Book contents
- Frontmatter
- The Catharsis of King Lear
- Lear’s Last Speech
- Albany
- Madness in King Lear
- The Influence of Gorboduc on King Lear
- Some Aspects of the Style of King Lear
- Keats and King Lear
- King Lear on the Stage: A Producer’s Reflections
- Costume in King Lear
- The Marriage-Contracts in Measure for Measure
- Tom Skelton—A Seventeenth-century Jester
- Illustrations of Social Life III: Street-Cries
- An Elizabethan Stage Drawing?
- Was there a Music-room in Shakespeare’s Globe?
- International Notes
- Shakespeare Productions in the United Kingdom: 1958
- Three Adaptations
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Plate Section
Published online by Cambridge University Press: 28 March 2007
- Frontmatter
- The Catharsis of King Lear
- Lear’s Last Speech
- Albany
- Madness in King Lear
- The Influence of Gorboduc on King Lear
- Some Aspects of the Style of King Lear
- Keats and King Lear
- King Lear on the Stage: A Producer’s Reflections
- Costume in King Lear
- The Marriage-Contracts in Measure for Measure
- Tom Skelton—A Seventeenth-century Jester
- Illustrations of Social Life III: Street-Cries
- An Elizabethan Stage Drawing?
- Was there a Music-room in Shakespeare’s Globe?
- International Notes
- Shakespeare Productions in the United Kingdom: 1958
- Three Adaptations
- The Year's Contributions to Shakespearian Study 1 Critical Studies
- 2 Shakespeare’s Life, Times and Stage
- 3 Textual Studies
- Books Received
- Index
- Plate Section
Summary
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- Information
- Publisher: Cambridge University PressPrint publication year: 1960