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2 - Cognitive Aspects of Olfaction in Perfumer Practice

Published online by Cambridge University Press:  21 September 2009

André Holley
Affiliation:
Professor of neuroscience Université Claude Bernard; Director Centre Européen des Sciences du GoÛt
Catherine Rouby
Affiliation:
Université Lyon I
Benoist Schaal
Affiliation:
Centre National de la Recherche Scientifique (CNRS), Paris
Danièle Dubois
Affiliation:
Centre National de la Recherche Scientifique (CNRS), Paris
Rémi Gervais
Affiliation:
Centre National de la Recherche Scientifique (CNRS), Paris
A. Holley
Affiliation:
Centre National de la Recherche Scientifique (CNRS), Paris
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Summary

Introduction

For their survival, human beings are less dependent than many other mammals on the use of their olfactory systems. One of the reasons for this decreased biological role for smell in humans is that information about the world needed for everyday life is available to humans through a wide variety of channels, including language as a vehicle for scientific and technical knowledge. The cognitive content of olfactory cues, which is of vital importance to many vertebrate species, enabling them to behave efficiently in their physical and biological environments, is comparatively of very modest importance for humans, who have come to rely on more sophisticated and more accurate sources of information. This is especially manifest in advanced societies.

In contrast to the relative regression in the ways humans use the informative-cognitive content of odors, odors still exert a powerful affective dimension. Odors are pleasant or unpleasant. This emotional component presumably originated in an evolutionary strategy associating sensory pleasure with beneficial consequences of approaching various odor sources, and displeasure with dangerous consequences of such an approach. Although the link between the actual emotional effect of an odor and its potential behavioral meaning was not clear in most cases, there evolved a general attitude that consisted in attempts to avoid unpleasant odors and increase one's exposure to pleasant ones.

The art of concocting perfumes can be seen as a specifically human activity that leads a biological mechanism out of its natural domain of expression in order to make it serve a cultural purpose.

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Publisher: Cambridge University Press
Print publication year: 2002

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