • Letter XLVIII
- Letter XLIII: A Cyclone • Letter XLIX
- Letter XLIV: Cremation • Letter LIX
- Index
- Mr. Murray's General List of Works
Letter XXIV: A Wedding Ceremony • Letter XXIX
Published online by Cambridge University Press: 26 May 2022
- Frontmatter
- Dedication
- Contents
- Author’s Preface to the English Edition
- The Kanasaka Commentaries
- Unbeaten Tracks in Japan
- Preface
- Contents
- List of Illustrations
- Letter I: First Impressions • Letter I
- Letter II: The Old and the New • Letter II
- Letter III: Yedo • Letter III
- Letter IV: Chinese and Servants • Letter VI
- Letter V: Worship • Letter VIII
- Letter VI: The Journey Begun • Letter IX
- Letter VI (Continued): From Kasukabé to Nikkô • Letter IX (Continued)
- Letter VII: Kanaya’s House • Letter X
- Letter VIII: Nikkô • Letter XI
- Letter IX: A Watering - Place • Letter XII
- Letter X: Domestic Life • Letter XIII
- Letter X. - (Continued.): Evening Employments • Letter XIII (Continued)
- Letter X. - (Completed): Shopping • Letter XIII (Completed.)
- Letter XL: Scant Costumes • Letter XIV
- Letter XII: Dirt and Disease • Letter XV
- Letter XII-(Concluded): High Farming • Letter XV (Concluded)
- Letter XIII: A Malarious District • Letter XVI
- Letter XIV: Extreme Filthiness • Letter XVII
- Letter XV: A River Journey • Letter XVIII
- Letter XVI: Niigata • Letter XX
- Letter XVII: Discomforts • Letter XXII
- Letter XVIII: A Prosperous District • Letter XXIII
- Letter XIX: A Japanese Doctor • Letter XXIV
- LETTER XX: A FEARFUL DISEASE • LETTER XSN
- LETTER XX.—(Continued?): FUNERAL CEREMONIES • LETTER XXV {Continued)
- Letter XX.—(Concluded): Policemen • Letter XXV (Concluded.)
- Letter XXI: A Hospital Visit • Letter XXVI
- Letter XXII: The Police Force • Letter XXVII
- Letter XXIII: ITO’S Virtues And Faults • Letter XXVIII
- Letter XXIV: A Wedding Ceremony • Letter XXIX
- Letter XXV: A Holiday • Letter XXX
- Letter XXVI: A Narrow Escape • Letter XXXI
- Letter XXVII: Shirasawa • Letter XXXII
- Letter XXVIII: An Inundation • Letter XXXIII
- Letter XXVIII: – (Continued) Children’s Games • Letter XXXIII (Continued)
- Letter XXIX: The Tanabata • Letter XXXIV
- Letter XXX: Popular Superstitions • Letter XXXV
- Letter XXXI: Primitive Simplicity • Letter XXXVI
- Letter XXXII: End of the Journey • Letter XXXVII
- Letter XXXIII: The Mission WorK • Letter XXXVIII
- Letter XXXIV: HakodatÉ • Letter XXXIX
- Letter XXXV: A Change of Scenery • Letter XL
- Letter XXXV.—(continued.): A Meeting • Letter XL (continued.)
- Letter XXXVI: Living with the Ainos • Letter XLI
- Letter XXXVI—(Continued.): Aino Hospitality • Letter XLI (Continued.)
- Letter XXXVII: Savage Life • Letter XLII
- Letter XXXVII.—(Continued.): Costume and Customs • Letter XLII (Continued.)
- Letter XXXVII. -(Continued.): Religion of Ainos • Letter XLII (Continued.)
- Letter XXXVIII: A Tipsy Scene • Letter XLIII
- Letter XXXIX: Visit to a Volcano • Letter XLIV
- Letter XXXIX. — (Continued.): A Wet Trip • Letter XLIV (Continued.)
- Letter XL: A Surprise • Letter XLV
- Letter XL.—(Continued.): Solitude • Letter XLV (Continued.)
- Letter XLI: The Missing Link • Letter XLVI
- Letter XLII: Compliments • Letter XLVIII
- Letter XLIII: A Cyclone • Letter XLIX
- Letter XLIV: Cremation • Letter LIX
- Index
- Mr. Murray's General List of Works
Summary
The Symbolism of Seaweed—Afternoon Visitors—An Infant Prodigy— A Feat in Caligraphy—Child Worship—A Borrowed Dress—A Trousseau— House Furniture—The Marriage Ceremony.
KUBOTA, July 25.
THE weather at last gives a hope of improvement, and I think I shall leave to-morrow. I had written this sentence when Ito came in to say that the man in the next house would like to see my stretcher and mosquito net, and had sent me a bag of cakes with the usual bit of seaweed attached, to show that it was a present. The Japanese believe themselves to be descended from a race of fishermen; they are proud of it, and Yebis, the god of fishermen, is one of the most popular of the household divinities. The piece of seaweed sent with a present to any ordinary person, and the piece of dried fish-skin which accompanies a present to the Mikado, record the origin of the race, and at the same time typify the dignity of simple industry.
Of course I consented to receive the visitor, and with the mercury at 84°, five men, two boys, and five women entered my small, low room, and after bowing to the earth three times, sat down on the floor. They had evidently come to spend the afternoon. Trays of tea and sweetmeats were handed round, and a tabako-bon was brought in, and they all smoked, as I had told Ito that all usual courtesies were to be punctiliously performed. They expressed their gratification at seeing so “honourable” a traveller. I expressed mine at seeing so much of their “honourable” country. Then we all bowed profoundly. Then I laid Brunton's map on the floor and showed them my route, showed them the Asiatic Society's Transactions, and how we read from left to right, instead of from top to bottom, showed them my knitting, which amazed them, and my Berlin work, and then had nothing left. Then they began to entertain me, and I found that the real object of their visit was to exhibit an “infant prodigy,” a boy of four, with a head shaven all but a tuft on the top, a face of preternatural thoughtfulness and gravity, and the self-possessed and dignified demeanour of an elderly man.
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- Unbeaten Tracks in JapanRevisiting Isabella Bird, pp. 165 - 169Publisher: Amsterdam University PressPrint publication year: 2018